Mgm Collection (page 4)

Cicely Courtneidge in The Perfect Gentleman (1935) wearing a stirking Dolly Tree creation Date: 1935

Heather Angel and Cicely Courtneidge - The Perfect Gentleman
Heather Angel (left) and Cicely Courtneidge in The Perfect Gentleman (1935) wearing Dolly Tree creations Date: 1935

A gown designed by Dolly Tree for Carole Lombard
A black tea gown of cellophane velvet designed by Dolly Tree for Carole Lombard in The Gay Bride (1934) Date: 1934

Smart suit designed by Dolly Tree for Carole Lombard
Navy blue crepe fashions this smart suit designed by Dolly Tree for Carole Lombard in The Gay Bride (1934) featuring a cut away coat and an attractive blouse

A suit designed by Dolly Tree for Carole Lombard
A velvet street suit designed by Dolly Tree for Carole Lombard in The Gay Bride (1934), patterned after the quaint drawings of Kate Greenaway, including a poke bonnet of 1840. Date: 1934

Evening gown designed by Dolly Tree for Carole Lombard
Period influence permeated this evening gown designed by Dolly Tree for Carole Lombard in The Gay Bride (1934). The gown featured a basque waist

An evening frock designed by Dolly Tree for Carole Lombard
An evening gown designed by Dolly Tree for Carole Lombard in The Gay Bride (1934) made of a new fabric known as hammered silver or heavy metal cloth fitted to the body like armour. Date: 1934

Barbara Stanwyck in His Brother?s Wife (1936) wore this two-piece evening ensemble designed by Dolly Tree. A long black skirt with a train was topped by a white jacket with lapels and puffed sleeves

A scene from The Bishop Misbehaves (1935) with Lilian Bond wearing a Dolly Tree gown. Dolly Tree and Lilian Bond would have known each other from London when Bond appeared in the Piccadilly Revels

Lucile Watson in The Bishop Misbehaves (1935) wearing a Dolly Tree creation Date: 1935

Cecilia Parker in Ah Wilderness (1935) wearing Dolly Tree
Cecilia Parker in Ah Wilderness (1935) wearing a Dolly Tree period costume Date: 1935

Cecilia Parker wearing a Dolly Tree gown from Three Live Ghosts (1936). Date: 1936

Silver sheathed gown for Margaret Sullivan in Three Comrades
A silver symphony is an apt description of this silver sheathed gown for Margaret Sullivan in Three Comrades (1938) designed by Dolly Tree

Margaret Dumont (with Groucho Marx) wearing Dolly Tree
Margaret Dumont (with Groucho Marx) wearing a Dolly Tree negligee in At the Circus (1939) Date: 1939

Ann Sothern wearing Dolly Tree in Maisie Was A Lady
Ann Sothern wearing a Dolly Tree creation in Maisie Was A Lady (1941) Date: 1941

A scene from Maisie Was A Lady (1941) with Ann Sothern
Ann Sothern wearing a Dolly Tree creation in Maisie Was A Lady (1941) Date: 1941

Ann Sothern in a Dolly Tree gown from Congo Maisie (1940) Date: 1940

Ann Sothern in Congo Maisie wearing a Dolly Tree costume
Ann Sothern in Congo Maisie (1940) wearing a Dolly Tree costume Date: 1940

Helen Gilbert in The Secret of Dr. Kildare (1939) wore this evening ensemble desiged by Dolly Tree that went back to her grandmother?s day for fashion significance

Robin Hood of El Dorado
Margo, Warner Baxter and Ann Loring in Robin Hood of El Dorado (1936). Date: 1936

A black evening gown designed by Dolly Tree for Ann Morriss
A black evening gown with low-cut dcolletage and small shoulder straps worn by Ann Morriss in Society Lawyer (1939) and designed by Dolly Tree Date: 1939

A satin negligee designed by Dolly Tree for Ann Morriss
The richness of satin was utilised to full advantage in this negligee designed by Dolly Tree for Ann Morriss in The Chaser (1938)

Ann Morriss wearing a smart suit designed by Dolly Tree in The Chaser (1938) Date: 1938

A hostess gown designed by Dolly Tree, for Ilka Chase
Hostess gowns played an important part in the 1930s wardrobe and, this model designed by Dolly Tree, for Ilka Chase in Stronger Than Desire, (1939)

Joan Perry in Maisie Was a Lady (1941) wore a stunning two-piece street ensemble or suit in beige and black designed by Dolly Tree

Lana Turner in Dancing Co-Ed wearing Dolly Tree costume
Lana Turner in Dancing Co-Ed (1939) wearing her Dolly Tree costume, with Artie Shaw Date: 1939

Lana Turner in Dolly Tree negligee from These Glamour Girls
Lana Turner in a Dolly Tree negligee from These Glamour Girls (1939) Date: 1939

Lana Turner wearing two-piece frock designed by Dolly Tree
Lana Turner wearing a two-piece frock designed by Dolly Tree in 1939 with a theme of colour ruling simplicity. Made of natural coloured kasha cloth

A long, form fitting chiffon gown by Dolly Tree
A gown designed by Dolly Tree for Lana Turner from Two Girls on Broadway (1940) Date: 1940

Smart two-piece suit designed by Dolly Tree for Lana Turner
A smart two-piece suit designed by Dolly Tree for Lana Turner from Two Girls on Broadway (1940) Date: 1940

A scene from Four Girls in White (1939) with Florence Rice (in foreground) wearing a Dolly Tree creation Date: 1939

Florence Rice in Four Girls in White (1939) wearing a Dolly Tree creation Date: 1939

Florence Rice in Miracles for Sale (1939) Date: 1939

Gown by Dolly Tree - Florence Rice in Beg Borrow or Steal
A gown designed by Dolly Tree for Florence Rice in Beg Borrow or Steal (1937) made of black lace over pale pink chiffon. It has a drop shoulder line with a very full skirt

Florence Rice in Dolly Tree creation for Stand Up and Fight
Florence Rice in a Dolly Tree creation for Stand Up and Fight (1939) with Robert Young Date: 1939

Florence Rice in Paradise For Three (1938) wearing a Dolly Tree gown and with Frank Morgan (left) and Robert Young (right) Date: 1938

A lam, form-fitting dinner gown designed by Dolly Tree for Florence Rice in Navy Blue & Gold (1937) Date: 1937

A costume created by Dolly Tree for Florence Rice during the production of Stand up and Fight (1939). This afternoon ensemble for the cocktail hour was fashioned in gold lam combined with deep brown

Ann Rutherford in a Dolly Tree formal gown from The Ghost Comes Home (1940). Season in and season out white was always seen as the perfect colour for formal finery

Ann Rutherford in Dolly Tree suit from The Ghost Comes Home
Ann Rutherford in a Dolly Tree suit from The Ghost Comes Home (1940). It was stressed that no wardrobe was complete for the career girl if it did not contain a good tweed, well-tailored suit

Rita Johnson in The Girl Downstairs (1939) wearing a two piece military style suit. Date: 1939

An evening dress for Rita Johnson in Manproof (1938)
Rows and rows of black chiffon made the skirt of this evening gowm for Rita Johnson in Manproof (1938) designed by Dolly Tree

Dolly Tree two-piece suit for The Golden Fleecing (1940)
Virginia Grey wore this sleekly tailored Dolly Tree two-piece suit in The Golden Fleecing (1940) made of deep blue wool. Of interest was the white piqu accents of collar

Rita Johnson wearing a smart Dolly Tree suit in 6000 Enemies (1939) with Walter Pidgeon Date: 1939

Rita Johnson - Dolly Tree negligee in Within the Law (1939)
Rita Johnson wore this Dolly Tree negligee in Within the Law (1939) and designed by Dolly Tree Date: 1939

Rita Johnson in elegant Dolly Tree evening gown
Rita Johnson wore this elegant Dolly Tree evening gown in Within the Law (1939). Definitely Eastern in effect, it was sprinkled with rows of silver sequins on the gown and cloak

Rita Johnson and Spencer Tracy in Edison the Man (1940). Johnson is wearing a period gown designed by Dolly Tree Date: 1940

Rita Johnson wearing an evening gown designed by Dolly Tree
Rita Johnson wearing a full and flowing chiffon evening gown designed by Dolly Tree in My Dear Miss Aldrich (1937) but also worn by Florence Rice in Beg Borrow or Steal (1937). Date: 1937

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