Representation Collection (page 5)

Roman tombstone. Relief depicting apostles Peter and Paul. P
Early Christian. Roman tombstone. Relief depicting apostles Peter and Paul. Plaster copy of an original from the Vatican Museums. C. 313 AD. Museum of Roman Civilization. Rome

Renaissance art. Castel of Issogne. Murals. c. 1500. Representation of a market. Aosta Vallery. Italy

Spain. Galica. Mondonedo Cathedral. Altarpiece (1769) by Fra
Spain. Galica. Mondonedo Cathedral. Altarpiece. Made in 1769 by Francisco Teran. Virgin accompanied by angels that lead to the Trinity

Demostratio Artis Geometricae Ex Multis Voluminibus Digestum. Schematic map of the Iberian Peninsula. 11th century. Depicts the Iberian Peninsula in a pentagon invested

Baths of Neptune. Mosaic. Ostia Antica
Amphitrite on a hippocampus with Hymenaeus and Tritons. Detail. Mosaic at the Baths of Neptune. 2nd century. Ostia Antica. Italy

Madama Lucrezia roman bust
Madama Lucrezia. Roman colossal bust, possible representation of the Goddess Isis. Saint Mark Square. Rome. Italy

Autumn Personified
Autumn personified by an attractive girl wearing little other than bonnet and some autumn leaves around her body. Date: 1912

Thomas Sopwith (1803-1879) & geological models
Thomas Sopwith (1803 - 1879) was an eminent geologist and civil engineer who pioneered methods of representing geological features

Sopwith Model XII: Denudation of mineral veins
This model shows the influence of surface denudation and faulting on inclined strata, with increased complexity to the situation in Model VII

Sopwith Model VII: Surface denudation of veins
This model shows the influence of surface denudation and faulting on otherwise flat, horizontal strata. The discontinuity between the beds as viewed at the surface can be seen

Sopwith Models: denudation & faulting
Models showing the effect of denudation and faulting on how rock strata appear at the surface. Thomas Sopwith (1803 - 1879)

Sopwith Model II: Coal strata near Newcastle
Unlike the models of generic situations this representation of coal strata was specific to a particular surveyed location in England showing several thin, and mostly hidden, coal seams

Sopwith Model VII: Denudation of mineral veins
This model shows the influence of surface denudation and faulting on otherwise flat, horizontal strata. The discontinuity between the beds as viewed at the surface can be seen

Sopwith Model VI: Intersecting mineral veins
This Model, rather than representing the strata as they would appear at the surface, shows how a seam of coal can be displaced in the subsurface by various modes of faulting

Sopwith Model XI: Vertical intersecting veins
This model, when separated, shows the complex interface between faulted strata of rocks. Thomas Sopwith (1803 - 1879) was an eminent geologist

Sopwith Model XII: Mineral vein denudation
This model shows the influence of surface denudation and faulting on inclined strata, with increased complexity to the situation in Model VII

Sopwith Model VIII: Overcutting of strata
This model shows overcut strata: when the layers of rock are inclined at a gentler angle than the eroded slope, the resulting vee pattern points uphill

Sopwith Model VII: Surface denudation
This model shows the influence of surface denudation and faulting on otherwise flat, horizontal strata. The discontinuity between the beds as viewed at the surface can be seen

Sopwith Model X: Denuded basset of strata
This model shows undercut strata: when the layers of rock are inclined at a steeper angle than the eroded slope, the resulting vee pattern points downhill

Sopwith Model V: Dislocations of coal strata
This model shows that while very little coal may appear at ground level, coal seams (subject to faults and dislocations) can be found below the ground

Sopwith Model IV: Fallacious coal indications
This model depicts the scenario where from the surface an abundance of coal appears to exist, but there is actually very little quantity below

Sopwith Model III: Dislocation of strata
This model represents the side of a valley of denudation, with undisturbed horizontal beds of sedimentary rock when fully assembled

Sopwith Model I: Stratified rocks / denudation
Black lines in this model represent coal seams, between lighter shales and sandstones. When separated the lower section shows a gently inclined valley floor

Sopwith Model II: Coal strata nr Newcastle
Unlike the models of generic situations this representation of coal strata was specific to a particular surveyed location in England showing several thin, and mostly hidden, coal seams

Cover of Thomas Sopwiths Geological Model Set
Thomas Sopwith (1803 - 1879) was an eminent geologist and civil engineer who pioneered methods of representing geological features

Thomas Sopwiths Geological Model Set
Thomas Sopwith (1803 - 1879) was an eminent geologist and civil engineer who pioneered methods of representing geological features

Cartoon, Political Mathematicians, Shaking the Broad bottomd Hemispheres, by James Gillray. To that last Hope of the Country, the New Opposition

A Hypothetical Landing on an enemy coast
An illustration by Bryan de Grineau, published in The Illustrated London News less than a month before the D-Day Normandy landings

Oenochoe with representation of an army. 630 A. C
Oenochoe with representation of an army. 630 A.C. Following the Corinthian-style. Etruscan art. Ceramics. FRANCE. Ό E-DE-FRANCE. Paris. National Library. Proc: ITALY. LAZIO. VITERBO

Possible representation of the bandit of Seville Diego Corrientes Mateos (1757-1781). Andalusian anonymous of 19th c. Romanticism. Painting. SPAIN. ANDALUSIA. Sevilla

Tile representation of handicrafts. Catalan school, 17th-18th c. Ceramics. Proc: SPAIN. CATALONIA

Representation of a cat, s. XVI. Bring clothing newborn and talisman against evil spirits. Japanese art. Sculpture. ITALY. VENETO. Venice. Museum of Oriental Art

Bosco, Saint John (1815-1888). Italian priest and educator. Glazed tiles panel with representation of the childhood of the saint

Figure. Pre-Columbian art. Sculpture in the round. COLOMBIA. CUNDINAMARCA. Bogotᮠ Gold Museum. Proc: COLOMBIA. BOYACA. Sogamoso

Dish with representation of a deer. 1425. Traditional pottery with arabic influence. Mudejar art. Ceramics. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Museum of Archaeology. Proc: SPAIN

Representation of Ulysses and Eurycleia. Roman art. Relief. ITALY. LAZIO. Rome. Rome Museum and Roman Art Gallery

Libya. Tadrart Acacus. Archaeology
LIBYA. Tadrart Acacus. Representation of a village (12.000-8000 a.C.). Neolithic art. Cave

India. Caves of Ajanta. Buddha
INDIA. Ajanta. Ajanta Caves. Cave No. 4. Representation of Buddha on the wall for access to the main sanctuary, 5th-6th c. A.D. Hindu art. Gupta period. Architecture

Beatus of Ferdinand I. 1047. Romanesque art
Beatus of Ferdinand I and do񡠓 ancha. 1047. Ms. Vit. 14-2. Folio 253v. Representation of the heavenly Jerusalem with 12 gates

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