Mgm Collection (page 6)

A scene from Suzy (1936) with Cary Grant and Jean Harlow, the latter wearing her little white, almost transparent, chiffon gown for the cabaret scene, designed by Dolly Tree

Picturegoers Famous Film Supplement for Riffraff (1936) with Spencer Tracy and Jean Harlow, the latter dressed by Dolly Tree Date: 1936

Jean Harlow at the time of filming Riffraff (1936)
Jean Harlow in a slinky lam gown with over-tunic and wrap created by Dolly Tree at the time of the filming of Riffraff (1936) and used in publicity to present Harlow

Jean Harlow poses for publicity in a Dolly Tree creation at the time of filming Riffraff (1936). Date: 1936

Fashion feature about the new Jean Harlow
To support her new image in Riffraff (1936), Jean Harlow was arrayed in new fashions designed by Dolly Tree not seen in the film with press stories that said her new wardrobe would set the styles

An array of Dolly Tree gowns in These Glamour Girls (1939). From left to right Anita Louise, Marsha Hunt, Jane Bryan, Lana Turner, Ann Rutherford and Mary Beth Hughes. Date: 1939

Anita Louise as a debutante beauty in These Glamour Girls
What does a glamour girl wear? Anita Louise as a debutante beauty in These Glamour Girls (1939) wore this sport suit designed by Dolly Tree made of cool linen in sun yellow with a single fastening

A scene from Test Pilot (1938) with Myrna Loy (dressed by Dolly Tree), Spencer Tracy and Clark Gable Date: 1938

Picturegoers Famous Film Supplement for Test Pilot (1938) starring Myrna Loy (dressed by Dolly Tree), Spencer Tracy and Clark Gable: a film dressed by Dolly Tree Date: 1938

Myrna Loy and Una Merkel in Evelyn Prentice (1934)
Myrna Loy and Una Merkel wearing Dolly Tree gowns in Evelyn Prentice (1934). Una Merkel?s creation was originally created for Myrna Loy in The Thin Man (1934). Date: 1934

The Prizefighter and the Lady (1933) - Myrna Loy, Max Baer
The German Film Kurier magazine for The Prizefighter and the Lady (1933) with Myrna Loy (in a Dolly Tree creation) and Max Baer Date: 1933

A stylish evening gown designed by Dolly Tree for Myrna Loy at the time of I Love You Again (1940). Date: 1940

Myrna Loy in Third Finger Left Hand (1940)
Costume design by Dolly Tree for Myrna Loy in Third Finger Left Hand (1940) for a lovely hostess gown perfect for an evening at home

Myrna Loy in Manproof (1937)
Myrna Loy in a heavy white crepe evening gown fashioned along Grecian lines, designed by Dolly Tree in Manproof (1937). Purely classic in styling

Myrna Loy in Libeled Lady (1936)
Myrna Loy wearing a gown designed by Dolly Tree in Libeled Lady (1936). The stunning black tulle formal gown had the new flaring silhouette and featured a tiered tunic

Myrna Loy in Wife Versus Secretary (1936)
A dramatic hostess gown with a square neck, designed by Dolly Tree for Myrna Loy in Wife Versus Secretary (1936). Made of soft, light velvet

Myrna Loy in Petticoat Fever (1936)
Myrna Loy wore this Dolly Tree negligee in Petticoat Fever (1936). Date: 1936

Myrna Loy at the time of Whipsaw (1936)
A stunning two-piece ensemble in white woven cloth designed by Dolly Tree for Myrna Loy at the time of Whipsaw (1934) as a lounging outfit or casual afternoon ensemble for cocktails

Myrna Loy in Whipsaw (1934)
The defining Dolly Tree creation for Myrna Loy in Whipsaw (1934) was a dark coat with a large collar and bands up both sides made of krimmer (Russian lamb fur). Date: 1934

Seymour?s feature about Dolly Tree
Seymour?s feature in Photoplay, February 1935 about Dolly Tree?s Calla Lily-inspired gown for Myrna Loy in Evelyn Prentice (1934) Date: 1935

Myrna Loy in Evelyn Prentice (1934) wore an interesting pair of exercise pyjamas created by Dolly Tree which were made of powder blue crepe with navy blue embroidery

Myrna Loy in Manhattan Melodrama (1934)
Myrna Loy wearing a dramatic floor-length lam coat in Manhattan Melodrama (1934), desigend by Dolly Tree with a decided flair from the waist and a huge fur collar and cuffs Date: 1934

Myrna Loy on the set of Manhatten Melodrama (1934) with
Myrna Loy on the set of Manhattan Melodrama (1934) wearing a charming shell pink chiffon spring gown designed by Dolly Tree, with a V neck and cluster of flowers on the shoulder

Myrna Loy in Stamboul Quest (1934) wearing a Dolly Tree draped white gown with clever shirring on the sleeves and a waistband and floor-length sash-ties in a darker material. Date: 1934

A scene from The Thin Man (1934) with William Powell, Myrna Loy, Minna Gombell and Nat Pendleton (Gombell and Loy in Dolly Tree creations) Date: 1934

Myrna Loy in Prizefighter and the Lady (1933) wearing a Dolly Tree creation Date: 1933

A scene from Free and Easy (1941) with Ruth Hussey and Judith Anderson wearing Dolly Tree creations Date: 1941

A scene from Free and Easy (1941) with Judith Anderson wearing a Dolly Tree creation Date: 1941

Ruth Hussey in Northwest Passage (1940) wearing a Dolly Tree creation Date: 1940

Ruth Hussey wearing a strapless evening gown - Dolly Tree
Ruth Hussey wearing a strapless evening gown designed by Dolly Tree in Within the Law (1939). Date: 1939

Costume design by Dolly Tree for Ruth Hussey
A costume design by Dolly Tree for Ruth Hussey in Flight Command (1940). suitable for either afternoon dress or as a dinner date

Ruth Hussey in Flight Command (1940) wearing a dress designed by Dolly Tree and suitable for either afternoon dress or as a dinner date

Dolly Tree and Ruth Hussey at a fitting for Flight Command (1940) Date: 1940

Ruth Hussey in a scene from Free and Easy (1941) wearing a Dolly Tree creation Date: 1941

Ruth Hussey in a scene from Within the Law (1939)
Ruth Hussey?s coat dress of sheet black wool, designed by Dolly Tree in Within the Law (1939) had shining gold leather trimming (inspired by Italian Renaissance embroidery)

Advert illustrating a suit designed by Dolly Tree
An advert in the Rexall Magazine illustrating a suit designed by Dolly Tree for Ruth Hussey?s in Blackmail (1939). Date: 1939

Ruth Hussey in Rich Man Poor Girl (1938)
Navy blue wool jersey is used in this one-piece frock with gathered bodice, designed by Dolly Tree, for Ruth Hussey in Rich Man Poor Girl (1938)

Ruth Hussey in Blackmail (1939)
Mermaids and marine life is the motif in a red and white silk print dress designed by Dolly Tree for Ruth Hussey in Blackmail (1939)

Ruth Hussey in Within the Law (1939)
Ruth Hussey?s coat dress of sheet black wool, designed by Dolly Tree in Within the Law (1939) had shining gold leather trimming (inspired by Italian Renaissance embroidery)

Mary Astor in Woman Against Woman (1938
" Mary Astor in Woman Against Woman (1938), in a very simple dinner gown designed by Dolly Tree with a strong peasant influence

Mary Astor in Listen Darling (1938)
Mary Astor wore this evening gown and jacket designed by Dolly Tree in Listen Darling (1938). The front dcolletage was gathered and fitted

Mary Astor in Paradise For Three (1938) wears this smart suit designed by Dolly Tree edged in fur with a matching hat. Date: 1938

Billie Burke in Bridal Suite (1939)
A blue wool two-piece suit with shoulder cape in blue, grey and mustard plaid, designed by Dolly Tree for Billie Burke in Bridal Suite (1939). A large envelope bag repeated the plaid

Annabella in Bridal Suite (1939) wearing a dark, pleated evening gown with short matching jacket. The film was in production in early 1939

Annabella, the French movie star in Bridal Suite (1939)
Annabella, the French movie star, a featured player in the screwball comedy Bridal Suite (1939) wore this strapless evening gown designed by Dolly Tree

Maureen O?Sullivan in Spring Madness (1938)
A ?workaday outfit? designed by Dolly Tree for Maureen O?Sullivan in Spring Madness (1938). A lumberjack blouse of plaid spouting reds, black and yellow was worn with a velveteen skating skirt

Maureen O?Sullivan in A Day at the Races (1937)
An attractive gown created in white tulle for a formal affair designed by Dolly Tree for Maureen O?Sullivan in A Day at the Races (1937)

Maureen O?Sullivan in Hold That Kiss (1938)
The dirndl took to the street in this day frock designed by Dolly Tree for Maureen O?Sullivan in Hold That Kiss (1938). The full gathered blouse was of white silk crepe with small pearl buttons

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