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Wall paintings from the Palazzo del Te, Mantua, Italy. Handcoloured lithograph by H. Asmus after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras
Wall paintings from the Chiesa di San Cataldo, Palermo, Sicily. Handcoloured lithograph by H. Asmus after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras
Wall paintings from the Cathedral of Messina, Sicily. Handcoloured lithograph by H. Asmus after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras
Wall paintings from the Notarial Archive, Archivio Notarile, Mantua, Italy, 15th century. Handcoloured lithograph by Berth after an illustration by Wilhelm Zahn from his Ornament of All Classical Art
Wall paintings in the Santangelo collection, Naples, Italy. Handcoloured lithograph by H. Asmus after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras
Wall paintings from the Royal Museum, Naples, Italy. Handcoloured lithograph by H. Asmus after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras
Wall paintings from Museo Biscari, Catania, and cornice from Syracuse Museum, Italy, 17th century. Handcoloured lithograph by Berth after an illustration by Wilhelm Zahn from his Ornament of All
Wall paintings from the Palazzo del Te, Mantua, Italy, 15th century. Handcoloured lithograph by H. Asmus after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras
Wall paintings from the Basilica of Sant Andrea in Mantua, Italy, 15th century. Handcoloured lithograph by Konter after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras
Wall paintings from the Ducal Palace, Mantua, Italy, 15th century. Handcoloured lithograph by Berth after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras
Interior of the Abu Simbel rock temples, Nubia, EgyptInterior of the Abu Simbel rock temples to Pharaoh Ramesses II and his queen Nefertiti, Nubia, southern Egypt. Handcoloured copperplate engraving by Theodore Goetz from Friedrich Johann Bertuchs
Woman performing the Bacchic dance of EuripidesFemale dancer in voluminous robes performing the third action (turn of the head) in the Bacchic dance of Euripides. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum
Dancer in a long transparent dressDancer in a long voluminous, transparent dress reminiscent of that of the Lydians and Phrygians. It may be Bacchus consort Ariadne
Venus with a mirror and VulcanVenus looking at herself in a mirror, and a virile young Vulcan seated on a stool with his arm over his head. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum
Citharist with garland of ivy, possibly SapphoCitharist or citharede, lyre player. Her garland of ivy identifies her as possibly Sappho or another poetess. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum
A daughter of Nereus mounted on a sea monsterOne of the 50 daughters of Nereus mounted on a sea monster with the head of a panther. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789
One of the 50 daughters of Nereus mounted on a sea monster with the head of a horse. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789
A scorned woman and righteous warrior. It could be Bellerophon and Sthenoboea, wife of Proetus, or Peleus and Astydameia, wife of King Acastus of Iolcus
Depiction of the hunt of the Calydonian boar by Meleager and Atalanta. Men with spears and a hunting dog stand over the dead boar
Odysseus presenting his wife Penelope with his bow and quiver of arrows. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789
Painting of the nymph Chloris or Flora, wife of Zephyrus, holding a vase of flowers and picking a bloom from a bush. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum
Helle, Phrixus and the flying golden ramHelle reaching for her brother Phrixus on his flying golden ram trying after falling off into Hellespont (now the Dardanelles). Dolphins caper alongside
Diana led by Amore (cupid) falls in love withDiana, the moon goddess, led by Amore (cupid) to fall in love with the sleeping shepherd Endymion. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano)
Statue of the god Bacchus, depicted as a graceful youth with long hair in ringlets. He holds a vase and long thrysus covered in fronds of ivy
Statue of Apollo with halo, cithara (lyre) and plectrumStatue of Apollo in copper. He is depicted with halo, cithara (lyre) and plectrum. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789
Minister fanning sacred flame with flabellumFestival of Isis, with minister fanning the sacred flame with flabellum and second minister with sword or scepter. Devotees playing sistrum, horns and drums
Festival of Isis, with devotees praying and making offerings, playing sistrum, horns and drums, and sacred ibis. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum
Two satyrs butting heads with goats. The rural god Pan is also depicted in this posture. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789
A winged Victory, with shield and wreath of oak leaves. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789
Young man with branch and basket in a Temple of Bacchus with statue of a goat and fluted columns. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano)
Aglais, daughter of MegaclesYoung woman with a Bacchic ferrule and a large trumpet, identifying her as Aglais, the daughter of Megacles, who played the trumpet in the first grand Alexandrian procession
Bacchic rites of ThalysiaTwo ministers of Bacchus with sacrificial offerings of leaves, cembalo (cymbal) and patera (bowl). Perhaps the festival of Thalysia
Bacchic rite. Priestess with waterlily leaf receiving a string of pearls, and (below) Bacchus seated between two ministers
Bacchic initiation ritesBacchic rite. Women offering figs on platters to Bacchus, and seated woman in an initiation rite accompanied by a genius of Ceres (boy with wings)
Bacchic chorus of musicians and dancersA Bacchic chorus of musicians and dancers with tibiae (woodwind), cithara (lyre) and cymbals. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano)
A deity (Apollo?) with halo and bow leans against a pillar. A young woman with crown of leaves and laurel branch in her left hand sits on a bench
Bacchus contemplates the sleeping Ariadne on NaxosBacchus, an amorino, and his tutor Silenus with long thyrsus, contemplate the sleeping Ariadne on the island of Naxos. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum
The abandonment of Ariadne on Naxos island by Theseus on a galley. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789
Bacchus watching a fight between Cupid and a satyrBacchus in crown of vine leaves watching a fight between Cupid and a satyr. Silenus has his right hand on the head of a satyr
The education of Bacchus. Three nymphs offer a bunch of grapes to the little god Bacchus who is raised up by his tutor Silenus. Mercury sits at right with a cithara (lyre)
Juno and Pallas visiting Venus to persuade her to induce Medea to fall in love with Jason. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome
Roman painting depicting two gods and a nymphRoman painting depicting two gods with halos, a nymph in wreath, and an old man watching from the rocks. Perhaps, the Sun, the Moon, Aurora, children of the old man Hyperion
Calliope, muse of epic poetry, holding a scroll and wearing a wreath of ivy. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789
Urania, muse of astronomy, with celestial globe and staff. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789
Erato, muse of lyric poetry, holding a lyre (cithara). Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789
Terpsichore, muse of dance, holding a lyreTerpsichore, muse of dance, holding a cithara or lyre. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789
Thalia, Roman muse of comedy, holding a comic mask and shepherds staff. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789
Clio, Roman muse of history, reading a scroll. She wears a laurel wreath, sits on a chair above a Cassettino Cilindrico (cylindrical barrel)