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A scene from the comedy drama The Wild Man of BorneoThe comedy drama The Wild Man of Borneo (1941) was set in a theatrical boarding house full of eccentric characters in New York in the 1890s
The Cinderella Finale from Ice Follies of 1939, a Joan Crawford vehicle, with some of Dolly Tree?s extravagant creations. There was a group of dancers wearing enormous crinoline
Dancer in the Marx Brothers movie A Day at the RacesOne of the dancers in the Marx Brothers movie A Day at the Races (1937) dressed in Dolly Tree costume Date: 1937
Chorus number in the Marx Brothers movie A Day at the RacesOne of the chorus numbers in the Marx Brothers movie A Day at the Races (1937) with the girls dressed in Dolly Tree costumes Date: 1937
Cicely Courtneidge in The Perfect Gentleman (1935) wearing a stirking Dolly Tree creation Date: 1935
Heather Angel and Cicely Courtneidge - The Perfect GentlemanHeather Angel (left) and Cicely Courtneidge in The Perfect Gentleman (1935) wearing Dolly Tree creations Date: 1935
A gown designed by Dolly Tree for Carole LombardA black tea gown of cellophane velvet designed by Dolly Tree for Carole Lombard in The Gay Bride (1934) Date: 1934
Smart suit designed by Dolly Tree for Carole LombardNavy blue crepe fashions this smart suit designed by Dolly Tree for Carole Lombard in The Gay Bride (1934) featuring a cut away coat and an attractive blouse
A suit designed by Dolly Tree for Carole LombardA velvet street suit designed by Dolly Tree for Carole Lombard in The Gay Bride (1934), patterned after the quaint drawings of Kate Greenaway, including a poke bonnet of 1840. Date: 1934
Evening gown designed by Dolly Tree for Carole LombardPeriod influence permeated this evening gown designed by Dolly Tree for Carole Lombard in The Gay Bride (1934). The gown featured a basque waist
An evening frock designed by Dolly Tree for Carole LombardAn evening gown designed by Dolly Tree for Carole Lombard in The Gay Bride (1934) made of a new fabric known as hammered silver or heavy metal cloth fitted to the body like armour. Date: 1934
Barbara Stanwyck in His Brother?s Wife (1936) wore this two-piece evening ensemble designed by Dolly Tree. A long black skirt with a train was topped by a white jacket with lapels and puffed sleeves
A scene from The Bishop Misbehaves (1935) with Lilian Bond wearing a Dolly Tree gown. Dolly Tree and Lilian Bond would have known each other from London when Bond appeared in the Piccadilly Revels
Lucile Watson in The Bishop Misbehaves (1935) wearing a Dolly Tree creation Date: 1935
Cecilia Parker in Ah Wilderness (1935) wearing Dolly TreeCecilia Parker in Ah Wilderness (1935) wearing a Dolly Tree period costume Date: 1935
Cecilia Parker wearing a Dolly Tree gown from Three Live Ghosts (1936). Date: 1936
Silver sheathed gown for Margaret Sullivan in Three ComradesA silver symphony is an apt description of this silver sheathed gown for Margaret Sullivan in Three Comrades (1938) designed by Dolly Tree
Margaret Dumont (with Groucho Marx) wearing Dolly TreeMargaret Dumont (with Groucho Marx) wearing a Dolly Tree negligee in At the Circus (1939) Date: 1939
Ann Sothern wearing Dolly Tree in Maisie Was A LadyAnn Sothern wearing a Dolly Tree creation in Maisie Was A Lady (1941) Date: 1941
A scene from Maisie Was A Lady (1941) with Ann SothernAnn Sothern wearing a Dolly Tree creation in Maisie Was A Lady (1941) Date: 1941
Ann Sothern in a Dolly Tree gown from Congo Maisie (1940) Date: 1940
Ann Sothern in Congo Maisie wearing a Dolly Tree costumeAnn Sothern in Congo Maisie (1940) wearing a Dolly Tree costume Date: 1940
Helen Gilbert in The Secret of Dr. Kildare (1939) wore this evening ensemble desiged by Dolly Tree that went back to her grandmother?s day for fashion significance
Robin Hood of El DoradoMargo, Warner Baxter and Ann Loring in Robin Hood of El Dorado (1936). Date: 1936
A black evening gown designed by Dolly Tree for Ann MorrissA black evening gown with low-cut dcolletage and small shoulder straps worn by Ann Morriss in Society Lawyer (1939) and designed by Dolly Tree Date: 1939
A satin negligee designed by Dolly Tree for Ann MorrissThe richness of satin was utilised to full advantage in this negligee designed by Dolly Tree for Ann Morriss in The Chaser (1938)
Ann Morriss wearing a smart suit designed by Dolly Tree in The Chaser (1938) Date: 1938
A hostess gown designed by Dolly Tree, for Ilka ChaseHostess gowns played an important part in the 1930s wardrobe and, this model designed by Dolly Tree, for Ilka Chase in Stronger Than Desire, (1939)
Joan Perry in Maisie Was a Lady (1941) wore a stunning two-piece street ensemble or suit in beige and black designed by Dolly Tree
Lana Turner in Dancing Co-Ed wearing Dolly Tree costumeLana Turner in Dancing Co-Ed (1939) wearing her Dolly Tree costume, with Artie Shaw Date: 1939
Lana Turner in Dolly Tree negligee from These Glamour GirlsLana Turner in a Dolly Tree negligee from These Glamour Girls (1939) Date: 1939
Lana Turner wearing two-piece frock designed by Dolly TreeLana Turner wearing a two-piece frock designed by Dolly Tree in 1939 with a theme of colour ruling simplicity. Made of natural coloured kasha cloth
A long, form fitting chiffon gown by Dolly TreeA gown designed by Dolly Tree for Lana Turner from Two Girls on Broadway (1940) Date: 1940
Smart two-piece suit designed by Dolly Tree for Lana TurnerA smart two-piece suit designed by Dolly Tree for Lana Turner from Two Girls on Broadway (1940) Date: 1940
A scene from Four Girls in White (1939) with Florence Rice (in foreground) wearing a Dolly Tree creation Date: 1939
Florence Rice in Four Girls in White (1939) wearing a Dolly Tree creation Date: 1939
Florence Rice in Miracles for Sale (1939) Date: 1939
Gown by Dolly Tree - Florence Rice in Beg Borrow or StealA gown designed by Dolly Tree for Florence Rice in Beg Borrow or Steal (1937) made of black lace over pale pink chiffon. It has a drop shoulder line with a very full skirt
Florence Rice in Dolly Tree creation for Stand Up and FightFlorence Rice in a Dolly Tree creation for Stand Up and Fight (1939) with Robert Young Date: 1939
Florence Rice in Paradise For Three (1938) wearing a Dolly Tree gown and with Frank Morgan (left) and Robert Young (right) Date: 1938
A lam, form-fitting dinner gown designed by Dolly Tree for Florence Rice in Navy Blue & Gold (1937) Date: 1937
A costume created by Dolly Tree for Florence Rice during the production of Stand up and Fight (1939). This afternoon ensemble for the cocktail hour was fashioned in gold lam combined with deep brown
Ann Rutherford in a Dolly Tree formal gown from The Ghost Comes Home (1940). Season in and season out white was always seen as the perfect colour for formal finery
Ann Rutherford in Dolly Tree suit from The Ghost Comes HomeAnn Rutherford in a Dolly Tree suit from The Ghost Comes Home (1940). It was stressed that no wardrobe was complete for the career girl if it did not contain a good tweed, well-tailored suit
Rita Johnson in The Girl Downstairs (1939) wearing a two piece military style suit. Date: 1939
An evening dress for Rita Johnson in Manproof (1938)Rows and rows of black chiffon made the skirt of this evening gowm for Rita Johnson in Manproof (1938) designed by Dolly Tree
Dolly Tree two-piece suit for The Golden Fleecing (1940)Virginia Grey wore this sleekly tailored Dolly Tree two-piece suit in The Golden Fleecing (1940) made of deep blue wool. Of interest was the white piqu accents of collar
Rita Johnson wearing a smart Dolly Tree suit in 6000 Enemies (1939) with Walter Pidgeon Date: 1939
