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On the Lagan (c1828). Nicholl, Andrew 1804 - 1886. Date: 1828
McArts Fort from the Mountain to between the Fort and the Caves (c1828). Nicholl, Andrew 1804 - 1886. Date: 1828 (circa)
Indian Watchman (Choakee-dar or Chow Kidar). Date: 1828
New government mews, WestminsterNew government mews, Princes St, Storeys Gate, Westminster, 1828 Date: 1828
Modern Prophecy: The progress of steamAlkens illustration of Modern Prophecy: The progress of steam. Coloured engraving, 1828. Date: 1828
Gaspar Melchor de JovellanosGOYA Y LUCIENTES, Francisco de (1746-1828). Gaspar Melchor de Jovellanos. Oil on canvas
The Last Communion of StGOYA Y LUCIENTES, Francisco de (1746-1828). The Last Communion of St. Oil on canvas
Tolstoy, Lev NikolayevichTOLSTOY, Lev Nikolayevich, Leo (1828-1910). Leo Tolstoy with his grandchildren in 1909. Photography. Date: 1828 - 1910
Leandro Fern ndez de MoratЮGOYA Y LUCIENTES, Francisco de (1746-1828). Leandro Fern ndez de MoratЮ. Oil on canvas
Juan AgustЮCe n BermodezGOYA Y LUCIENTES, Francisco de (1746-1828). Juan AgustЮ Ce n Bermodez. Oil on canvas
Ferdinand VII of SpainGOYA Y LUCIENTES, Francisco de (1746-1828). Ferdinand VII of Spain. Oil on canvas
Self Portrait in the StudioGOYA Y LUCIENTES, Francisco de (1746-1828). Self Portrait in the Studio. Detail. Oil on canvas
King Ferdinand VII with Royal MantleGOYA Y LUCIENTES, Francisco de (1746-1828). King Ferdinand VII with Royal Mantle. Oil on canvas
Alcantara, 14th Count of Miranda del CastaarGOYA Y LUCIENTES, Francisco de (1746-1828); ALCANTARA LOPEZ DE ZUIGA, Pedro (18th century). 14th Count of Miranda del Castaar
CHERTKOV, Vladimir Grigoryevich (1854-1936); TOLSTOY, Lev Nikolayevich, Leo (1828-1910). Writer and secretary of Leo Tolstoy, at Isnaia Poliana in 1909. Date: 1854 - 1936
The Count of FloridablancaGOYA Y LUCIENTES, Francisco de (1746-1828). The Count of Floridablanca. Detail. Oil on canvas
Apparition of the Virgin of the PillarGOYA Y LUCIENTES, Francisco de (1746-1828). Apparition of the Virgin of the Pillar. Sketch for the painting of the same title
Self-Portrait, Goya
Bayeu Y SubiasBAYEU Y SUBIAS, Ramn (1746-1793); BAYEU Y SUBIAS, Francisco (1734-1795); GOYA Y LUCIENTES, Francisco de (1746-1828)
VIGNON, Pierre Alexandre (1763-1828). The Madeleine Church. FRANCE. Paris. Neoclassicism. Architecture
Picnic on the Banks of the ManzanaresGOYA Y LUCIENTES, Francisco de (1746-1828). Picnic on the Banks of the Manzanares. SPAIN. San Lorenzo de El Escorial
Fisherman with RodGOYA Y LUCIENTES, Francisco de (1746-1828). Fisherman with Rod. Tapestry of the Royal Tapestry Factory from a cartoon
Boys Climbing a TreeGOYA Y LUCIENTES, Francisco de (1746-1828). Boys Climbing a Tree. 1791-1792. Oil on canvas
The Duchess of Alba Arranging Her HairGOYA Y LUCIENTES, Francisco de (1746-1828). The Duchess of Alba Arranging Her Hair. Drawing
No one has seen us. Plate 79 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). No one has seen us. Plate 79 of Los Caprichos, etching, burnished aquatint
The Countess of ChinchonGOYA Y LUCIENTES, Francisco de (1746-1828). The Countess of Chinchon. Portrait of Manuel Godoys wife, niece of King Charles IV
Isidoro Maiquez. Detail
Bullet Production
The WasherwomenGOYA Y LUCIENTES, Francisco de (1746-1828). The Washerwomen. SPAIN. San Lorenzo de El Escorial
The Clothed Maja. Detail of the face and the armsGOYA Y LUCIENTES, Francisco de (1746-1828). The Clothed Maja. Detail of the face and the arms. Oil on canvas
On account of a knife, Plate 34 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). On account of a knife. Plate 34 of The Disasters of War. Etching
For not having written for foolsGOYA Y LUCIENTES, Francisco de (1746-1828). For not having written for fools. Drawing from the Album C
El Diablo los juntaGOYA Y LUCIENTES, Francisco de (1746-1828). El Diablo los junta. Sanguine drawing. Drawing
He fell for the trickGOYA Y LUCIENTES, Francisco de (1746-1828). He fell for the trick. Drawing from the series Prisiones, Suplicios y Libertad
Gran mano para hurtar sonajas (porque era tr mulo)GOYA Y LUCIENTES, Francisco de (1746-1828). Drawing
Strange Dream. Drawing from Album BGOYA Y LUCIENTES, Francisco de (1746-1828). Strange Dream. Drawing from Album B. Drawing
Soon she will be freeGOYA Y LUCIENTES, Francisco de (1746-1828). Soon she will be free. Wash drawing from the topic Prisiones, Suplicios y Libertad
Despierta inocenteGOYA Y LUCIENTES, Francisco de (1746-1828). Despierta inocente. Wash drawing from the topic Prisiones, Supliciosly Libertad
The Moors
Bury them and keep quiet. Plate 18 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). Bury them and keep quiet. Plate 18 of The Disasters of War. Preparatory
Modern Judith?GOYA Y LUCIENTES, Francisco de (1746-1828). Modern Judith? 1797 - 1798. Sanguine. Drawing
Abducting horse. Plate 10 of ProverbsGOYA Y LUCIENTES, Francisco de (1746-1828). Abducting horse. Plate 10 of Proverbs, etching, aquatint and drypoint. Engraving
Plate 16 of Proverbs. Preparatory drawing
Happy fantasy. Plate 12 of ProverbsGOYA Y LUCIENTES, Francisco de (1746-1828). Happy fantasy. Plate 12 of Proverbs, etching, aquatint and drypoint. Engraving
This is bad. Plate 46 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). This is bad. Plate 46 of The Disasters of War. Etching
There they go, plucked. Plate 20 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). There they go, plucked. Plate 20 of Los Caprichos, etching, burnished and drypoint
Los Caprichos. Preparatory drawing for plate 72GOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 72 of Los Caprichos. Drawing
Edad con desgraciasGOYA Y LUCIENTES, Francisco de (1746-1828). Edad con desgracias. Paintbrush and sepia ink drawing. Drawing
