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Fabric Collection (page 7)

Background imageFabric Collection: Robin and flowers on a fabric Feast Day card

Robin and flowers on a fabric Feast Day card
Robin with trellis and flowers on a fabric Feast Day card. Date: circa 1890s

Background imageFabric Collection: Girl in boat with swans on a German greetings card

Girl in boat with swans on a German greetings card
Girl in a boat drawn by four swans on a German greetings card. Date: circa 1890s

Background imageFabric Collection: Kokand, Uzbekistan - Teenage Boys in Traditional Costume

Kokand, Uzbekistan - Teenage Boys in Traditional Costume Date: circa 1908

Background imageFabric Collection: Emblem of Reverend Fabric of Saint Peter (Fabbrica di San Pi

Emblem of Reverend Fabric of Saint Peter (Fabbrica di San Pietro). St. Peters Square. Vatican City

Background imageFabric Collection: Hilda of Whitby (614-680). Engraving. Colored

Hilda of Whitby (614-680). Engraving. Colored
Hilda of Whitby (614-680). British religious. Engraving in England, 1880. Colored

Background imageFabric Collection: Charles-Claude Flahaut de la Billarderie, comte d Angiviller

Charles-Claude Flahaut de la Billarderie, comte d Angiviller (1730-1809). Director of the Batiments du Roi. Portrait by Joseph-Siffred Duplessis (1725-1802). 1780-1789. National Museum of Denmark

Background imageFabric Collection: The Early Iron Age. The bog body from Huldremose in Djurslan

The Early Iron Age. The bog body from Huldremose in Djursland from 100 AD. The woman wore a skirt of wool, a scarf and two fleece capes. Her hair was tied up with a long woollen cord

Background imageFabric Collection: Evening gown and bodice by Elsa Schiaparelli

Evening gown and bodice by Elsa Schiaparelli
Illustration of an evening gown and bodice by Elsa Schiaparelli, on a fashion page by Winifred Lewis. The outfit is described as

Background imageFabric Collection: Summer dress by Elsa Schiaparelli

Summer dress by Elsa Schiaparelli
Illustration of a summer dress designed by Elsa Schiaparelli in flame mousseline, with tourquoise, flame and gold metal musical instruments embroidered around a dropped hip line. Date: 1939

Background imageFabric Collection: Girl & Fur Hat 1890S

Girl & Fur Hat 1890S
A little girl wears a double- breasted coat of a pale furry fabric with fur cuffs & ostrich feather trimmed cape collar, a high feather trimmed bonnet & gaiters. Date: 1890s

Background imageFabric Collection: Linen-Draper 1827

Linen-Draper 1827
A young woman feels the quality of the fabric before deciding whether to purchase it from the linen draper. Date: 1827

Background imageFabric Collection: Courtelle advertisement, Marcus dress 1959

Courtelle advertisement, Marcus dress 1959
Advertisement for a smart sheath day dress by Marcus made in Courtelle fabric - a new type of acrylic fibre manufactured by Courtaulds

Background imageFabric Collection: Jacquard Looms in operation for figured weaving

Jacquard Looms in operation for figured weaving
A row of Jacquard Looms in operation for figured weaving Date: circa 1830s

Background imageFabric Collection: Advertisement for Crimplene fabric

Advertisement for Crimplene fabric
An advert for Crimplene showing how it has been used to create a black and white dress by Givenchy. Date: 1961

Background imageFabric Collection: The poppy, Papaver somniferum, in wallpaper

The poppy, Papaver somniferum, in wallpaper and fabric patterns.. Lithograph by Verneuil with pochoir (stencil) handcoloring from Eugene Grassets Plants and their Application to Ornament, Paris

Background imageFabric Collection: The iris in patterns for fabrics and tiles

The iris in patterns for fabrics and tiles.. Lithograph by Hervegh with pochoir (stencil) handcoloring from Eugene Grassets Plants and their Application to Ornament, Paris, 1897

Background imageFabric Collection: Periwinkle in art nouveau patterns

Periwinkle in art nouveau patterns.. Lithograph with pochoir (stencil) handcoloring from Eugene Grassets Plants and their Application to Ornament, Paris, 1897

Background imageFabric Collection: The Morse Cotton Baling Press. Cotton Hydraulic

The Morse Cotton Baling Press. Cotton Hydraulic Press, New Morse system. Installed in New York. 1881. Xylography

Background imageFabric Collection: The New Jerusalem. Apocalypse of Angers

The New Jerusalem. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The new Jerusalem. 1375 - 1382. Depiction of the Heavenly Jerusalem. 11th scene of the tapestry number 6 from the series Apocalypse of Angers commissioned by Louis I

Background imageFabric Collection: Tapestry of Pastrana. Afonso V of Portugal

Tapestry of Pastrana. Afonso V of Portugal
Tapestry of Pastrana. end 15th c. Disembarkation in Asilah of 1470. Detail of the King Afonso V of Portugal. Flemish art. Tapestry. SPAIN. CASTILE-LA MANCHA. GUADALAJARA. Pastrana

Background imageFabric Collection: Pastrana Tapestries, 1471 c Disembarkation in Asilah

Pastrana Tapestries, 1471 c Disembarkation in Asilah
The Pastrana tapestries: Disembarkation in Asilah. ca. 1471 - 1475. Cloth number 1 of the series on the conquest of Asilah and Tangier in 1471 by Alfonso V of Portugal. Detail of Portuguese troops

Background imageFabric Collection: Fall of Babylon. Apocalypse of Angers

Fall of Babylon. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The fall of Babylon invaded by demons. 1375 - 1382. 11th scene of the tapestry number 5 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageFabric Collection: David Before Saul. Flemish tapestry 1525 c

David Before Saul. Flemish tapestry 1525 c
David before Saul. ca. 1525. Series of History of David. Cardboard by Bernard van Orley. Manufacturing in Brussels. Silk and wool. 560 x 410 cm. Flemish art. Tapestry. SPAIN. CASTILE AND LEON

Background imageFabric Collection: Repeating Pattern - Sailing Ships

Repeating Pattern - Sailing Ships. *PLEASE NOTE that the magnifying glass is solely to show the detail of the repeating pattern and will not feature on the final file.*



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