Ecole Collection (page 2)

Gentlemen fencers in the Italian Guard position fighting with sword and dagger. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in guard and thrust positions
Gentlemen fencers in position for the inside-guard called Carte and the inside-thrust called Thrust in Carte. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer disarming his opponent on the Carte Thrust
Gentleman fencer disarming his opponent on the Carte or Second Thrust, after parrying with the Prime Parade. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer taking his opponents sword, second position of the Disarm after parrying his Carte Thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer disarming his opponent after parrying his Carte Thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the whole turn called Volte
Gentleman fencer making the whole turn called Volte, on the Pass in Tierce, or in Carte over the Arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the Demi-Volte turn
Gentleman fencer in the half-round or bounding turn of the Body called the Demi-Volte. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer running through an opponent
Gentleman fencer stabbing his opponent after an Evasion, by moving his left leg back when his opponent makes a pass on the outside of the sword

Gentleman fencer making the Pass on the sword in Carte over the arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentlemen fencers making the plain Cut over the Point from Carte in Tierce. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the return from the Prime parade to the Seconde and Low Carte thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer making the return on the Flanconade thrust by reversing the edge to an opponent who has not opposed with the left hand

Gentlemen fencers making a return thrust in Quinte after the thrust in Seconde. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer making the Seconde return thrust after parrying Carte over the Arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in the Tierce return after the Tierce thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentlemen fencers in the Carte return after the Carte parry. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentlemen fencers in the Quinte parry against Quinte Thrust
Gentlemen fencers in the Quinte parade, point low and wrist raised, against the Quinte Thrust, outside thrust under the wrist

Gentlemen fencers in Prime parry and Seconde thrust
Gentlemen fencers in the Prime parade or St. George Guard parry derived from the broadsword, against the outside thrust under the wrist called Seconde

Gentlemen fencers in guard positions
Gentlemen fencers in the position for the Guard in Carte, and position for the Guard in Tierce. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the position of the Thrust in Seconde
Gentleman fencer in the position of the outside Parade for the thrust under the wrist or the Thrust in Seconde. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in thrust and parry positions
Gentlemen fencers in the position of the outward parry with the nails upward or the Feather Parade and the outward thrust nails upward, or the Carte over the Arm

Gentlemen fencers in Tierce parry and thrust positions
Gentlemen fencers in the position of the outside parade in Tierce and the outside thrust or Tierce-Thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in Carte thrust and parry
Gentlemen fencers in the position of the inside parade in Carte and the thrust in Carte. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencers in the fourth and fifth positions of the Salute. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentlemen fencers in the second and third positions of the Salute. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentleman fencer in the first position of the Salute. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentleman fencer in first position to draw a sword. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Talma and Mlle. Mars in Ecole des Vieillards
Francois-Joseph Talma (Danville) and Mademoiselle Mars (Madame Danville) in Ecole des Vieillards by Casimir Delavigne at the Comedie Francais, 1823

The Dance Academy, Ecole de Dance

French poster, Exhibition in Paris, WW1
French poster, design by Lucien Jonas, Exhibition at the Ecole des Beaux-Arts, Paris, works by artists of invaded regions, 13 June to 15 July 1915, First World War

CAP 10B 315-SG
Armee de l Air - CAP 10B 315-SG (msn 99), of Ecole de l Aviation de Chasse 315 Christian Martell from Base Aerienne Cognac on 14 July 1980. Date: 1980

Nord N. 2501 Noratlas 316-FO
Armee de l Air - Nord N.2501F-3/RNR Noratlas 316-FO (msn 196), of Groupement ecole 316 (GE 316), in use as a radio navigation trainer, at Base Aerienne Tours on 25 March 1973. Date: 1973

SEPECAT Jaguar A-04, the fourth pre-production Jaguar on display at the Air and Space Museum on Le Bourget Airport. Of note are the intake splitter plates which were only fitted to prototypes

POLYTECHNIQUE STUDENTS
Ecole Polytechnique, Paris: two men are on the roof, waving a white flag. Date: 27 July 1830

LABORATORIES / FRANCE
Inside of Ecole Centrale Laboratory, Paris Date: 1885

EXHIBITIONS / PARIS / 1867
Construction of the Universal Exhibition of 1867. View from LEcole militaire on 15 December 1866 Date: 1867

Ecole Saint-Nicolas School Gymnasium
Le gymnase at the Ecole Saint-Nicolas, Paris (a Catholic school) Date: circa 1880

The Johanniter Hospital in Beirut, Lebanon - The Order of St John. Date: 1910s

Huileries du Congo Belge (HCB) School - Alberta, Congo
Examination day at an Huileries du Congo Belge (HCB) School at Alberta, Democratic Republic of Congo. HCB (now Feronia) is a large-scale commercial farmland

Exposition des oeuvres des artistes originaires des Departements envahis. Ecole des Beaux-Arts. Three artists, the sculptor Chavaillaud, the sculptor Engrau

The Ancient Villa Huber - Tarabya
The Ecole Notre Dame de Sion (School of our Lady of Zion) - The former Villa Huber - at Tarabya, Istanbul. Now called Huber Kosku, Huber Mansion is located on the European side of the Bosphorus

School for boys in Cassel, France
School for boys (Ecole Communale de Garcons) in the town of Cassel, in northern France. Date: circa 1910s

Louis Pasteur / Iln 1884
LOUIS PASTEUR French chemist and microbiologist checking animals in his laboratory at the Ecole Normale, Paris Date: 1822 - 1895

Girls School Class
Pupils at the Ecole Uruguay- France, Seine-et-Marne, on Saturday, 3 June Date: circa 1905

Paris / Ecole Militaire
The CHAMP DE MARS, site of so many events in French history, depicted with a parade of Napoleon IIIs soldiery which many of those present don t even bother to look at Date: circa 1856

Moliere / Ecole Femmes
L ECOLE DES FEMMES Agnes complains that she has been bitten by fleas throughout the night Date: 1662

Jean-Baptiste Moliere
JEAN-BAPTISTE MOLIERE French playwright and actor, in the role of Sganarelle, in his own play L Ecole des Maris (1661) (from a painting at the Comedie Francaise) Date: 1622 - 1673

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