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Dolly Collection (page 7)

Background imageDolly Collection: Myrna Loy in Libeled Lady (1936)

Myrna Loy in Libeled Lady (1936)
Myrna Loy wearing a gown designed by Dolly Tree in Libeled Lady (1936). The stunning black tulle formal gown had the new flaring silhouette and featured a tiered tunic

Background imageDolly Collection: Myrna Loy in Wife Versus Secretary (1936)

Myrna Loy in Wife Versus Secretary (1936)
A dramatic hostess gown with a square neck, designed by Dolly Tree for Myrna Loy in Wife Versus Secretary (1936). Made of soft, light velvet

Background imageDolly Collection: Myrna Loy in Petticoat Fever (1936)

Myrna Loy in Petticoat Fever (1936)
Myrna Loy wore this Dolly Tree negligee in Petticoat Fever (1936). Date: 1936

Background imageDolly Collection: Myrna Loy at the time of Whipsaw (1936)

Myrna Loy at the time of Whipsaw (1936)
A stunning two-piece ensemble in white woven cloth designed by Dolly Tree for Myrna Loy at the time of Whipsaw (1934) as a lounging outfit or casual afternoon ensemble for cocktails

Background imageDolly Collection: Myrna Loy in Whipsaw (1934)

Myrna Loy in Whipsaw (1934)
The defining Dolly Tree creation for Myrna Loy in Whipsaw (1934) was a dark coat with a large collar and bands up both sides made of krimmer (Russian lamb fur). Date: 1934

Background imageDolly Collection: Seymour?s feature about Dolly Tree

Seymour?s feature about Dolly Tree
Seymour?s feature in Photoplay, February 1935 about Dolly Tree?s Calla Lily-inspired gown for Myrna Loy in Evelyn Prentice (1934) Date: 1935

Background imageDolly Collection: Myrna Loy in Evelyn Prentice (1934)

Myrna Loy in Evelyn Prentice (1934) wore an interesting pair of exercise pyjamas created by Dolly Tree which were made of powder blue crepe with navy blue embroidery

Background imageDolly Collection: Myrna Loy in Manhattan Melodrama (1934)

Myrna Loy in Manhattan Melodrama (1934)
Myrna Loy wearing a dramatic floor-length lam coat in Manhattan Melodrama (1934), desigend by Dolly Tree with a decided flair from the waist and a huge fur collar and cuffs Date: 1934

Background imageDolly Collection: Myrna Loy on the set of Manhatten Melodrama (1934) with

Myrna Loy on the set of Manhatten Melodrama (1934) with
Myrna Loy on the set of Manhattan Melodrama (1934) wearing a charming shell pink chiffon spring gown designed by Dolly Tree, with a V neck and cluster of flowers on the shoulder

Background imageDolly Collection: Myrna Loy in Stamboul Quest (1934)

Myrna Loy in Stamboul Quest (1934) wearing a Dolly Tree draped white gown with clever shirring on the sleeves and a waistband and floor-length sash-ties in a darker material. Date: 1934

Background imageDolly Collection: A scene from The Thin Man (1934)

A scene from The Thin Man (1934) with William Powell, Myrna Loy, Minna Gombell and Nat Pendleton (Gombell and Loy in Dolly Tree creations) Date: 1934

Background imageDolly Collection: Myrna Loy in Prizefighter and the Lady (1933)

Myrna Loy in Prizefighter and the Lady (1933) wearing a Dolly Tree creation Date: 1933

Background imageDolly Collection: A scene from Free and Easy (1941) with Ruth Hussey

A scene from Free and Easy (1941) with Ruth Hussey and Judith Anderson wearing Dolly Tree creations Date: 1941

Background imageDolly Collection: A scene from Free and Easy (1941) with Judith Anderson

A scene from Free and Easy (1941) with Judith Anderson wearing a Dolly Tree creation Date: 1941

Background imageDolly Collection: Ruth Hussey in Northwest Passage (1940)

Ruth Hussey in Northwest Passage (1940) wearing a Dolly Tree creation Date: 1940

Background imageDolly Collection: Ruth Hussey wearing a strapless evening gown - Dolly Tree

Ruth Hussey wearing a strapless evening gown - Dolly Tree
Ruth Hussey wearing a strapless evening gown designed by Dolly Tree in Within the Law (1939). Date: 1939

Background imageDolly Collection: Costume design by Dolly Tree for Ruth Hussey

Costume design by Dolly Tree for Ruth Hussey
A costume design by Dolly Tree for Ruth Hussey in Flight Command (1940). suitable for either afternoon dress or as a dinner date

Background imageDolly Collection: Ruth Hussey in Flight Command (1940)

Ruth Hussey in Flight Command (1940) wearing a dress designed by Dolly Tree and suitable for either afternoon dress or as a dinner date

Background imageDolly Collection: Dolly Tree and Ruth Hussey at a fitting for Flight Command

Dolly Tree and Ruth Hussey at a fitting for Flight Command (1940) Date: 1940

Background imageDolly Collection: Ruth Hussey in a scene from Free and Easy (1941)

Ruth Hussey in a scene from Free and Easy (1941) wearing a Dolly Tree creation Date: 1941

Background imageDolly Collection: Ruth Hussey in a scene from Within the Law (1939)

Ruth Hussey in a scene from Within the Law (1939)
Ruth Hussey?s coat dress of sheet black wool, designed by Dolly Tree in Within the Law (1939) had shining gold leather trimming (inspired by Italian Renaissance embroidery)

Background imageDolly Collection: Advert illustrating a suit designed by Dolly Tree

Advert illustrating a suit designed by Dolly Tree
An advert in the Rexall Magazine illustrating a suit designed by Dolly Tree for Ruth Hussey?s in Blackmail (1939). Date: 1939

Background imageDolly Collection: Ruth Hussey in Rich Man Poor Girl (1938)

Ruth Hussey in Rich Man Poor Girl (1938)
Navy blue wool jersey is used in this one-piece frock with gathered bodice, designed by Dolly Tree, for Ruth Hussey in Rich Man Poor Girl (1938)

Background imageDolly Collection: Ruth Hussey in Blackmail (1939)

Ruth Hussey in Blackmail (1939)
Mermaids and marine life is the motif in a red and white silk print dress designed by Dolly Tree for Ruth Hussey in Blackmail (1939)

Background imageDolly Collection: Ruth Hussey in Within the Law (1939)

Ruth Hussey in Within the Law (1939)
Ruth Hussey?s coat dress of sheet black wool, designed by Dolly Tree in Within the Law (1939) had shining gold leather trimming (inspired by Italian Renaissance embroidery)

Background imageDolly Collection: Mary Astor in Woman Against Woman (1938

Mary Astor in Woman Against Woman (1938
" Mary Astor in Woman Against Woman (1938), in a very simple dinner gown designed by Dolly Tree with a strong peasant influence

Background imageDolly Collection: Mary Astor in Listen Darling (1938)

Mary Astor in Listen Darling (1938)
Mary Astor wore this evening gown and jacket designed by Dolly Tree in Listen Darling (1938). The front dcolletage was gathered and fitted

Background imageDolly Collection: Mary Astor in Paradise For Three (1938)

Mary Astor in Paradise For Three (1938) wears this smart suit designed by Dolly Tree edged in fur with a matching hat. Date: 1938

Background imageDolly Collection: Billie Burke in Bridal Suite (1939)

Billie Burke in Bridal Suite (1939)
A blue wool two-piece suit with shoulder cape in blue, grey and mustard plaid, designed by Dolly Tree for Billie Burke in Bridal Suite (1939). A large envelope bag repeated the plaid

Background imageDolly Collection: Annabella in Bridal Suite (1939)

Annabella in Bridal Suite (1939) wearing a dark, pleated evening gown with short matching jacket. The film was in production in early 1939

Background imageDolly Collection: Annabella, the French movie star in Bridal Suite (1939)

Annabella, the French movie star in Bridal Suite (1939)
Annabella, the French movie star, a featured player in the screwball comedy Bridal Suite (1939) wore this strapless evening gown designed by Dolly Tree

Background imageDolly Collection: Maureen O?Sullivan in Spring Madness (1938)

Maureen O?Sullivan in Spring Madness (1938)
A ?workaday outfit? designed by Dolly Tree for Maureen O?Sullivan in Spring Madness (1938). A lumberjack blouse of plaid spouting reds, black and yellow was worn with a velveteen skating skirt

Background imageDolly Collection: Maureen O?Sullivan in A Day at the Races (1937)

Maureen O?Sullivan in A Day at the Races (1937)
An attractive gown created in white tulle for a formal affair designed by Dolly Tree for Maureen O?Sullivan in A Day at the Races (1937)

Background imageDolly Collection: Maureen O?Sullivan in Hold That Kiss (1938)

Maureen O?Sullivan in Hold That Kiss (1938)
The dirndl took to the street in this day frock designed by Dolly Tree for Maureen O?Sullivan in Hold That Kiss (1938). The full gathered blouse was of white silk crepe with small pearl buttons

Background imageDolly Collection: Maureen O?Sullivan and Frank Lawton in Devil Doll (1936)

Maureen O?Sullivan and Frank Lawton in Devil Doll (1936)
Maureen O?Sullivan in a youthful evening gown designed by Dolly Tree for Devil Doll (1936) but not seen in the film. Elaborate in design this model achieved an effect of simplicity most becoming of

Background imageDolly Collection: Maureen O Sullivan (in bed) in a scene from Spring Madness

Maureen O Sullivan (in bed) in a scene from Spring Madness
Maureen O?Sullivan (in bed left) surrounded by five friends (Ruth Hussey, Ann Morriss, Julie Bishop, Joyce Compton and Marjorie Gateson) in Spring Madness (1938)

Background imageDolly Collection: Maureen O?Sullivan and Lucile Watson - The Bishop Misbehaves

Maureen O?Sullivan and Lucile Watson - The Bishop Misbehaves
Maureen O?Sullivan and Lucile Watson in The Bishop Misbehaves (1935) wearing Dolly Tree creations Date: 1935

Background imageDolly Collection: Maureen O?Sullivan in The Flam Within (1935)

Maureen O?Sullivan in The Flam Within (1935)
The infinite smartness of black and white was found in this costume, designed by Dolly Tree for Maureen O?Sullivan in The Flam Within (1935)

Background imageDolly Collection: Maureen O?Sullivan in Port of Seven Seas (1938)

Maureen O?Sullivan in Port of Seven Seas (1938)
Suede was definitely in vogue and made popular for Hollywood?s smartest street and sport ensembles. Maureen O?Sullivan wore a suede suit in Port of Seven Seas (1938) designed by Dolly Tree

Background imageDolly Collection: Maureen O?Sullivan in The Bishop Misbehaves (1935)

Maureen O?Sullivan in The Bishop Misbehaves (1935)
Simplicity lent charm in this dress suit worn by Maureen O?Sullivan in The Bishop Misbehaves (1935), designed by Dolly Tree

Background imageDolly Collection: Maureen O?Sullivan in Woman Wanted (1935)

Maureen O?Sullivan in Woman Wanted (1935)
A smart and simple two-piece suit of rust silk scattered with white polka dots designed by Dolly Tree for Maureen O?Sullivan in Woman Wanted (1935)

Background imageDolly Collection: Maureen O?Sullivan in Sporting Blood (1940)

Maureen O?Sullivan in Sporting Blood (1940) wearing a Dolly Tree creation Date: 1940

Background imageDolly Collection: A scene from The Crowd Roars (1938) with Maureen O Sullivan

A scene from The Crowd Roars (1938) with Maureen O Sullivan wearing a Dolly Tree wedding creation Date: 1938

Background imageDolly Collection: A scene from The Crowd Roars (1938)

A scene from The Crowd Roars (1938) with Robert Taylor and Maureen O Sullivan wearing a Dolly Tree suit Date: 1938

Background imageDolly Collection: Maureen O?Sullivan in The Devil Doll (1936)

Maureen O?Sullivan in The Devil Doll (1936)
A formal evening gown of black chiffon, ideal for summer designed by Dolly Tree for Maureen O?Sullivan in The Devil Doll (1936)

Background imageDolly Collection: Rosalind Russell and Helen Vinson Live Love Learn (1937)

Rosalind Russell and Helen Vinson Live Love Learn (1937)
Rosalind Russell (left) and Helen Vinson (right) Live Love Learn (1937) wearing Dolly Tree creations Date: 1937

Background imageDolly Collection: Rosalind Russell in Manproof (1937)

Rosalind Russell in Manproof (1937)
Metal brocade fashioned this medieval inspired gown with a draped neck and full gathered skirt with an added bizarre necklace designed by Dolly Tree for Rosalind Russell in Manproof (1937). Date: 1937

Background imageDolly Collection: Rosalind Russell (right) in Casino Murder Case (1935)

Rosalind Russell (right) in Casino Murder Case (1935)
An ultra-elegant white evening gown designed by Dolly Tree for Rosalind Russell in Casino Murder Case (1935). A short tunic over the dress had folded straps forming a cross at the bodice



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