Goya Collection (page 6)

GOYA Y LUCIENTES, Francisco de (1746-1828). Mariano Luis de Urquijo. 1798-1799. Oil on canvas. SPAIN. Madrid. Royal Academy of History

GONZALEZ VELAZQUEZ, Zacar�(1763-1834). Don
GONZALEZ VELAZQUEZ, Zacaric; (1763-1834). Don Ventura Rodr ez. Copy of an original work of Francisco de Goya, 1784. Rodr ez with a plan of the palace of Boadilla del Monte. Neoclassicism

GOYA Y LUCIENTES, Francisco de (1746-1828). Count of Fernan Nu񥺮 1803. Oil on canvas. Private Collection

ECUADOR. Quito. Cathedral. The family of the Infante (prince) Don Luis, copy after the original by Francisco de Goya. Oil on canvas

GOYA Y LUCIENTES, Francisco de (1746-1828). La
" GOYA Y LUCIENTES, Francisco de (1746-1828). La acerolera. 1779. Painted for the Princes Bedroom at El Pardo. Alaso so-called " El paseo" (The Walk). Oil on canvas. SPAIN. Madrid

GOYA Y LUCIENTES, Francisco de (1746-1828). Gaspar Melchor de Jovellanos. 1787. Detail. Oil on canvas. SPAIN. Oviedo. Fine Arts Museum of Asturias

GOYA Y LUCIENTES, Francisco de (1746-1828). Fair

Roland says goodbye to Charlemagne. Scene from
" Roland says goodbye to Charlemagne. Scene from " The Song of Roland" (" La Chanson de Roland" ), in " Grandes Chroniques de France" (14h century). North school

Saint-Denis market in Paris. Illustration from
" Saint-Denis market in Paris. Illustration from " Grandes Chroniques de France". (14th century). Gothic art. Miniature Painting. FRANCE. Castres. Goya Museum."

Boys Climbing a Tree
GOYA Y LUCIENTES, Francisco de (1746-1828). Boys Climbing a Tree. 1791-1792. Oil on canvas

The Duchess of Alba Arranging Her Hair
GOYA Y LUCIENTES, Francisco de (1746-1828). The Duchess of Alba Arranging Her Hair. Drawing

No one has seen us. Plate 79 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). No one has seen us. Plate 79 of Los Caprichos, etching, burnished aquatint

The Countess of Chinchon
GOYA Y LUCIENTES, Francisco de (1746-1828). The Countess of Chinchon. Portrait of Manuel Godoys wife, niece of King Charles IV

Isidoro Maiquez. Detail

Bullet Production

The Washerwomen
GOYA Y LUCIENTES, Francisco de (1746-1828). The Washerwomen. SPAIN. San Lorenzo de El Escorial

The Clothed Maja. Detail of the face and the arms
GOYA Y LUCIENTES, Francisco de (1746-1828). The Clothed Maja. Detail of the face and the arms. Oil on canvas

On account of a knife, Plate 34 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). On account of a knife. Plate 34 of The Disasters of War. Etching

For not having written for fools
GOYA Y LUCIENTES, Francisco de (1746-1828). For not having written for fools. Drawing from the Album C

El Diablo los junta
GOYA Y LUCIENTES, Francisco de (1746-1828). El Diablo los junta. Sanguine drawing. Drawing

He fell for the trick
GOYA Y LUCIENTES, Francisco de (1746-1828). He fell for the trick. Drawing from the series Prisiones, Suplicios y Libertad

Gran mano para hurtar sonajas (porque era tr mulo)
GOYA Y LUCIENTES, Francisco de (1746-1828). Drawing

Strange Dream. Drawing from Album B
GOYA Y LUCIENTES, Francisco de (1746-1828). Strange Dream. Drawing from Album B. Drawing

Soon she will be free
GOYA Y LUCIENTES, Francisco de (1746-1828). Soon she will be free. Wash drawing from the topic Prisiones, Suplicios y Libertad

Despierta inocente
GOYA Y LUCIENTES, Francisco de (1746-1828). Despierta inocente. Wash drawing from the topic Prisiones, Supliciosly Libertad

The Moors

Kneeled Woman praying. Aquatint formerly ascribed to Francisco de Goya. Drawing

Bury them and keep quiet. Plate 18 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). Bury them and keep quiet. Plate 18 of The Disasters of War. Preparatory

Modern Judith?
GOYA Y LUCIENTES, Francisco de (1746-1828). Modern Judith? 1797 - 1798. Sanguine. Drawing

Abducting horse. Plate 10 of Proverbs
GOYA Y LUCIENTES, Francisco de (1746-1828). Abducting horse. Plate 10 of Proverbs, etching, aquatint and drypoint. Engraving

Plate 16 of Proverbs. Preparatory drawing

Happy fantasy. Plate 12 of Proverbs
GOYA Y LUCIENTES, Francisco de (1746-1828). Happy fantasy. Plate 12 of Proverbs, etching, aquatint and drypoint. Engraving

This is bad. Plate 46 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). This is bad. Plate 46 of The Disasters of War. Etching

There they go, plucked. Plate 20 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). There they go, plucked. Plate 20 of Los Caprichos, etching, burnished and drypoint

Los Caprichos. Preparatory drawing for plate 72
GOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 72 of Los Caprichos. Drawing

Edad con desgracias
GOYA Y LUCIENTES, Francisco de (1746-1828). Edad con desgracias. Paintbrush and sepia ink drawing. Drawing

Los Caprichos. Preparatory drawing for plate 32
GOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 32 of Los Caprichos. Drawing

They ve already got a seat. Plate 60 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). They ve already got a seat. Plate 60 of Los Caprichos, etching and burnished

Because she was susceptible. Plate 32 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Because she was susceptible. Plate 32 of Los Caprichos, etching. Engraving

Blow. Plate 69 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Blow. Plate 69 of Los Caprichos, etching, aquatint, drypoint and burin

Yes, he broke the pot. Plate 25 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Yes, he broke the pot. Plate 25 of Los Caprichos, etching, aquatint

Riddle of fear. Plate 2 of Proverbs
GOYA Y LUCIENTES, Francisco de (1746-1828). Riddle of fear. Plate 2 of Proverbs, etching, aquatint and drypoint. Engraving

Poor little girls!. Plate 22 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Poor little girls!. Plate 22 of Los Caprichos, etching and burnished aquatint

Here comes the bogeyman. Plate 3 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Here comes the bogeyman. Plate 3 of Los Caprichos, etching and burnished aquatint

This is how it happened. Plate 47 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). This is how it happened. Plate 47 of The Disasters of War. Etching

There is no-one to help them. Plate 60 of The Disasters of W

They do not agree. Plate 17 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). They do not agree. Plate 17 of The Disasters of War. Etching

They don t like it. Plate 9 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). They don t like it. Plate 9 of The Disasters of War. Etching

All Professionally Made to Order for Quick Shipping