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Fencing Collection (page 2)

Background imageFencing Collection: Defensive guard of the small sword (B) against

Defensive guard of the small sword (B) against an attack by the broad sword (A). Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentleman fencer in guard of sword and lantern

Gentleman fencer in guard of sword and lantern
Gentleman fencer in the guard of the sword and lantern run through by a thrust from an opponent using sword and cloak. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentlemen fencers in the guard of the sword

Gentlemen fencers in the guard of the sword and cloak opposed by the sword and lantern. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: The Spanish Guard defeated after an attempt

The Spanish Guard defeated after an attempt of the Cut on the Head. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Background imageFencing Collection: Gentleman fencer in the French Guard attack

Gentleman fencer in the French Guard attack against an opponent in the Spanish Guard position (A). Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentleman fencer making the return thrust in Tierce

Gentleman fencer making the return thrust in Tierce after having parried with the poignard. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentlemen fencers in the Italian Guard position

Gentlemen fencers in the Italian Guard position fighting with sword and dagger. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentlemen fencers in guard and thrust positions

Gentlemen fencers in guard and thrust positions
Gentlemen fencers in position for the inside-guard called Carte and the inside-thrust called Thrust in Carte. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentleman fencer in the second position of

Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentleman fencer disarming his opponent on the Carte Thrust

Gentleman fencer disarming his opponent on the Carte Thrust
Gentleman fencer disarming his opponent on the Carte or Second Thrust, after parrying with the Prime Parade. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentleman fencer taking his opponents sword

Gentleman fencer taking his opponents sword, second position of the Disarm after parrying his Carte Thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentleman fencer disarming his opponent

Gentleman fencer disarming his opponent after parrying his Carte Thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentleman fencer in the whole turn called Volte

Gentleman fencer in the whole turn called Volte
Gentleman fencer making the whole turn called Volte, on the Pass in Tierce, or in Carte over the Arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentleman fencer in the Demi-Volte turn

Gentleman fencer in the Demi-Volte turn
Gentleman fencer in the half-round or bounding turn of the Body called the Demi-Volte. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentleman fencer running through an opponent

Gentleman fencer running through an opponent
Gentleman fencer stabbing his opponent after an Evasion, by moving his left leg back when his opponent makes a pass on the outside of the sword

Background imageFencing Collection: Gentleman fencer making the Pass on the sword

Gentleman fencer making the Pass on the sword in Carte over the arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Background imageFencing Collection: Gentlemen fencers making the plain Cut over

Gentlemen fencers making the plain Cut over the Point from Carte in Tierce. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentleman fencer in the return from the Prime

Gentleman fencer in the return from the Prime parade to the Seconde and Low Carte thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentleman fencer making the return on the Flanconade thrust

Gentleman fencer making the return on the Flanconade thrust by reversing the edge to an opponent who has not opposed with the left hand

Background imageFencing Collection: Gentlemen fencers making a return thrust in

Gentlemen fencers making a return thrust in Quinte after the thrust in Seconde. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentleman fencer making the Seconde return

Gentleman fencer making the Seconde return thrust after parrying Carte over the Arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentlemen fencers in the Tierce return after

Gentlemen fencers in the Tierce return after the Tierce thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Background imageFencing Collection: Gentlemen fencers in the Carte return after the Carte parry

Gentlemen fencers in the Carte return after the Carte parry. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Background imageFencing Collection: Gentlemen fencers in the Quinte parry against Quinte Thrust

Gentlemen fencers in the Quinte parry against Quinte Thrust
Gentlemen fencers in the Quinte parade, point low and wrist raised, against the Quinte Thrust, outside thrust under the wrist

Background imageFencing Collection: Gentlemen fencers in Prime parry and Seconde thrust

Gentlemen fencers in Prime parry and Seconde thrust
Gentlemen fencers in the Prime parade or St. George Guard parry derived from the broadsword, against the outside thrust under the wrist called Seconde

Background imageFencing Collection: Gentlemen fencers in guard positions

Gentlemen fencers in guard positions
Gentlemen fencers in the position for the Guard in Carte, and position for the Guard in Tierce. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentleman fencer in the position of the Thrust in Seconde

Gentleman fencer in the position of the Thrust in Seconde
Gentleman fencer in the position of the outside Parade for the thrust under the wrist or the Thrust in Seconde. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentlemen fencers in thrust and parry positions

Gentlemen fencers in thrust and parry positions
Gentlemen fencers in the position of the outward parry with the nails upward or the Feather Parade and the outward thrust nails upward, or the Carte over the Arm

Background imageFencing Collection: Gentlemen fencers in Tierce parry and thrust positions

Gentlemen fencers in Tierce parry and thrust positions
Gentlemen fencers in the position of the outside parade in Tierce and the outside thrust or Tierce-Thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentlemen fencers in Carte thrust and parry

Gentlemen fencers in Carte thrust and parry
Gentlemen fencers in the position of the inside parade in Carte and the thrust in Carte. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Background imageFencing Collection: Gentleman fencers in the fourth and fifth

Gentleman fencers in the fourth and fifth positions of the Salute. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Background imageFencing Collection: Gentlemen fencers in the second and third

Gentlemen fencers in the second and third positions of the Salute. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Background imageFencing Collection: Gentleman fencer in the first position of the Salute

Gentleman fencer in the first position of the Salute. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Background imageFencing Collection: Gentleman fencer in first position to draw a sword

Gentleman fencer in first position to draw a sword. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Background imageFencing Collection: Cartoon, two men fencing - Satisfaction

Cartoon, two men fencing - Satisfaction. early 19th century

Background imageFencing Collection: Bethnal Green - slum houses

Bethnal Green - slum houses
Slum houses in Crosland Street, Bethnal Green, London. Date: circa 1914

Background imageFencing Collection: Algeria - Hadjout - The Church

Algeria - Hadjout - The Church
The Church at Hadjout (behind a remarkable two-level plank fence!), Algeria. Hadjout was formerly known as Marengo. Date: circa 1910s

Background imageFencing Collection: General scene in The Hall, Adlington, Cheshire. Several men enjoy some playful fencing

General scene in The Hall, Adlington, Cheshire. Several men enjoy some playful fencing. Date: Circa 1560

Background imageFencing Collection: Banffshire, Scotland - Keith

Banffshire, Scotland - Keith Date: 1909

Background imageFencing Collection: FENCING FOR GIRLS 1930

FENCING FOR GIRLS 1930
Fencing has become a popular pastime with girls employed in the Government offices in Whitehall. Here Miss M. Angus (right) and Miss K. Brane have an evening duel at the club. Date: 1 February 1930

Background imageFencing Collection: OXFORD GYM ACTIVITIES

OXFORD GYM ACTIVITIES
Various activities in progress at the Oxford Gymnasium, including climbing, fencing, weightlifting and wrestling. Date: 1859

Background imageFencing Collection: FRENCH & ENGLISH FENCE FRENCH & ENGLISH FENCE

FRENCH & ENGLISH FENCE FRENCH & ENGLISH FENCE
An English and French soldier stand en garde, wearing full military dress. Date: 1805

Background imageFencing Collection: The Fencing Female 1907

The Fencing Female 1907
A portrait of a female fencer who is handy with the foils. Date: 1907

Background imageFencing Collection: HOGARTH RAKE PLATE 2

HOGARTH RAKE PLATE 2
The Rakes Progress 2. Hogarths Rake surrounded by flattering artists and professors. Date: 1735

Background imageFencing Collection: FRENCH LADY FENCERS (2)

FRENCH LADY FENCERS (2)
Two pairs of female fencers practise their skills. (2 of 2) Date: 1885

Background imageFencing Collection: FRENCH LADY FENCERS (1)

FRENCH LADY FENCERS (1)
A master fences with two female pupils simultaneously. (1 of 2) Date: 1885

Background imageFencing Collection: Fancing - The Ladies Cercle d Escrime - the winning team

Fancing - The Ladies Cercle d Escrime - the winning team
The Ladies Cercle d Escrime - the winning team of the Martin-Edmunds Inter-Salle Challenge Cup held at Salle Bertrand (Bertrands Academy)

Background imageFencing Collection: Lady Fencer Miss G M Davis - 3rd place in Hutton Cup Contest

Lady Fencer Miss G M Davis - 3rd place in Hutton Cup Contest. Date: 1921



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