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Metro Goldwyn Mayer Collection

Background imageMetro Goldwyn Mayer Collection: Margaret Atwood wearing a Dolly Tree suit and a fur wrap

Margaret Atwood wearing a Dolly Tree suit and a fur wrap in We Went to College (1936) Date: 1936

Background imageMetro Goldwyn Mayer Collection: Lana Turner in a scene from Calling Dr Kildare (1939)

Lana Turner in a scene from Calling Dr Kildare (1939) wearing a Dolly Tree gown Date: 1939

Background imageMetro Goldwyn Mayer Collection: Lana Turner in Rich Man, Poor Girl (1938)

Lana Turner in Rich Man, Poor Girl (1938) wearing a Dolly Tree creation originally designed for Virginia Grey in Rosalie (1937), with Robert Young Date: 1937

Background imageMetro Goldwyn Mayer Collection: Myrna Loy in I Love You Again (1940)

Myrna Loy in I Love You Again (1940)
Elegant simplicity distinguished this evening gown designed by Dolly Tree for Myrna Loy in I Love You Again (1941). It depended for its style importance on the beautiful draping of the material

Background imageMetro Goldwyn Mayer Collection: Harriet Hoctor in a Dolly Tree gown for The Great Ziegfeld

Harriet Hoctor in a Dolly Tree gown for The Great Ziegfeld (1936). This gown was originally created for Myrna Loy in Manhattan Melodrama (1934) and was seen at the beginning of the film

Background imageMetro Goldwyn Mayer Collection: Myrna Loy in a Dolly Tree gown from Too Hot to Handle

Myrna Loy in a Dolly Tree gown from Too Hot to Handle (MGM 1938), which was the one concession to glamour in the film. This cool, white, crepe column gown

Background imageMetro Goldwyn Mayer Collection: Penny Singleton wearing Dolly Tree - Blondie Goes to College

Penny Singleton wearing Dolly Tree - Blondie Goes to College
Penny Singleton wearing a Dolly Tree creation in Blondie Goes to College (1942) Date: 1942

Background imageMetro Goldwyn Mayer Collection: Diana Lewis in Andy Hardy Meets Debutante (1940)

Diana Lewis in Andy Hardy Meets Debutante (1940) wore this spring suit in navy wool designed by Dolly Tree. The gracefully flared skirt was topped by a snug-fitting jacket that buttoned to a V

Background imageMetro Goldwyn Mayer Collection: A debutante Style designed by Dolly Tree for Diana Lewis

A debutante Style designed by Dolly Tree for Diana Lewis in Andy Hardy Meets Debutante (1940) comprising a form-fitting gold lam evening gown Date: 1940

Background imageMetro Goldwyn Mayer Collection: A black wool suit designed by Dolly Tree

A black wool suit designed by Dolly Tree was worn by Rita Johnson in The Golden Fleecing (1940), The skirt was fitted at the hips, flared at the hem, and worn with a dressmaker jacket

Background imageMetro Goldwyn Mayer Collection: Rita Johnson in Dolly Tree outfit from The Golden Fleecing

Rita Johnson in Dolly Tree outfit from The Golden Fleecing
Rita Johnson in a Dolly Tree outfit from The Golden Fleecing (1940) Date: 1940

Background imageMetro Goldwyn Mayer Collection: Mickey Rooney and Judy Garland in Babes in Arms (1939)

Mickey Rooney and Judy Garland in Babes in Arms (1939) Date: 1939

Background imageMetro Goldwyn Mayer Collection: William Powell, Jean Harlow, Myrna Loy and Spencer Tracy

William Powell, Jean Harlow, Myrna Loy and Spencer Tracy in Libeled Lady (1936). Loy and Harlow in Dolly Tree creations. Date: 1936

Background imageMetro Goldwyn Mayer Collection: Myrna Loy in The Thin Man (1934)

Myrna Loy in The Thin Man (1934)
a shiny alluring sheath of black cire moulded to the figure formed this gown designed by Dolly Tree for Myrna Loy in The Thin Man (1934)

Background imageMetro Goldwyn Mayer Collection: Billie Burke wearing range of Dolly Tree creations

Billie Burke wearing range of Dolly Tree creations
Brown herringbone lightweight tweed was featured in a two-piece tailored suit (top left) designed by Dolly Tree for Billie Burke in Bridal Suite (1939)

Background imageMetro Goldwyn Mayer Collection: Rosalind Russell?s housecoat advert - First Love Silverware

Rosalind Russell?s housecoat advert - First Love Silverware
Rosalind Russell?s housecoat for an advertisement for First Love silverware (1937). The housecoat ? stylistically matched Dolly Tree

Background imageMetro Goldwyn Mayer Collection: The wedding scene from Manproof (1938) with Rosalind Russell

The wedding scene from Manproof (1938) with Rosalind Russell (Left) and Myrna Loy (right) wearing Dolly Tree creations Date: 1938

Background imageMetro Goldwyn Mayer Collection: Betty Furness wearing a Dolly Tree negligee

Betty Furness wearing a Dolly Tree negligee at the time of Three Wise Guys (1936). Fashioned with pale blue velvet, the negligee features wide lapels and glass buttons of the same shed of blue

Background imageMetro Goldwyn Mayer Collection: Rosalind Russell in a lame coat designed by Dolly Tree

Rosalind Russell in a lame coat designed by Dolly Tree
Rosalind Russell in this exquisite long, lame coat designed by Dolly Tree from The Casino Murder Case (MGM 1935). Buttoned at the back from waist to the floor

Background imageMetro Goldwyn Mayer Collection: Ilona Massey in one of her Dolly Tree costumes from Rosalie

Ilona Massey in one of her Dolly Tree costumes from Rosalie (1937) Date: 1937

Background imageMetro Goldwyn Mayer Collection: Cicely Courtneidge in one of her Dolly Tree gowns

Cicely Courtneidge in one of her Dolly Tree gowns
Cicely Courtneidge wore this formal Dolly Tree gown in The Perfect Gentleman (1935), Made of jet black sequins it featured an off-the-shoulder neckline with ruffled sleeves

Background imageMetro Goldwyn Mayer Collection: Elizabeth Alllan in a contemproary Dolly Tree gown

Elizabeth Alllan in a contemproary Dolly Tree gown
When Dolly Tree created the period wardrobe for David Selznick?s A Tale of Two Cities (1935), she also designed an accompanying collection of contemporary gowns with a period flavour for Elizabeth

Background imageMetro Goldwyn Mayer Collection: Virginia Bruce wearing an elegant evening ensemble

Virginia Bruce wearing an elegant evening ensemble of black velvet and taffetas (1936-37) most likely designed by Dolly Tree Date: 1936-1937

Background imageMetro Goldwyn Mayer Collection: Virginia Bruce - Dolly Tree costumes from Escapade

Virginia Bruce - Dolly Tree costumes from Escapade
Virginia Bruce in one of her Dolly Tree costumes from Escapade (1935) Date: 1935

Background imageMetro Goldwyn Mayer Collection: Clark Gable and Jean Harlow in Saratoga (1937)

Clark Gable and Jean Harlow in Saratoga (1937) Date: 1937

Background imageMetro Goldwyn Mayer Collection: A smart check summer outfit designed by Dolly Tree

A smart check summer outfit designed by Dolly Tree for Maureen O?Sullivan in Woman Wanted (1935). Plaid seersucker was the foundation in red, green and yellow over a white background

Background imageMetro Goldwyn Mayer Collection: A contemporary gown designed by Dolly Tree

A contemporary gown designed by Dolly Tree and modelled by Rosalind Russell on one of the sets for Trouble For Two (1936) Date: 1936

Background imageMetro Goldwyn Mayer Collection: William Powell and Rosalind Russell in Rendezvous (1935)

William Powell and Rosalind Russell in Rendezvous (1935) with Russells costume by Dolly Tree Date: 1935

Background imageMetro Goldwyn Mayer Collection: Margaret Dumont (left) and Rosalind Russell (right)

Margaret Dumont (left) and Rosalind Russell (right) in a deleted scene from Rendezvous (1935) with both wearing Dolly Tree creations Date: 1935

Background imageMetro Goldwyn Mayer Collection: Lynne Carver in a golf outfit designed by Dolly Tree in 1940

Lynne Carver in a golf outfit designed by Dolly Tree in 1940 Date: 1940

Background imageMetro Goldwyn Mayer Collection: Elizabeth Allan wearing a gown designed by Dolly Tree

Elizabeth Allan wearing a gown designed by Dolly Tree created at the time of A Tale of Two Cities (1935). The striking formal gown is made of silver lame and revives the halter neckline

Background imageMetro Goldwyn Mayer Collection: Ruth Hussey modelling a suit ensemble designed by Dolly Tree

Ruth Hussey modelling a suit ensemble designed by Dolly Tree from Flight Command (1940) Date: 1940

Background imageMetro Goldwyn Mayer Collection: Anita Louise wearing a smart suit designed by Dolly Tree

Anita Louise wearing a smart suit designed by Dolly Tree in These Glamour Girls (1939). White lace ruffles cascade down the front of the white mouselline blouse to form a jabot to the jacket of a

Background imageMetro Goldwyn Mayer Collection: Dolly Tree at MGM in her studio surrounded by her sketches

Dolly Tree at MGM in her studio surrounded by her sketches
Dolly Tree at MGM in her studio in 1939 surrounded by her sketches Date: 1939

Background imageMetro Goldwyn Mayer Collection: Dolly Tree and Mary Howard discussing the costumes

Dolly Tree and Mary Howard discussing the costumes for Billy the Kid (1941), a Western set in 1879 and starring Robert Taylor as the outlaw

Background imageMetro Goldwyn Mayer Collection: Dolly Tree and Ruth Cornell look at Trees sketches

Dolly Tree and Ruth Cornell look at Trees sketches
Dolly Tree and Ruth Cornell (who won the title of The All American Queen of the Southwest at the Fort Worth Rodeo and was given a tour of Hollywood)

Background imageMetro Goldwyn Mayer Collection: Dolly Tree measuring the dummy for Myrna Loy

Dolly Tree measuring the dummy for Myrna Loy in the MGM costume department, late 1930s Date: 1930s

Background imageMetro Goldwyn Mayer Collection: Dorothy Comingore (right) and Susan Hayward (middle)

Dorothy Comingore (right) and Susan Hayward (middle) wearing Dolly Tree creations in The Hairy Ape (1943) Date: 1943

Background imageMetro Goldwyn Mayer Collection: Susan Hayward and John Loder in The Hairy Ape (1943)

Susan Hayward and John Loder in The Hairy Ape (1943)
Susan Hayward wearing Dolly Tree creation in The Hairy Ape (1943) with John Loder on the left Date: 1943

Background imageMetro Goldwyn Mayer Collection: The stars of The Hairy Ape (1943)

The stars of The Hairy Ape (1943)
Dorothy Comingore and Susan Hayward (middle left and right) wearing Dolly Tree creation in The Hairy Ape (1943) with John Loder (left) and William Bendix (right) Date: 1943

Background imageMetro Goldwyn Mayer Collection: A scene from Thunder Birds (1942) with Gene Tierney

A scene from Thunder Birds (1942) with Gene Tierney in a Dolly Tree evening gown by the side of the pianist with the accompanying female cast also in Dolly Tree creations Date: 1942

Background imageMetro Goldwyn Mayer Collection: Lynn Bari in The Magnificent Dope (1942)

Lynn Bari in The Magnificent Dope (1942) wearing a Dolly Tree creation. A jumper dress of sheer woollen cotton jersey was moulded to the figure. Date: 1942

Background imageMetro Goldwyn Mayer Collection: Linda Darnell & John Shepperd, The Loves of Edgar Allan Poe

Linda Darnell & John Shepperd, The Loves of Edgar Allan Poe
Linda Darnell and John Shepperd in The Loves of Edgar Allan Poe (1942). Darnell is wearing a period costume designed by Dolly Tree Date: 1942

Background imageMetro Goldwyn Mayer Collection: Maureen O?Hara in one of her period costumes

Maureen O?Hara in one of her period costumes from Ten Gentleman From West Point (1942) designed by Dolly Tree Date: 1942

Background imageMetro Goldwyn Mayer Collection: Advert for The Goldman Company?s Freshy Playclothes

Advert for The Goldman Company?s Freshy Playclothes, a range of ready-to-wear ensembles designed by Dolly Tree, 1942 Date: 1942

Background imageMetro Goldwyn Mayer Collection: Jean Harlow in one of her white pleated gowns

Jean Harlow in one of her white pleated gowns created by Dolly Tree at the time of filming Suzy (1936). Date: 1936

Background imageMetro Goldwyn Mayer Collection: A scene from The Devil?s Brother (Fra Diavolo)

A scene from The Devil?s Brother (Fra Diavolo)
A scene from Laurel and Hardys The Devil?s Brother (Fra Diavolo) with Thelma Todd and Dennis King, (1933). The costumes may have been designed by Dolly Tree. Date: 1933

Background imageMetro Goldwyn Mayer Collection: Betty Furness wore this Dolly Tree gown in Shadow of Doubt

Betty Furness wore this Dolly Tree gown in Shadow of Doubt (1935). Made of gold lam it featured a short tunic and a Grecian crossed neckline. Diamond clips were caught at either side



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