Goya Collection

The Great He-Goat, 1820-1823, by Francisco de Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. The Great He-Goat, 1820-1823. Detail. Prado Museum. Madrid. Spain

Los Caprichos by Francisco de Goya (1746-1828)
Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. Lo que puede un sastre! (What can a tailor!). Number 52. Aquatint. 1799. Reproduction by M. Segui i Riera

Goya Birdmen
MODO DE VOLAR One of Goyas many etchings depicting winged people, this is the most realistic, with wings large enough to be aerodynamically viable

GOYA Y LUCIENTES, Francisco de (1746-1828). The Dog. 1819 - 1823. Mural painting mounted on canvas. This painting with the other 13 works decorated two rooms of the Quinta del Sordo

GOYA Y LUCIENTES, Francisco de (1746-1828). Duchesse of Alba. 1795. SPAIN. Madrid. Liria Palace. Oil on canvas

The drowning Dog, 1820-1823, by Francisco de Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. The drowning Dog, 1820-1823. Prado Museum. Madrid. Spain

Hunting Party, 1775, by Francisco de Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. Hunting Party, 1775. Prado Museum. Madrid. Spain

Witches Sabbath by Francisco de Goya
Francisco de Goya (1746-1828). Spanish romantic painter. Witches Sabbath, 1821-1823. Detail. Prado Museum. Madrid. Spain

Reading, 1820-1823, by Francisco de Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. Reading, 1820-1823. Prado Museum. Madrid. Spain

Goya (1746-1828). Spanish painter and printmaker. Los Capric
Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. Donde va mama? (Where are you going mum?). Number 65. Aquatint. 1799. Plate 43. Reproduction by M. Segui i Riera

Woman in Prison
GOYA Y LUCIENTES, Francisco de (1746-1828). Woman in Prison. Red and sanguine wash painting. Unique try that was destined

Goya (Postcard)
FRANCISCO JOSE DE GOYA Y LUCIENTES Spanish painter, etcher and lithographer

GOYA Y LUCIENTES, Francisco de (1746-1828). The Parasol. 1777. Was painted as a cartoon for a tapestry that would decorated the dinning room of the Palace of El Pardo. Oil on canvas. SPAIN. Madrid

There was nothing to be done and he died
GOYA Y LUCIENTES, Francisco de (1746-1828). There was nothing to be done and he died. Plate 53

Trial of the Inquisition, circa 1819. Copy of Eugenio Lucas (1817-1870) after a painting by Francisco de Goya. History Museum. Madrid. Spain

Allegory of the Villa of Madrid, 1810, by Francisco de Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. Allegory of the Villa of Madrid, 1810. History Museum. Madrid. Spain

The Witches Sabbath or The Witches, 1797-1798, by Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. The Witches Sabbath or The Witches, 1797-1798. Lazaro Galdiano Museum. Madrid. Spain

The Threshing Ground or Summer, 1786, by Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. The Threshing Ground or Summer, 1786. Detail. Lazaro Galdiano Museum. Madrid. Spain

Saint Elizabeth of Portugal healing a sick woman, circa 1799
Saint Elizabeth of Portugal (1271-1336). Queen of Portugal. Saint Elizabeth of Portugal healing a sick woman, circa 1799. By Francisco de Goya y Lucientes (1746-1828). Lazaro Galdiano Museum. Madrid

The Witches Sabbath, 1797-1798, by Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. The Witches Sabbath, 1797-1798. Lazaro Galdiano Museum. Madrid. Spain

The Inquisition Scene, 1808-1812, by Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. The Inquisition Scene, 1808-1812. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

The Burial of the Sardine (El Entierro de la Sardina)
Francisco de Goya y Lucientes (1746-1828). Spanish painter. The Burial of the Sardine (El Entierro de la Sardina), 1812-1819. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Antonio Ricardos (1727-1794), 1794, by Goya
Antonio Ricardos (1727-1794). Spanish military. Portrait by Francisco de Goya y Lucientes (1746-1828), 1794. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Mausoleum of Francisco de Goya in Bordeaux, 1828
Antonio de Brugada (1804-1863). Spanish painter. Mausoleum of Francisco de Goya in Bordeaux, 1828. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Equestrian portrait of Ferdinand VII (1784-1833)
Ferdinand VII (1784-1833). King of Spain (1808-1833). Equestrian portrait of Ferdinand VII, 1808. Detail. By Francisco de Goya y Lucientes (1746-1828). San Fernando Royal Academy of Fine Arts

Disparate 10
An etching from Goya's Los Disparates series of artworks (The Follies). This example shows a rearing horse, biting the garment of a flailing man in a barren landscape. Date: circa 1816-1823

Francisco de Goya y Lucientes - Los Zancos (Stilts) (1791-1792) - original on display at Museo Nacional del Prado. Date: 1792

2nd 18th Century 19th 1808 1814 Action Animal
2nd, 18th, century, 19th, 1808, 1814, action, animal, art, attack, attacked, attacking, cavalry, confrontation, contemporary, age, dead, death, died, episode, Europe, european, fight, fighting

Francisco Goya (1746-1828). Caprices. Plaque 10. Love and death. 18th century. Prado Museum. Madrid

Francisco Goya (1746-1828). Caprices. Plaque 5. Two of a kind. 18th century. Prado Museum. Madrid

Dead Birds
GOYA Y LUCIENTES, Francisco de (1746-1828). Dead Birds. Oil on canvas

Le ayuda a bien morir (He helps him to die)
GOYA Y LUCIENTES, Francisco de (1746-1828). Le ayuda a bien morir (He helps him to die). Drawing

Until Death, Plate 55 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Until death. Plate 55 of Los Caprichos, etching and burnished aquatint. Etching;

Of what ill will he die?
GOYA Y LUCIENTES, Francisco de (1746-1828). Of what ill will he die?. Preparatory red wash and sanguine drawing for plate

The Unlucky Death of Pepe Hillo
GOYA Y LUCIENTES, Francisco de (1746-1828). The Unlucky Death of Pepe Hillo (Jose Delgado) in the Ring at Madrid

A heroic feat! With dead men!
GOYA Y LUCIENTES, Francisco de (1746-1828). A heroic feat! With dead men! 1810 - 1820. Plate 39 of The Disasters of

The beds of death. Plate 62 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). The beds of death. Plate 62 of The Disasters of War. Etching

Allegory: War or Evil. The Death and an owl
GOYA Y LUCIENTES, Francisco de (1746-1828). Allegory: War or Evil. The Death and an owl. Drawing

The Massine Ballet in C. B. Cochrans cabaret show Bon Ton
A scene from the Leonide Massine Ballet The Picnic in C.B. Cochrans cabaret show Bon Ton at the Trocadero Restaurant, 1925

Insurrectionists active in Madrid against occupying French forces: The people of Madrid rise against the French occupiers of their city, but the insur- -rection is brutally quashed

The Marquesa de Pontejos, by Goya
The Marquesa de Pontejos by Francisco Goya y Lucientes (1746-1828) - painting on canvas (1785-1790). Date: circa 1788

SPAIN GOYA WAR C1808
That Is Not To Be Looked At: innocent victims amongst the Spanish population during the Peninsular War. Date: circa 1808

SPAIN GOYA WAR VULTURE
The Carnivorous Vulture: a satire on Napoleons arrival in Spain during the Peninsular War. Date: circa 1808

The Fight at the Cock Inn, 1777, by Francisco de Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. The Fight at the Cock Inn, 1777. Prado Museum. Madrid. Spain

Francisco Goya (1746-1828). Caprices. Plaque 77. What one does to the other. Prado Museum. Madrid

Francisco de Goya (1746-1828). Spanish romantic painter. Children with mastiffs 1786-1787. Oil on canvas. Prado Museum. Madrid. Spain

Women Laughing by Francisco de Goya
Francisco de Goya (1746-1828). Spanish romantic painter. Women Laughing. 1820-1823. Prado Museum. Madrid. Spain

Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. Aquellos Polvos. Aquatint n 23 published in 1799

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