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1828 Collection (page 10)

Background image1828 Collection: He fell for the trick

He fell for the trick
GOYA Y LUCIENTES, Francisco de (1746-1828). He fell for the trick. Drawing from the series Prisiones, Suplicios y Libertad

Background image1828 Collection: Gran mano para hurtar sonajas (porque era tr mulo)

Gran mano para hurtar sonajas (porque era tr mulo)
GOYA Y LUCIENTES, Francisco de (1746-1828). Drawing

Background image1828 Collection: Strange Dream. Drawing from Album B

Strange Dream. Drawing from Album B
GOYA Y LUCIENTES, Francisco de (1746-1828). Strange Dream. Drawing from Album B. Drawing

Background image1828 Collection: Soon she will be free

Soon she will be free
GOYA Y LUCIENTES, Francisco de (1746-1828). Soon she will be free. Wash drawing from the topic Prisiones, Suplicios y Libertad

Background image1828 Collection: Despierta inocente

Despierta inocente
GOYA Y LUCIENTES, Francisco de (1746-1828). Despierta inocente. Wash drawing from the topic Prisiones, Supliciosly Libertad

Background image1828 Collection: The Moors

The Moors

Background image1828 Collection: Bury them and keep quiet. Plate 18 of The Disasters of War

Bury them and keep quiet. Plate 18 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). Bury them and keep quiet. Plate 18 of The Disasters of War. Preparatory

Background image1828 Collection: Modern Judith?

Modern Judith?
GOYA Y LUCIENTES, Francisco de (1746-1828). Modern Judith? 1797 - 1798. Sanguine. Drawing

Background image1828 Collection: Abducting horse. Plate 10 of Proverbs

Abducting horse. Plate 10 of Proverbs
GOYA Y LUCIENTES, Francisco de (1746-1828). Abducting horse. Plate 10 of Proverbs, etching, aquatint and drypoint. Engraving

Background image1828 Collection: Plate 16 of Proverbs. Preparatory drawing

Plate 16 of Proverbs. Preparatory drawing

Background image1828 Collection: Happy fantasy. Plate 12 of Proverbs

Happy fantasy. Plate 12 of Proverbs
GOYA Y LUCIENTES, Francisco de (1746-1828). Happy fantasy. Plate 12 of Proverbs, etching, aquatint and drypoint. Engraving

Background image1828 Collection: This is bad. Plate 46 of The Disasters of War

This is bad. Plate 46 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). This is bad. Plate 46 of The Disasters of War. Etching

Background image1828 Collection: There they go, plucked. Plate 20 of Los Caprichos

There they go, plucked. Plate 20 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). There they go, plucked. Plate 20 of Los Caprichos, etching, burnished and drypoint

Background image1828 Collection: Los Caprichos. Preparatory drawing for plate 72

Los Caprichos. Preparatory drawing for plate 72
GOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 72 of Los Caprichos. Drawing

Background image1828 Collection: Edad con desgracias

Edad con desgracias
GOYA Y LUCIENTES, Francisco de (1746-1828). Edad con desgracias. Paintbrush and sepia ink drawing. Drawing

Background image1828 Collection: Los Caprichos. Preparatory drawing for plate 32

Los Caprichos. Preparatory drawing for plate 32
GOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 32 of Los Caprichos. Drawing

Background image1828 Collection: They ve already got a seat. Plate 60 of Los Caprichos

They ve already got a seat. Plate 60 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). They ve already got a seat. Plate 60 of Los Caprichos, etching and burnished

Background image1828 Collection: Because she was susceptible. Plate 32 of Los Caprichos

Because she was susceptible. Plate 32 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Because she was susceptible. Plate 32 of Los Caprichos, etching. Engraving

Background image1828 Collection: Blow. Plate 69 of Los Caprichos

Blow. Plate 69 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Blow. Plate 69 of Los Caprichos, etching, aquatint, drypoint and burin

Background image1828 Collection: Yes, he broke the pot. Plate 25 of Los Caprichos

Yes, he broke the pot. Plate 25 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Yes, he broke the pot. Plate 25 of Los Caprichos, etching, aquatint

Background image1828 Collection: Riddle of fear. Plate 2 of Proverbs

Riddle of fear. Plate 2 of Proverbs
GOYA Y LUCIENTES, Francisco de (1746-1828). Riddle of fear. Plate 2 of Proverbs, etching, aquatint and drypoint. Engraving

Background image1828 Collection: Poor little girls!. Plate 22 of Los Caprichos

Poor little girls!. Plate 22 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Poor little girls!. Plate 22 of Los Caprichos, etching and burnished aquatint

Background image1828 Collection: Here comes the bogeyman. Plate 3 of Los Caprichos

Here comes the bogeyman. Plate 3 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Here comes the bogeyman. Plate 3 of Los Caprichos, etching and burnished aquatint

Background image1828 Collection: This is how it happened. Plate 47 of The Disasters of War

This is how it happened. Plate 47 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). This is how it happened. Plate 47 of The Disasters of War. Etching

Background image1828 Collection: There is no-one to help them. Plate 60 of The Disasters of W

There is no-one to help them. Plate 60 of The Disasters of W

Background image1828 Collection: They do not agree. Plate 17 of The Disasters of War

They do not agree. Plate 17 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). They do not agree. Plate 17 of The Disasters of War. Etching

Background image1828 Collection: They don t like it. Plate 9 of The Disasters of War

They don t like it. Plate 9 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). They don t like it. Plate 9 of The Disasters of War. Etching

Background image1828 Collection: He gets something out of it. Plate 40 of The Disasters of Wa

He gets something out of it. Plate 40 of The Disasters of Wa
GOYA Y LUCIENTES, Francisco de (1746-1828). He gets something out of it. Plate 40 of The Disasters of War. Etching

Background image1828 Collection: Ravages of war. Plate 30 of The Disasters of War

Ravages of war. Plate 30 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). Ravages of war. Plate 30 of The Disasters of War. Etching

Background image1828 Collection: Here too. Plate 43 of The Disasters of War

Here too. Plate 43 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). Here too. Plate 43 of The Disasters of War. Etching

Background image1828 Collection: Appeals are in vain. Plate 54 of The Disasters of War

Appeals are in vain. Plate 54 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). Appeals are in vain. Plate 54 of The Disasters of War. Etching

Background image1828 Collection: Neither do they. Plate 10 of The Disasters of War

Neither do they. Plate 10 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). Neither do they. Plate 10 of The Disasters of War. Etching

Background image1828 Collection: Barbarians!. Plate 38 of The Disasters of War

Barbarians!. Plate 38 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). Barbarians!. Plate 38 of The Disasters of War. Etching

Background image1828 Collection: They do not know the way. Plate 70 of The Disasters of War

They do not know the way. Plate 70 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). They do not know the way. Plate 70 of The Disasters of War. Etching

Background image1828 Collection: It always happens. Plate 8 of The Disasters of War

It always happens. Plate 8 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). It always happens. Plate 8 of The Disasters of War. Etching

Background image1828 Collection: A tough one, this! Plate 31 of The Disasters of War

A tough one, this! Plate 31 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). A tough one, this! 1810 - 1812. Plate 31 of The Disasters of War. Etching

Background image1828 Collection: Get them well, and on to the next. Plate 79 of The Disasters

Get them well, and on to the next. Plate 79 of The Disasters
GOYA Y LUCIENTES, Francisco de (1746-1828). Get them well, and on to the next. Plate 79 of The Disasters of War. Etching

Background image1828 Collection: Rabble. Plate 28 of The Disasters of War

Rabble. Plate 28 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). Rabble. Plate 28 of The Disasters of War. Etching

Background image1828 Collection: They can still be of use. Plate 24 of The Disasters of War

They can still be of use. Plate 24 of The Disasters of War

Background image1828 Collection: Be quick, they are waking up. Plate 78 of Los Caprichos

Be quick, they are waking up. Plate 78 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Be quick, they are waking up. Plate 78 of Los Caprichos. Etching

Background image1828 Collection: There isn t time now. Plate 19 of The Disasters of War

There isn t time now. Plate 19 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). There isn t time now. Plate 19 of The Disasters of War. Etching

Background image1828 Collection: Bitter to be present. Plate 13 of The Disasters of War

Bitter to be present. Plate 13 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). Bitter to be present. Plate 13 of The Disasters of War. Etching

Background image1828 Collection: He deserved it. Plate 29 of The Disasters of War

He deserved it. Plate 29 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). He deserved it. Plate 29 of The Disasters of War. Etching

Background image1828 Collection: Its no use crying out. Plate 58 of The Disasters of War

Its no use crying out. Plate 58 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). Its no use crying out. Plate 58 of The Disasters of War. Etching

Background image1828 Collection: God forgive her: and it was her mother. Plate 16 of Los Capr

God forgive her: and it was her mother. Plate 16 of Los Capr
GOYA Y LUCIENTES, Francisco de (1746-1828). God forgive her: and it was her mother. Plate 16 of Los Caprichos, etching

Background image1828 Collection: he fleeces him. Plate 35 of Los Caprichos

he fleeces him. Plate 35 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). She fleeces him. Plate 35 of Los Caprichos, etching and burnished aquatint

Background image1828 Collection: It will be the same. Plate 21 of The Disasters of War

It will be the same. Plate 21 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). It will be the same. Plate 21 of The Disasters of War. Etching

Background image1828 Collection: Hobgoblins. Plate 49 of Los Caprichos

Hobgoblins. Plate 49 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Hobgoblins. Plate 49 of Los Caprichos, etching and aquatint. Etching; Engraving



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