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The Great He-Goat, 1820-1823, by Francisco de GoyaFrancisco de Goya y Lucientes (1746-1828). Spanish painter. The Great He-Goat, 1820-1823. Detail. Prado Museum. Madrid. Spain
Los Caprichos by Francisco de Goya (1746-1828)Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. Lo que puede un sastre! (What can a tailor!). Number 52. Aquatint. 1799. Reproduction by M. Segui i Riera
Goya BirdmenMODO DE VOLAR One of Goyas many etchings depicting winged people, this is the most realistic, with wings large enough to be aerodynamically viable
GOYA Y LUCIENTES, Francisco de (1746-1828). The Dog. 1819 - 1823. Mural painting mounted on canvas. This painting with the other 13 works decorated two rooms of the Quinta del Sordo
GOYA Y LUCIENTES, Francisco de (1746-1828). Duchesse of Alba. 1795. SPAIN. Madrid. Liria Palace. Oil on canvas
The drowning Dog, 1820-1823, by Francisco de GoyaFrancisco de Goya y Lucientes (1746-1828). Spanish painter. The drowning Dog, 1820-1823. Prado Museum. Madrid. Spain
Hunting Party, 1775, by Francisco de GoyaFrancisco de Goya y Lucientes (1746-1828). Spanish painter. Hunting Party, 1775. Prado Museum. Madrid. Spain
Witches Sabbath by Francisco de GoyaFrancisco de Goya (1746-1828). Spanish romantic painter. Witches Sabbath, 1821-1823. Detail. Prado Museum. Madrid. Spain
Reading, 1820-1823, by Francisco de GoyaFrancisco de Goya y Lucientes (1746-1828). Spanish painter. Reading, 1820-1823. Prado Museum. Madrid. Spain
Goya (1746-1828). Spanish painter and printmaker. Los CapricFrancisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. Donde va mama? (Where are you going mum?). Number 65. Aquatint. 1799. Plate 43. Reproduction by M. Segui i Riera
Woman in PrisonGOYA Y LUCIENTES, Francisco de (1746-1828). Woman in Prison. Red and sanguine wash painting. Unique try that was destined
Goya (Postcard)FRANCISCO JOSE DE GOYA Y LUCIENTES Spanish painter, etcher and lithographer
GOYA Y LUCIENTES, Francisco de (1746-1828). The Parasol. 1777. Was painted as a cartoon for a tapestry that would decorated the dinning room of the Palace of El Pardo. Oil on canvas. SPAIN. Madrid
There was nothing to be done and he diedGOYA Y LUCIENTES, Francisco de (1746-1828). There was nothing to be done and he died. Plate 53
Trial of the Inquisition, circa 1819. Copy of Eugenio Lucas (1817-1870) after a painting by Francisco de Goya. History Museum. Madrid. Spain
Allegory of the Villa of Madrid, 1810, by Francisco de GoyaFrancisco de Goya y Lucientes (1746-1828). Spanish painter. Allegory of the Villa of Madrid, 1810. History Museum. Madrid. Spain
The Witches Sabbath or The Witches, 1797-1798, by GoyaFrancisco de Goya y Lucientes (1746-1828). Spanish painter. The Witches Sabbath or The Witches, 1797-1798. Lazaro Galdiano Museum. Madrid. Spain
The Threshing Ground or Summer, 1786, by GoyaFrancisco de Goya y Lucientes (1746-1828). Spanish painter. The Threshing Ground or Summer, 1786. Detail. Lazaro Galdiano Museum. Madrid. Spain
Saint Elizabeth of Portugal healing a sick woman, circa 1799Saint Elizabeth of Portugal (1271-1336). Queen of Portugal. Saint Elizabeth of Portugal healing a sick woman, circa 1799. By Francisco de Goya y Lucientes (1746-1828). Lazaro Galdiano Museum. Madrid
The Witches Sabbath, 1797-1798, by GoyaFrancisco de Goya y Lucientes (1746-1828). Spanish painter. The Witches Sabbath, 1797-1798. Lazaro Galdiano Museum. Madrid. Spain
The Inquisition Scene, 1808-1812, by GoyaFrancisco de Goya y Lucientes (1746-1828). Spanish painter. The Inquisition Scene, 1808-1812. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019
The Burial of the Sardine (El Entierro de la Sardina)Francisco de Goya y Lucientes (1746-1828). Spanish painter. The Burial of the Sardine (El Entierro de la Sardina), 1812-1819. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019
Antonio Ricardos (1727-1794), 1794, by GoyaAntonio Ricardos (1727-1794). Spanish military. Portrait by Francisco de Goya y Lucientes (1746-1828), 1794. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019
Mausoleum of Francisco de Goya in Bordeaux, 1828Antonio de Brugada (1804-1863). Spanish painter. Mausoleum of Francisco de Goya in Bordeaux, 1828. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019
Equestrian portrait of Ferdinand VII (1784-1833)Ferdinand VII (1784-1833). King of Spain (1808-1833). Equestrian portrait of Ferdinand VII, 1808. Detail. By Francisco de Goya y Lucientes (1746-1828). San Fernando Royal Academy of Fine Arts
Disparate 10An etching from Goya's Los Disparates series of artworks (The Follies). This example shows a rearing horse, biting the garment of a flailing man in a barren landscape. Date: circa 1816-1823
Francisco de Goya y Lucientes - Los Zancos (Stilts) (1791-1792) - original on display at Museo Nacional del Prado. Date: 1792
2nd 18th Century 19th 1808 1814 Action Animal2nd, 18th, century, 19th, 1808, 1814, action, animal, art, attack, attacked, attacking, cavalry, confrontation, contemporary, age, dead, death, died, episode, Europe, european, fight, fighting
Francisco Goya (1746-1828). Caprices. Plaque 10. Love and death. 18th century. Prado Museum. Madrid
Francisco Goya (1746-1828). Caprices. Plaque 5. Two of a kind. 18th century. Prado Museum. Madrid
Dead BirdsGOYA Y LUCIENTES, Francisco de (1746-1828). Dead Birds. Oil on canvas
Le ayuda a bien morir (He helps him to die)GOYA Y LUCIENTES, Francisco de (1746-1828). Le ayuda a bien morir (He helps him to die). Drawing
Until Death, Plate 55 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). Until death. Plate 55 of Los Caprichos, etching and burnished aquatint. Etching;
Of what ill will he die?GOYA Y LUCIENTES, Francisco de (1746-1828). Of what ill will he die?. Preparatory red wash and sanguine drawing for plate
The Unlucky Death of Pepe HilloGOYA Y LUCIENTES, Francisco de (1746-1828). The Unlucky Death of Pepe Hillo (Jose Delgado) in the Ring at Madrid
A heroic feat! With dead men!GOYA Y LUCIENTES, Francisco de (1746-1828). A heroic feat! With dead men! 1810 - 1820. Plate 39 of The Disasters of
The beds of death. Plate 62 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). The beds of death. Plate 62 of The Disasters of War. Etching
Allegory: War or Evil. The Death and an owlGOYA Y LUCIENTES, Francisco de (1746-1828). Allegory: War or Evil. The Death and an owl. Drawing
The Massine Ballet in C. B. Cochrans cabaret show Bon TonA scene from the Leonide Massine Ballet The Picnic in C.B. Cochrans cabaret show Bon Ton at the Trocadero Restaurant, 1925
Insurrectionists active in Madrid against occupying French forces: The people of Madrid rise against the French occupiers of their city, but the insur- -rection is brutally quashed
The Marquesa de Pontejos, by GoyaThe Marquesa de Pontejos by Francisco Goya y Lucientes (1746-1828) - painting on canvas (1785-1790). Date: circa 1788
SPAIN GOYA WAR C1808That Is Not To Be Looked At: innocent victims amongst the Spanish population during the Peninsular War. Date: circa 1808
SPAIN GOYA WAR VULTUREThe Carnivorous Vulture: a satire on Napoleons arrival in Spain during the Peninsular War. Date: circa 1808
The Fight at the Cock Inn, 1777, by Francisco de GoyaFrancisco de Goya y Lucientes (1746-1828). Spanish painter. The Fight at the Cock Inn, 1777. Prado Museum. Madrid. Spain
Francisco Goya (1746-1828). Caprices. Plaque 77. What one does to the other. Prado Museum. Madrid
Francisco de Goya (1746-1828). Spanish romantic painter. Children with mastiffs 1786-1787. Oil on canvas. Prado Museum. Madrid. Spain
Women Laughing by Francisco de GoyaFrancisco de Goya (1746-1828). Spanish romantic painter. Women Laughing. 1820-1823. Prado Museum. Madrid. Spain
Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. Aquellos Polvos. Aquatint n 23 published in 1799