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The Maja and the Cloaked Men
The Drinker
De Una MuletaGOYA Y LUCIENTES, Francisco de (1746-1828). Torero prepar ndose para matar utilizando un sombrero en vez
Shepherd Blowing a HornGOYA Y LUCIENTES, Francisco de (1746-1828). Shepherd Blowing a Horn. Cardboard for tapestry. Pair of Hunter by a
The WoodcuttersGOYA Y LUCIENTES, Francisco de (1746-1828). The Woodcutters. Painted for the Princes Bedroom at El Pardo. Oil on canvas
Two Boys with MastiffGOYA Y LUCIENTES, Francisco de (1746-1828). Two Boys with Mastiff. Cardboard for tapestry. Oil on canvas
Don t eat, great TorrigianoGOYA Y LUCIENTES, Francisco de (1746-1828). Don t eat, great Torrigiano!. Goya denounces with this ink drawing the position
Esta lo deja pensativaGOYA Y LUCIENTES, Francisco de (1746-1828). Esta lo deja pensativa. Drawing
Personajes prostern ndose ante un monjeGOYA Y LUCIENTES, Francisco de (1746-1828). Personajes prostern ndose ante un monje. 1820. Pen and watercolour
Head of an AngelGOYA Y LUCIENTES, Francisco de (1746-1828). Head of an Angel. Drawing for the Adoration of the Name of God. Drawing
The Garrotted ManGOYA Y LUCIENTES, Francisco de (1746-1828). The Garrotted Man. Etching and burin. Etching
Majo with a Guitar
Allegory of Love (Cupid and Psyche)GOYA Y LUCIENTES, Francisco de (1746-1828). Allegory of Love (Cupid and Psyche). Oil on canvas
Scene of FlagellantsGOYA Y LUCIENTES, Francisco de (1746-1828). Scene of Flagellants. Work attributed to Goya. Oil on canvas
Summer, or The Harvest
Juan Antonio Melendez ValdesGOYA Y LUCIENTES, Francisco de (1746-1828). Juan Antonio Melendez Valdes. Based on the painting by Francisco de Goya. Oil on canvas
No se descuida el BorricoGOYA Y LUCIENTES, Francisco de (1746-1828). No se descuida el Borrico. 1816-1820. Paintbrush Chinese ink on laid paper
El Pelele (The Straw Mannikin)
The GatheringGOYA Y LUCIENTES, Francisco de (1746-1828). The Gathering. Wash painting. Drawing
Juan de VillanuevaGOYA Y LUCIENTES, Francisco de (1746-1828). Juan de Villanueva. Oil on canvas
The SwingGOYA Y LUCIENTES, Francisco de (1746-1828). The Swing. SPAIN. Madrid. Royal Palace. Tapestry
The Conducting of an Ashlar
Hunter Loading his Gun. Tapestry of the Real F bricaGOYA Y LUCIENTES, Francisco de (1746-1828). Hunter Loading his Gun. Tapestry of the Real F brica
Charles IV on horsebackGOYA Y LUCIENTES, Francisco de (1746-1828). Charles IV on horseback. He is wearing the Colonel of the Guards of Corps uniform
The HunterGOYA Y LUCIENTES, Francisco de (1746-1828). The hunter. Sketch for the cardboard of the tapestry The Quail Shoot. Pencil
The Milkmaid of Bordeaux
Unhappy motherGOYA Y LUCIENTES, Francisco de (1746-1828). Unhappy mother!. Plate 50 of The Disasters of War. Etching
One can t look
The sameGOYA Y LUCIENTES, Francisco de (1746-1828). The same. Plate 3 of The Disasters of War. Etching
Indissoluble LinksGOYA Y LUCIENTES, Francisco de (1746-1828). Indissoluble Links. Chinese ink and black pencil wash painting. Drawing
Manola (La Leocadia)GOYA Y LUCIENTES, Francisco de (1746-1828). Manola (La Leocadia). Mural painting mounted on canvas
And they are like wild beastsGOYA Y LUCIENTES, Francisco de (1746-1828). And they are like wild beasts. Plate 5 of The Disasters of War. Etching
Pilgrimage to St. Mural painting mounted on canvasGOYA Y LUCIENTES, Francisco de (1746-1828). Pilgrimage to St. Mural painting mounted on canvas
El Cid spearing another bullGOYA Y LUCIENTES, Francisco de (1746-1828). El Cid spearing another bull. Preparatory drawing for plate 11
Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Second preparatory drawing for plate 10 of Los Caprichos. Drawing
Two Women and a ManGOYA Y LUCIENTES, Francisco de (1746-1828). Two Women and a Man. Mural painting mounted on canvas
Evil Husband by GOYA Y LUCIENTES, Francisco de (1746-1828). Drawing
The MassGOYA Y LUCIENTES, Francisco de (1746-1828). The Mass. Chinese ink wash painting. Drawing
famous Martincho places the banderillasGOYA Y LUCIENTES, Francisco de (1746-1828). The famous Martincho (probably Antonio Ebassum) places the banderillas
The celebrated picador Fernando del ToroGOYA Y LUCIENTES, Francisco de (1746-1828). The celebrated picador Fernando del Toro draws the fierce beast
The valiant Moor Gazul is the first to spear bulls accordingGOYA Y LUCIENTES, Francisco de (1746-1828). The valiant Moor Gazul is the first to spear bulls according to rules. Plate 5
The same Mariano Ceballos, mounted on a bullGOYA Y LUCIENTES, Francisco de (1746-1828). The same Mariano Ceballos, mounted on a bull, breaks short spears
The way in which the ancient Spaniards hunted bulls on horseGOYA Y LUCIENTES, Francisco de (1746-1828). The way in which the ancient Spaniards hunted bulls on horse-back in the open country
The forceful Rendon stabs a bullGOYA Y LUCIENTES, Francisco de (1746-1828). The forceful Rendon stabs a bull with the pike, from which pass he died
Manly courage of the celebrated Nicolasa EscamillaGOYA Y LUCIENTES, Francisco de (1746-1828). Manly courage of the celebrated Nicolasa Escamilla (La Pajuelera) in the ring at Saragossa
Un diestro entrandoGOYA Y LUCIENTES, Francisco de (1746-1828). Un diestro entrando a matar con un sombrero en la mano en lugar de muleta (Bullfighter)
The Moors who had settled in Spain, giving up the superstitiGOYA Y LUCIENTES, Francisco de (1746-1828). The Moors who had settled in Spain, giving up the superstitions of the Koran
TOLSTOY, Lev Nikolayevich, Leo (1828-1910). Portrait of Leo Tolstoy and his wife Sophia at their house in Yasnaya Poliana
