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Studios Collection (page 10)

Background imageStudios Collection: A scene from Free and Easy (1941) with Judith Anderson

A scene from Free and Easy (1941) with Judith Anderson wearing a Dolly Tree creation Date: 1941

Background imageStudios Collection: Ruth Hussey in Northwest Passage (1940)

Ruth Hussey in Northwest Passage (1940) wearing a Dolly Tree creation Date: 1940

Background imageStudios Collection: Ruth Hussey wearing a strapless evening gown - Dolly Tree

Ruth Hussey wearing a strapless evening gown - Dolly Tree
Ruth Hussey wearing a strapless evening gown designed by Dolly Tree in Within the Law (1939). Date: 1939

Background imageStudios Collection: Costume design by Dolly Tree for Ruth Hussey

Costume design by Dolly Tree for Ruth Hussey
A costume design by Dolly Tree for Ruth Hussey in Flight Command (1940). suitable for either afternoon dress or as a dinner date

Background imageStudios Collection: Ruth Hussey in Flight Command (1940)

Ruth Hussey in Flight Command (1940) wearing a dress designed by Dolly Tree and suitable for either afternoon dress or as a dinner date

Background imageStudios Collection: Dolly Tree and Ruth Hussey at a fitting for Flight Command

Dolly Tree and Ruth Hussey at a fitting for Flight Command (1940) Date: 1940

Background imageStudios Collection: Ruth Hussey in a scene from Free and Easy (1941)

Ruth Hussey in a scene from Free and Easy (1941) wearing a Dolly Tree creation Date: 1941

Background imageStudios Collection: Ruth Hussey in a scene from Within the Law (1939)

Ruth Hussey in a scene from Within the Law (1939)
Ruth Hussey?s coat dress of sheet black wool, designed by Dolly Tree in Within the Law (1939) had shining gold leather trimming (inspired by Italian Renaissance embroidery)

Background imageStudios Collection: Advert illustrating a suit designed by Dolly Tree

Advert illustrating a suit designed by Dolly Tree
An advert in the Rexall Magazine illustrating a suit designed by Dolly Tree for Ruth Hussey?s in Blackmail (1939). Date: 1939

Background imageStudios Collection: Ruth Hussey in Rich Man Poor Girl (1938)

Ruth Hussey in Rich Man Poor Girl (1938)
Navy blue wool jersey is used in this one-piece frock with gathered bodice, designed by Dolly Tree, for Ruth Hussey in Rich Man Poor Girl (1938)

Background imageStudios Collection: Ruth Hussey in Blackmail (1939)

Ruth Hussey in Blackmail (1939)
Mermaids and marine life is the motif in a red and white silk print dress designed by Dolly Tree for Ruth Hussey in Blackmail (1939)

Background imageStudios Collection: Ruth Hussey in Within the Law (1939)

Ruth Hussey in Within the Law (1939)
Ruth Hussey?s coat dress of sheet black wool, designed by Dolly Tree in Within the Law (1939) had shining gold leather trimming (inspired by Italian Renaissance embroidery)

Background imageStudios Collection: Mary Astor in Woman Against Woman (1938

Mary Astor in Woman Against Woman (1938
" Mary Astor in Woman Against Woman (1938), in a very simple dinner gown designed by Dolly Tree with a strong peasant influence

Background imageStudios Collection: Mary Astor in Listen Darling (1938)

Mary Astor in Listen Darling (1938)
Mary Astor wore this evening gown and jacket designed by Dolly Tree in Listen Darling (1938). The front dcolletage was gathered and fitted

Background imageStudios Collection: Mary Astor in Paradise For Three (1938)

Mary Astor in Paradise For Three (1938) wears this smart suit designed by Dolly Tree edged in fur with a matching hat. Date: 1938

Background imageStudios Collection: Billie Burke in Bridal Suite (1939)

Billie Burke in Bridal Suite (1939)
A blue wool two-piece suit with shoulder cape in blue, grey and mustard plaid, designed by Dolly Tree for Billie Burke in Bridal Suite (1939). A large envelope bag repeated the plaid

Background imageStudios Collection: Annabella in Bridal Suite (1939)

Annabella in Bridal Suite (1939) wearing a dark, pleated evening gown with short matching jacket. The film was in production in early 1939

Background imageStudios Collection: Annabella, the French movie star in Bridal Suite (1939)

Annabella, the French movie star in Bridal Suite (1939)
Annabella, the French movie star, a featured player in the screwball comedy Bridal Suite (1939) wore this strapless evening gown designed by Dolly Tree

Background imageStudios Collection: Maureen O?Sullivan in Spring Madness (1938)

Maureen O?Sullivan in Spring Madness (1938)
A ?workaday outfit? designed by Dolly Tree for Maureen O?Sullivan in Spring Madness (1938). A lumberjack blouse of plaid spouting reds, black and yellow was worn with a velveteen skating skirt

Background imageStudios Collection: Maureen O?Sullivan in A Day at the Races (1937)

Maureen O?Sullivan in A Day at the Races (1937)
An attractive gown created in white tulle for a formal affair designed by Dolly Tree for Maureen O?Sullivan in A Day at the Races (1937)

Background imageStudios Collection: Maureen O?Sullivan in Hold That Kiss (1938)

Maureen O?Sullivan in Hold That Kiss (1938)
The dirndl took to the street in this day frock designed by Dolly Tree for Maureen O?Sullivan in Hold That Kiss (1938). The full gathered blouse was of white silk crepe with small pearl buttons

Background imageStudios Collection: Maureen O?Sullivan and Frank Lawton in Devil Doll (1936)

Maureen O?Sullivan and Frank Lawton in Devil Doll (1936)
Maureen O?Sullivan in a youthful evening gown designed by Dolly Tree for Devil Doll (1936) but not seen in the film. Elaborate in design this model achieved an effect of simplicity most becoming of

Background imageStudios Collection: Maureen O Sullivan (in bed) in a scene from Spring Madness

Maureen O Sullivan (in bed) in a scene from Spring Madness
Maureen O?Sullivan (in bed left) surrounded by five friends (Ruth Hussey, Ann Morriss, Julie Bishop, Joyce Compton and Marjorie Gateson) in Spring Madness (1938)

Background imageStudios Collection: Maureen O?Sullivan and Lucile Watson - The Bishop Misbehaves

Maureen O?Sullivan and Lucile Watson - The Bishop Misbehaves
Maureen O?Sullivan and Lucile Watson in The Bishop Misbehaves (1935) wearing Dolly Tree creations Date: 1935

Background imageStudios Collection: Maureen O?Sullivan in The Flam Within (1935)

Maureen O?Sullivan in The Flam Within (1935)
The infinite smartness of black and white was found in this costume, designed by Dolly Tree for Maureen O?Sullivan in The Flam Within (1935)

Background imageStudios Collection: Maureen O?Sullivan in Port of Seven Seas (1938)

Maureen O?Sullivan in Port of Seven Seas (1938)
Suede was definitely in vogue and made popular for Hollywood?s smartest street and sport ensembles. Maureen O?Sullivan wore a suede suit in Port of Seven Seas (1938) designed by Dolly Tree

Background imageStudios Collection: Maureen O?Sullivan in The Bishop Misbehaves (1935)

Maureen O?Sullivan in The Bishop Misbehaves (1935)
Simplicity lent charm in this dress suit worn by Maureen O?Sullivan in The Bishop Misbehaves (1935), designed by Dolly Tree

Background imageStudios Collection: Maureen O?Sullivan in Woman Wanted (1935)

Maureen O?Sullivan in Woman Wanted (1935)
A smart and simple two-piece suit of rust silk scattered with white polka dots designed by Dolly Tree for Maureen O?Sullivan in Woman Wanted (1935)

Background imageStudios Collection: Maureen O?Sullivan in Sporting Blood (1940)

Maureen O?Sullivan in Sporting Blood (1940) wearing a Dolly Tree creation Date: 1940

Background imageStudios Collection: A scene from The Crowd Roars (1938) with Maureen O Sullivan

A scene from The Crowd Roars (1938) with Maureen O Sullivan wearing a Dolly Tree wedding creation Date: 1938

Background imageStudios Collection: A scene from The Crowd Roars (1938)

A scene from The Crowd Roars (1938) with Robert Taylor and Maureen O Sullivan wearing a Dolly Tree suit Date: 1938

Background imageStudios Collection: Maureen O?Sullivan in The Devil Doll (1936)

Maureen O?Sullivan in The Devil Doll (1936)
A formal evening gown of black chiffon, ideal for summer designed by Dolly Tree for Maureen O?Sullivan in The Devil Doll (1936)

Background imageStudios Collection: Rosalind Russell and Helen Vinson Live Love Learn (1937)

Rosalind Russell and Helen Vinson Live Love Learn (1937)
Rosalind Russell (left) and Helen Vinson (right) Live Love Learn (1937) wearing Dolly Tree creations Date: 1937

Background imageStudios Collection: Rosalind Russell in Manproof (1937)

Rosalind Russell in Manproof (1937)
Metal brocade fashioned this medieval inspired gown with a draped neck and full gathered skirt with an added bizarre necklace designed by Dolly Tree for Rosalind Russell in Manproof (1937). Date: 1937

Background imageStudios Collection: Rosalind Russell (right) in Casino Murder Case (1935)

Rosalind Russell (right) in Casino Murder Case (1935)
An ultra-elegant white evening gown designed by Dolly Tree for Rosalind Russell in Casino Murder Case (1935). A short tunic over the dress had folded straps forming a cross at the bodice

Background imageStudios Collection: Rosalind Russell in Rendezvous (1935)

Rosalind Russell in Rendezvous (1935)
Rosalind Russell in a 1917 street suit of black cloth designed by Dolly Tree in Rendezvous (1935). The skirt was pleated at the sides

Background imageStudios Collection: A scene from Rendezvous with Rosalind Russell on the right

A scene from Rendezvous with Rosalind Russell on the right
A scene from Rendezvous (1935) with Rosalind Russell on the right, wearing a Dolly Tree creation Date: 1935

Background imageStudios Collection: Rosalind Russell in Live, Love and Learn (1937)

Rosalind Russell in Live, Love and Learn (1937)
A patterned long, evening gown designed by Dolly Tree for Rosalind Russell in Live, Love and Learn (1937) - but not seen in the film, with shoulder straps and matching wrap

Background imageStudios Collection: Rosalind Russell in in West Point of the Air (1935)

Rosalind Russell in in West Point of the Air (1935)
Rosalind Russell?s dusky, glowing beauty was set off by the coolness of ice-blue satin in stately lines and the dignity of a long fringe in this sumptuous gown designed by Dolly Tree in West Point of

Background imageStudios Collection: Rosalind Russell in Manproof (1938)

Rosalind Russell in Manproof (1938)
A formal evening gown for Rosalind Russell in Manproof (1938) combining bois de rose crepe with a red beaded bolero jacket. The dcollet dress hugged the figure and the slim skirt had a long train

Background imageStudios Collection: Rosalind Russell in Fast and Loose (1939)

Rosalind Russell in Fast and Loose (1939) wearing a Dolly Tree gown Date: 1939

Background imageStudios Collection: Rosalind Russell and Dolly Tree on the set of Manproof

Rosalind Russell and Dolly Tree on the set of Manproof
Dolly Tree with Rosalind Russell on the set of Manproof (1938). Russell was wearing Dolly Tree?s unusual, medieval inspired bridal costume

Background imageStudios Collection: Rosalind Russell in Evelyn Prentice (1934)

Rosalind Russell in Evelyn Prentice (1934) wearing a Dolly Tree creation Date: 1934

Background imageStudios Collection: Ann Harding in The Flame Within (1935)

Ann Harding in The Flame Within (1935) wore a smart ensemble with a suggestion of Scottish heather designed by Dolly Tree

Background imageStudios Collection: Mady Christians in A Wicked Woman (1934)

Mady Christians in A Wicked Woman (1934)
Mady Christians wore this simple pearl grey satin gown designed by Dolly Tree in A Wicked Woman (1934) Date: 1935

Background imageStudios Collection: Una Merkel amd Mary Carlisle in Its in The Air (1935)

Una Merkel amd Mary Carlisle in Its in The Air (1935) wearing Dolly Tree gowns Date: 1935

Background imageStudios Collection: Una Merkel in Its in The Air (1935)

Una Merkel in Its in The Air (1935)
Una Merkel wore this Dolly Tree gown in It?s In the Air (1935). Made of white dotted net over a white foundation it had a ruffled bertha and a full skirt pleated over a tight hip line and belt

Background imageStudios Collection: Una Merkel and Steffi Duna in One New York Night (1935)

Una Merkel and Steffi Duna in One New York Night (1935) wearing Dolly Tree costumes Date: 1935



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