mail_outline sales@mediastorehouse.com
View of the Street of Tombs outside the Herculaneum Gate, Pompeii. Chromolithograph after an illustration by S. De Stefani from Antonio Niccolinis Pompeii: Views and Restorations (Pompeii)
View of the Temple of Venus near the Marina Gate, Pompeii. Chromolithograph after an illustration by S. De Stefani from Antonio Niccolinis Pompeii: Views and Restorations (Pompeii)
View of the Temple of Fortuna Augusta, Pompeii. On the corner of Via del Foro and Via della Fortuna. Chromolithograph and illustration by G
View of the Venereum of the House of Sallust, Reg VI, Ins 2, 3-5, 30, Pompeii. Chromolithograph and illustration by G. Autoriello from Antonio Niccolinis Pompeii: Views and Restorations (Pompeii)
Frigidarium or cold bath, near the gate to Stabiae. Chromolithograph and illustration by G. Autoriello from Antonio Niccolinis Pompeii: Views and Restorations (Pompeii: Essaies et Restaurations)
House of Marcus Lucretius, Reg IX, Ins 3, 5, 24, Pompeii. View of the courtyard with impluvium, tablinum with mosaic floor, and garden with statues of satyrs and cupids
Taberna near the fountain of Mercury, VI. 5, PompeiiThermolopium or taberna near the fountain of Mercury, VI.5, Pompeii. A man cooks food at a stove, while a women serves a customer using scales
Shop near the fountain of Mercury, VI. 5, PompeiiShop near the fountain of Mercury, VI.5, Pompeii. Chromolithograph and illustration by G. Autoriello from Antonio Niccolinis Pompeii: Views and Restorations (Pompeii: Essaies et Restaurations)
Statue of public priestess and matron of the fullers Eumachia. From the building of Eumachia on the east side of the Forum, Pompeii. Chromolithograph and illustration by G
Plaster cast of a womans body from the Via Stabiana now in the Museum of Pompeii. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhns Les Plus Belles
Plaster cast of a mans body from the Via Stabiana, now in the Museum of Pompeii. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhns Les Plus Belles
Portrait of a man and woman from an unidentified house in Pompeii. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhns Les Plus Belles Peintures de Pompei
Fountain from Regio VII. II. 45, House of the Bear, PompeiiFountain from Regio VII.II.45, House of the Bear, Pompeii. Venus reclines above a blue sea of fishes, with cupids in attendance
Ariadne watching Theseuss boat depart from the island of Naxos. Mural from a triclinium in a shop/dwelling at Regio IX.II.5, Pompeii
Mural from unidentified building in Pompeii. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhns Les Plus Belles Peintures de Pompei
Map of the excavations of Pompeii, 1874-1881Map of the excavations of Pompeii, showing the Insulae excavated between 1874-1881 in red. Chromolithograph by J.G. Bach after an illustration by Emile Presuhn from his Les Plus Belles Peintures de
The wedding of King Massinissa of Numidia and Sophonisba of Carthage. From a fragment of a painting found in Pompeii. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrarios
The military barracks at PompeiiExcavation of the military barracks with Doric columns at Pompeii, 18th century, buried under volcanic ash from Vesuvius. Handcoloured copperplate engraving after J.B
The city gate at PompeiiExcavation of the city gates of Pompeii, buried under volcanic ash from Vesuvius. Handcoloured copperplate engraving after J.B
The gate and military barracks at PompeiiExcavation of the city gates of Pompeii, and military barracks with Doric columns, buried under volcanic ash from Vesuvius. Handcoloured copperplate engraving after J.B
Excavation of the theatre at HerculaneumPlan of a grand theatre for 10, 000 spectators excavated at Herculaneum, near Vesuvius. Handcoloured copperplate engraving from Friedrich Johann Bertuchs Bilderbuch fur Kinder
Excavation of the city and theatre of HerculaneumExcavation of the buried city of Herculaneum in the 18th century, and the discovery of Roman ruins under volcanic ash near Vesuvius 1, and plan of a grand theatre for 10, 000 spectators 2
Woman performing the Bacchic dance of EuripidesFemale dancer in voluminous robes performing the third action (turn of the head) in the Bacchic dance of Euripides. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum
Dancer in a long transparent dressDancer in a long voluminous, transparent dress reminiscent of that of the Lydians and Phrygians. It may be Bacchus consort Ariadne
Venus with a mirror and VulcanVenus looking at herself in a mirror, and a virile young Vulcan seated on a stool with his arm over his head. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum
Citharist with garland of ivy, possibly SapphoCitharist or citharede, lyre player. Her garland of ivy identifies her as possibly Sappho or another poetess. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum
A daughter of Nereus mounted on a sea monsterOne of the 50 daughters of Nereus mounted on a sea monster with the head of a panther. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789
One of the 50 daughters of Nereus mounted on a sea monster with the head of a horse. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789
A scorned woman and righteous warrior. It could be Bellerophon and Sthenoboea, wife of Proetus, or Peleus and Astydameia, wife of King Acastus of Iolcus
Depiction of the hunt of the Calydonian boar by Meleager and Atalanta. Men with spears and a hunting dog stand over the dead boar
Odysseus presenting his wife Penelope with his bow and quiver of arrows. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789
Painting of the nymph Chloris or Flora, wife of Zephyrus, holding a vase of flowers and picking a bloom from a bush. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum
Helle, Phrixus and the flying golden ramHelle reaching for her brother Phrixus on his flying golden ram trying after falling off into Hellespont (now the Dardanelles). Dolphins caper alongside
Diana led by Amore (cupid) falls in love withDiana, the moon goddess, led by Amore (cupid) to fall in love with the sleeping shepherd Endymion. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano)
Statue of the god Bacchus, depicted as a graceful youth with long hair in ringlets. He holds a vase and long thrysus covered in fronds of ivy
Statue of Apollo with halo, cithara (lyre) and plectrumStatue of Apollo in copper. He is depicted with halo, cithara (lyre) and plectrum. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789
Festival of Isis, with devotees praying and making offerings, playing sistrum, horns and drums, and sacred ibis. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum
Two satyrs butting heads with goats. The rural god Pan is also depicted in this posture. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789
A winged Victory, with shield and wreath of oak leaves. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789
Young man with branch and basket in a Temple of Bacchus with statue of a goat and fluted columns. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano)
Aglais, daughter of MegaclesYoung woman with a Bacchic ferrule and a large trumpet, identifying her as Aglais, the daughter of Megacles, who played the trumpet in the first grand Alexandrian procession
Bacchic rites of ThalysiaTwo ministers of Bacchus with sacrificial offerings of leaves, cembalo (cymbal) and patera (bowl). Perhaps the festival of Thalysia
Bacchic rite. Priestess with waterlily leaf receiving a string of pearls, and (below) Bacchus seated between two ministers
Bacchic chorus of musicians and dancersA Bacchic chorus of musicians and dancers with tibiae (woodwind), cithara (lyre) and cymbals. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano)
A deity (Apollo?) with halo and bow leans against a pillar. A young woman with crown of leaves and laurel branch in her left hand sits on a bench
Bacchus contemplates the sleeping Ariadne on NaxosBacchus, an amorino, and his tutor Silenus with long thyrsus, contemplate the sleeping Ariadne on the island of Naxos. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum
The abandonment of Ariadne on Naxos island by Theseus on a galley. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789
Bacchus watching a fight between Cupid and a satyrBacchus in crown of vine leaves watching a fight between Cupid and a satyr. Silenus has his right hand on the head of a satyr