Gentleman Collection (page 9)

Gentleman and old lady in a hotel room watched by a porter. He says, You can count on me to use all my credit. He thinks, Shes old, ugly and shes soliciting me

Gentleman meeting an old man in a parlour. Good to see you recovered, dear uncle. (It puts back the inheritance, but its fine)

Gentleman in the study of an advisor
Young gentleman in the study of an advisor reading a letter. He says, I m entirely at your disposal. He thinks, Another free dinner

Lady flattering a foppish gentleman in a parlour. Always so intelligent! (You big booby!) Handcoloured lithograph by the Gihaut brothers after an illustration by Jean Gabriel Scheffer from Petites

Gentleman flattering an older woman in a parlour
Gentleman flattering an older woman in front of a fireplace in a parlour. I d die if you were over 30! (30 years of marriage)

Lady in a parlor being kissed goodbye by an old man. Adieu, see you again. (You old fool.) Handcoloured lithograph by the Gihaut brothers after an illustration by Jean Gabriel Scheffer from Petites

Gentleman with cane and top hat interrupting a lady at her toilette. Hello, how nice to see you! (You beast!) Handcoloured lithograph by the Gihaut brothers after an illustration by Jean Gabriel

Young lady walking in a panelled room, 18th century. Copperplate engraving from The Polite Academy, or Instructions for a Genteel Behaviour and Polite Address in Masters and Misses, R

Young lady giving or receiving a fan in a park, 18th century. Copperplate engraving from The Polite Academy, or Instructions for a Genteel Behaviour and Polite Address in Masters and Misses, R

Young gentleman graciously offering / receiving
Young gentleman graciously offering/receiving a book in a panelled room, 18th century. Copperplate engraving from The Polite Academy

Young gentleman compliment retiring from a
Young gentleman compliment retiring or politely leaving a panelled room, 18th century. Copperplate engraving from The Polite Academy

Young gentleman bowing with his hat in his hand in a panelled room, 18th century. Copperplate engraving from The Polite Academy

Young gentleman walking and saluting passerby on the street, 18th century. Copperplate engraving from The Polite Academy, or Instructions for a Genteel Behaviour and Polite Address in Masters

Young lady dancing in a room, 18th century. Copperplate engraving from The Polite Academy, or Instructions for a Genteel Behaviour and Polite Address in Masters and Misses, R. Baldwin, London, 1759

Young man standing in a panelled room, 18th century
Young gentleman standing in a panelled room, 18th century. Copperplate engraving from The Polite Academy, or Instructions for a Genteel Behaviour and Polite Address in Masters and Misses, R

The rollercoaster at Roule, Paris, early 19th century
A gentleman helps a woman step down from a car after a descent down the rollercoaster at Roule (Place de Ternes). Handcoloured engraving from Pierre de la Mesangeres Le Bon Genre, Paris, 1817

Egoism personified. This gentleman occupies six chairs on his own, and without regard to the arrival of strollers, he stretches out an army boot with spur and waves his whip

Man in long carrick coat with five pelerines or capes. Our young men shorten their jackets but lengthen their coats. The coat is long, heavy and awkward

Couples dancing La Poule section of the quadrille
Two couples perform the third section La Poule in the quadrille, a popular ball and salon dance from the early 19th century

The informal umbrella. A gentleman grabs the hand of a young lady and kisses her, while using his umbrella to prevent her aunt and chaperone from seeing it

Gentleman fencer in third position of extension or thrust. Copperplate engraving by C. Grignion after an illustration drawn from life by J. Roberts from Mr. J

Fencer in second position of garde de quarte
Gentleman fencer in second position of garde de quarte. Copperplate engraving by D Jenkins after an illustration from life by J. Roberts from Mr. J

Gentlemen in first position to draw his sword
First position to draw the epee. Gentleman fencer about to draw his sword, 18th century. Copperplate engraving by D. Jenkins from Mr. J

Gentleman fencer running through his opponent, 18th century
Gentleman fencer running through his opponent after a semicircular parry (parade du demi-cercle), 18th century. Copperplate engraving by D. Jenkins after an illustration drawn from the life by J

Gentleman fencer in the fourth position, 18th century
Gentleman fencer in the fourth position lunging at a mark on the wall (allongement du coup de quarte), 18th century. Copperplate engraving by D

Gentleman fencer lunging and striking an opponent (coup de tems pres sur le mouvement du coupe), 18th century. Copperplate engraving by Goldar after an illustration drawn from the life by J

Gentleman painter with paintbrush in front of an easel in his atelier. Handcoloured woodcut engraving from The Book of English Trades and Library of the Useful Arts, Phillips, London, 1818

Court costumes: pages 1648 and 1678, gentlemen 1646 and 1664
Court costumes: page 1648, page 1678, gentleman 1646 and gentleman 1664. Handcoloured lithograph after portraits in Roger de Gaignieres portfolio X from Le Bibliophile Jacob aka Paul Lacroixs

Gentleman, reign of King Henri III of France. Handcoloured lithograph after a portrait in Roger de Gaignieres gallery portfolio IX 83

Damoiseau, son of a nobleman or gentleman, 15th century. Handcoloured lithograph by Leopold Massard after a figure in the manuscript Chroniques de Monstrelet in Roger de Gaignieres portfolio VI 10

Defensive guard of the small sword (B) against an attack by the broad sword (A). Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the French Guard attack against an opponent in the Spanish Guard position (A). Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in the Italian Guard position fighting with sword and dagger. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer disarming his opponent on the Carte Thrust
Gentleman fencer disarming his opponent on the Carte or Second Thrust, after parrying with the Prime Parade. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer taking his opponents sword, second position of the Disarm after parrying his Carte Thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer disarming his opponent after parrying his Carte Thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the whole turn called Volte
Gentleman fencer making the whole turn called Volte, on the Pass in Tierce, or in Carte over the Arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the Demi-Volte turn
Gentleman fencer in the half-round or bounding turn of the Body called the Demi-Volte. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer running through an opponent
Gentleman fencer stabbing his opponent after an Evasion, by moving his left leg back when his opponent makes a pass on the outside of the sword

Gentleman fencer making the Pass on the sword in Carte over the arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentleman fencer in the return from the Prime parade to the Seconde and Low Carte thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer making the return on the Flanconade thrust by reversing the edge to an opponent who has not opposed with the left hand

Gentleman fencer making the Seconde return thrust after parrying Carte over the Arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the position of the Thrust in Seconde
Gentleman fencer in the position of the outside Parade for the thrust under the wrist or the Thrust in Seconde. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencers in the fourth and fifth positions of the Salute. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentleman fencer in the first position of the Salute. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentleman fencer in first position to draw a sword. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

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