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Enemy aliens queue to register in London, September 1939German nationals living in Britain, described by the Sphere as enemy aliens, queue to register themselves in Golders Green, carrying gas masks and monitored by police
Sir Hoare and his wife carrying gas masks, September 1939Sir Samuel Hoare and his wife Lady Maud Hoare walking home with their gas masks, days after his appointment as Lord Privy Seal following the outbreak of war. 1939
Barnsley Detachment Tankersley Brigade Rescue PartyMine Fire at the Hamstead Colliery, Great Barr, Birmingham on 4th March, 1908. The Barnsley Detachment Tankersley Brigade Rescue Party
Lady Alexandra Haig and Lady Lettice Ashley-CooperChristmas carol party at Londonderry House organised by Miss Olga Lynn in aid of the Devon Nook Home for Unmarried Mothers, December 1938
Wall paintings of decorated columns from PompeiiTrompe l oeil wall paintings of columns with ivy and masks from the House of the Grand Duke, Strada della Fortuna, Pompeii, excavated 1838
Wall paintings of monsters from the Palazzo del Te, MantuaWall paintings of monsters, masks, tigers, winged creatures and chimera from the Palazzo del Te, Mantua. Handcoloured lithograph by Konter after an illustration by Wilhelm Zahn from his Ornament of
Masks and weapons used by the UnalaskansMasks used by the Unalaskans in their dances; darts and the boards to throw them. From Joseph Billings and Martin Sauers An Account of an Expedition to the Northern Parts of Russia
Animal imitators, 14th centuryPerformers imitating animals in the 14th century: man with pipe and tabor dancing with a man in stag costume; man with dancing dog, man with stick receiving a scroll from a boy with a dogs head
Mummers in animal masks, 14th centuryMummers in odd animal masks and colourful robes, 14th century, dancing to music played by a man on a lute with animal neck
Mummers and fools, 14th centuryMummers in odd masks and colourful robes (top, bottom), and a line of fools in hoods with bells dancing to bagpipe and regal music at a Festival of Fools (middle), 14th century
Knights performing the Torch Dance (Fackeltanz). They wear plumed helmets, face masks and short jackets with ribbons from the shoulder. From Hans Burgkmairs Triomphe de l Empereur Maximilian I, 1526
Twenty masked musicians and dancers emergeTwenty masked and costumed musicians and dancers emerge from four monstrous heads. Dance of the Nations, part of the celebrations of the birth of Freiderich, Duke of Wurttemberg, 1616
Ancient Egyptian and other headsEgyptian head from the Kircherian Museum 1, and other heads from the Borgiano Museum in Velletri 2, 3. Copperplate engraving by Pietro Ruga after an illustration by Lorenzo Rocceggiani from his own
Vase with classical reliefs by John Flaxman. Chromolithograph drawn by Grivell and lithographed by Parrot et Co. from Frederick Rathbones Old Wedgwood
Mask of the Shumai koli of the Zenith, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904
Mask of Great God of the Great Fire Fraternity, Zuni NationMask of Kok ko Thlann a, Great God, of Ma tke Thlan nakwe, Great Fire Fraternity, Zuni Nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American
Mask of Kok ko Thlan na (Great God) of Ne wekwe and mask of Mi totasha, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology
Zuni men imitating the Dance of the Ye bi chai Gods of the Navahos. Lithograph after a painting by Mary Wright Gill from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology
Masks of god and goddesses accompanying He mishikweMask of god accompanying He mishikwe, and masks of goddesses accompanying He mishikwe, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of
Mask of the He mishiikwe with tablet, Zuni Nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904
Mask of the Muluktatkia, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904
Mask of Na tashku and Na wisho, Zuni Nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904
Mask of the U wannami, Rain Makers, Zuni Nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904
Ko yemshi Gods in Plaza, Zuni nationKo yemshi Gods in masks and blankets in the plaza, Zuni nation. Lithograph after a painting by Mary Wright Gill from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology
Mask of Salimobiya, Warrior of the Nadir, Zuni Nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904
Mask of Salimobiya, Warrior of the Zenith, Zuni Nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904
Masks of Ya mukakto (a) and Hu tutu (b, c), Zuni Nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904
Mask of the Sayatasha, Rain Priest of the North, Zuni Nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904
Mask of the Hehea (Blunderer) of the Nadir, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904
Mask of Shu laawi si, Deputy to the Sun Father, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904
Mask of Ko thlama, and rear view of the head of a Ko thlama personator, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology
Mask of a Shi wanni Rain Priest of the Kia nakwe, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904
Mask of Pau tiwa, Zuni sun god. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904
Mask of Kwe lele, Fire Maker to Shit su kiai, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology, Washington, 1904
Mask of Shit sukia, Game Eater, god of the Zuni (front, side and rear views). Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology
Mask of Ko yemshi a, and mask of Ko mokat siMask of Ko yemshi, old dance man a, and mask of Ko mokat si, old dance woman b, c, Zuni nation. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American
Mask of Tkia nilona, Owner of Springs, greatest of the Zuni ancestral gods. Chromolithograph by August Hoen from John Wesley Powells 23rd Annual Report of the Bureau of American Ethnology
Wall paintings of arabesques and head of OceanusWall painting of an arabesque with a mask of Oceanus found in Herculaneum, and two other ornaments of Oceanus and a lotus flower found in the Temple of Isis. All now in the Museum of Naples
Wall painting of an arabesque with stag and cupid (top) and a panel with a mask of Pan (below), both from Domus Vedi Sirici or House of Siricus, VII.1.47
Lucilla, daughter of Roman Emperor Marcus Aurelius, with trumpet and mask, the attributes of Thalia, muse of comedy. Copperplate engraving after an illustration by L
Statue of Thalia, muse of comedy, with mask and trumpet. In the collection of Conservatori del Popolo Romano. Copperplate engraving from Pietro Paolo Montagnani-Mirabilis Il Museo Capitolino
Return from the masked ballReturn from the ball: a young man flirts with several women undressing after a costume ball. During carnival you must be especially vigilant, old husbands of young wives, outdated lovers
A meeting at a masquerade ballA meeting at a ball: A masked woman and Normandy girl flirt with a revolutionary man in bicorn and cockade, while a woman in drag as a Turkish man interrupts and a double bass player looks
Preparing for a masked ball, 1800sPreparations for a masquerade. We no longer see harlequins and pierrots at masked balls, but instead costumes of Switzerland and Normandy
Woman of the court of King Henry IV of France, 1589-1610. She wears her hair tied up with a ribbon, an upright lace collar, Spanish court dress with low cut bosom, slashed sleeves, corset
Lady in mask at a ball, reign of King Henry III of France, 1573-1575. She wears a hat decorated with pearls, a full-face black mask
Mlle. Judith as Isabelle in La Grisette de Qualite, 1844Mlle. Judith or Judith Julie Bernat as Isabelle in La Grisette de Qualite, Theatre des Folies Dramatiques, 1844. Handcoloured lithograph after an illustration by Louis Lasalle from Victor Dollets
Mlle. Melcy as Amelie in Un Mari qui se Derange, 1846Mlle. Melcy as Amelie at a masked ball in Un Mari qui se Derange by Cormon and Grange, Theatre du Gymnase Dramatique, 1846