Ecuador Collection (page 2)

Peru. Lima. Founded by Spanish conquistador Francisco Pizarro, 1535. Engraving 1850

Ecuador. San Francisco de Quito. Engraving, 1850. Color

Yumbo indian, 1783, by Vicente Alban (b. 1725-?)
Vicente Alban (b.1725-?). Ecuatorian painter. Yumbo indian, 1783. Museum of America. Madrid. Spain

Pre-Columbian Art. Ecuador. Jama-Coaque Culture. Ceramic hea
Pre-Columbian Art. Ecuador. Pre-Inca Period. Period of Regional Development. Jama-Coaque Culture. Coast of Ecuador (500BC-500AD). ceramic head. 300-200 BC-700-800 AD. Ecuador

Pre-Columbian Art. Tumaco or La Tolita Culture. (600 B. C. an
Pre-Columbian Art. Tumaco or La Tolita Culture. (600 b.C. and 200 A.C.). Standing figure. (1st. b.C.-1st. d.C.). Gold. Colombia or Ecuador. Metropolitan Museum of Art. New York. United States

ENDARA, Carlos Manuel (1827 - 1924). The Republic of Ecuador in 1860 foretold. 1900. Eloy Alfaro (with hat), future prime minister

ECUADOR. Quito. Convent of San Francisco. Inside the church and main altarpiece of 18th c. work of Bernardo de Legarda and the Padre Carlos. Mudejar art. Architecture

Calle Roquafuerte, Guayaquil, Ecuador

Ecuador. Process of Independence (1822). Battle of Pichincha. Death of Abd alder󮮠 Anonymous painting. Oil on canvas. ECUADOR. Quito. Eloy Alfaro Military School

Venus of Valdivia. 3500 -1000 BC. Valdivia Culture. Handmoulded little statue, from Santa Elena Peninsula (Ecuador). Symbol of fertility. Pre-Columbian art. Terra-cotta

Racial / Ecuador / Quito Man
Indian man from Quito, carrying a heavy pot

View of Quito, Ecuador, South America
A view of Quito, capital city of Ecuador, South America, with a bridge over a river in the foreground

Plazuela Ecuador, Pisagua, Chile, South America
Plazuela Ecuador (Little Square of Ecuador), Pisagua, a nitrate shipping port in Chile, South America. Date: circa 1908

The Ancient Jama-Coaque Culture. Northern coast of Ecuador. 500 BC-500 AD. Ceramic figure made in mold. He holds in his hands a fabric. From Ecuadorina coast. Private collection

Pre-Columbian art. Pre-Inca mummy (65 x 18 cm). Extraction of bones and meat. Filling plant material. Conserved the skin, skull and teeth. From Ecuador. Private Collection

Pre-Incan. Cuasmal Culture (500-1500 AD). From Ecuador. Cera
Pre-Columbian art. Pre-Incan. Cuasmal Culture (500-1500 AD). From Ecuador. Ceramic vessel. 10x 18, 5 cm (diameter). Private collection

South America. Tuncahuan culture. Central highlands of Ecuador. 500 BC-500 AD. Ceramic vessel decorated with white paint and red slip. 34 x 15 cm. (diameter). From Ecuador. Private collection

Jama-Coaque Culture. Northern coast of Ecuador. 500 BC-500 A
The Ancient Jama-Coaque Culture. Northern coast of Ecuador. 500 BC-500 AD. Ceramic figure. Seated man. Mold. Style chone. 37 x 20 cm. Private collection

Pre-Incan. Negative Carchi culture. 850-1500 AD. Coquero
Pre-Columbian art. Pre-Incan. Negative Carchi culture. 850-1500 AD. Coquero. Man sitting with hands on knees and chewing coca leaves.20 x 10, 5 x 8 cm. From Ecuador. Private collection

Pre-Incan. Cashaloma Culture. 500-1532 d. C. Anthropomorphic
Pre-Columbian art. Pre-Incan. Cashaloma Culture. Anthropomorphic ceramic vessel. 1o x 8, 5 cm (diameter). From Ecuador. Private collection

Pre-Incan. Cashaloma Culture. Anthropomorphic ceramic vessel
Pre-Columbian art. Pre-Incan. Cashaloma Culture. Anthropomorphic ceramic vessel. 13 x 10 cm (diameter). From Ecuador. Private collection

Bahia Culture (Mahia, Ecuador). Anthropomorphic figure
Bahia Culture (Mahia, Ecuador). 300 BC-500 AD. Anthropomorphic figure. 1, 5 x 5 cm. From Ecuador. Private collection. Period of Regional Development. Private collection

Pre-Incan. Jama-Coaque Culture. 500 BC-1531 AD. From Ecuador
Pre-Columbian art. Pre-Incan. Jama-Coaque Culture. 500 BC-1531 AD. From Ecuador. Sitting male figurine. 15 x 8 x 25 cm (diamer). Stye chone. Private collection

Pre-Incan. Puruha Culture. 1300-1500. Anthropomorphic cerami
Pre-Columbian art. Pre-Incan. Puruha Culture. 1300-1500. Anthropomorphic ceramic vessel. 17 x 15 cm (diameter). From Ecuador. Private collection

Pre-Columbian art. Pre-Incan. Tumaco-Tolita culture. Ceramic
Pre-Columbian art. Pre-Incan. Tumaco-Tolita culture. Region of the Pacific Colombo-Ecuadorian coast from 300BC-600 AD. Ceramic object. Form squirrel. 9 x 6 cm (diameter) x 3, 5 cm. From Ecuador

Bahia Culture (Mahia, Ecuador). Figure sitting cross-legged
Bahia Culture (Mahia, Ecuador). 300 BC-500 AD. Figure sitting cross-legged. 24 x 15 cm. From Ecuador. Period of Regional Development. Private collection

The Ancient Jama-Coaque Culture. Ecuador. Male figure. Priva
The Ancient Jama-Coaque Culture. Northern coast of Ecuador. 500 BC-500 AD Chone type. Male figure. 37 x 20 cm. Private collection

Bahia Culture (Mahia, Ecuador). Male figure representing a t
Bahia Culture (Mahia, Ecuador). 300 BC-500 AD. Male figure representing a thinker. 21 x 6, 5 cm. From Ecuador. Period of Regional Development. Private collection

Pre-Columbian art. Pre-Incan. Cuasmal Culture (500-1500 AD). From Ecuador. Ceramic vessel. 23 x 16 cm (diameter). Private collection

Pre-Incan. Guangala Culture. 300 / 200 a 700 / 800 DC. Clay head
Pre-Columbian art. Pre-Incan. Guangala Culture.300/200 a 700/800 DC. Clay head with eyes and ornaments. Hair done with incisions. 5 x 5 cm. From Ecuador. Private collection

Pre-Incan. Pazaleo Culture (700-1500 AD). From Ecuador. Cera
Pre-Columbian art. Pre-Incan. Cosanga or Pazaleo Culture (700-1500 AD). From Ecuador. Ceramic vessel. 24 x 24 cm (diameter). Private collection

South America. Chorrera culture. Late Formtive indigenous culture (1300 BC-300 BC in Ecuador). Ceramic vessel. 15 x 10 cm. From Ecuador. Private collection

Bahia Culture (Mahia, Ecuador). Seated female figure
Bahia Culture (Mahia, Ecuador). 300 BC-500 AD. Seated female figure. 60 x 28 cm. From Ecuador. Period of Regional Development. Private collection

Portolan of Joan Martines (16th century). American west coas
Portolan of Spanish cartographer Joan Martines (16th century). Majorcan school. American west coast (Peru, Ecuador and Colombia). 1587 Messina, Sicily

View of Huigra, Ecuador, South America, with a few basic buildings, one of them called Gran Hotel Huigra. Date: circa 1910

People picnicking, Cuenca, Ecuador, South America. Date: circa 1910

Gobernacion (Guayaquil), Ecuador, South America, showing a clock tower and the harbour. Date: circa 1910

Jorge Juan Santacilia (1713-1773). Spanish scientist and naval officer. Colored engraving. Aurelio Espinosa Polit File Library. Quito. Ecuador

Jose Joaquin de Olmedo y Maruri (1780-1847). Ecuadorian patriot and poet. Portrait. Colored engraving

Rafael Lasso de la Vega (1764-1831). Portrait. Ecuador
Rafael Lasso de la Vega (1764-1831). Panamanian prelate. Bishop of Quito. Portrait. Chapter house. Cathedral of Quito. Ecuador

Eugenio Espejo (1747-1795). Engraving
Eugenio Espejo (1747-1795). Portrait. Engraving. 18th century. Aurelio Espinosa Polit File Library. Quito. Cotocollao. Ecuador

Ecuador. Ingapirca. Ruins
Ecuador. Ingapirca. Inca archaeological site built on Canari settlement during the reign of Emperor Huayna Capac (1493-1527). Detail of the Inca bath in the Intihuayco (Ravine of the Sun)

Nicolas Joaquin Arteta Calisto (1771-1849). Portrait
Nicolas Joaquin Arteta Calisto (1771-1849). Bishop and first archbishop of Quito. Chapter house. Cathedral of Quito. Ecuador

Natives of New Granada, Peruvian man and Patagonians.. Handcolored lithograph from Friedrich Wilhelm Goedsches Complete Gallery of Peoples in True Pictures, Meissen, circa 1835-1840

VELASCO IBARRA, Jos頍ar�(1893-1979). Ecuadorian
VELASCO IBARRA, Jos頍 aric (1893-1979). Ecuadorian political figure. He was elected five times to the post of president of Ecuador: 1934-1935, 1944-1947, 1952-1956, 1960-1961, and 1968-1972

VALUE
ECUADOR. Otavalo. Bust of the Indian Rumi񡷩

ECUADOR. Quito. Convent of San Francisco. Detail of Altarpiece. 1630. Quito School. The use of bright polychromy was a feature of this school. Colonial baroque. Relief

ECUADOR. Quito. Convent of San Francisco. Altarpiece of Santa Catalina. Polychrome carving. 1630. Quito School. The use of bright polychromy was a feature of this school. Colonial baroque

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