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Critique Collection

Background imageCritique Collection: BARTHES, Roland (1915-1980)

BARTHES, Roland (1915-1980). French writer. Cover of a Catalan edition of Roland Barthes Critique et Verit

Background imageCritique Collection: Francisco Goya (1746-1828). Caprices. Plaque 10. Love and d

Francisco Goya (1746-1828). Caprices. Plaque 10. Love and death. 18th century. Prado Museum. Madrid

Background imageCritique Collection: Francisco Goya (1746-1828). Caprices. Plaque 5. Two of a kin

Francisco Goya (1746-1828). Caprices. Plaque 5. Two of a kind. 18th century. Prado Museum. Madrid

Background imageCritique Collection: Bishop Butler

Bishop Butler
Bishop Joseph Butler (1692-1752). Born in Wantage, of Berkshire (now Oxfordshire). He is best known for his critique of Deism, Thomas Hobbess egoism, and John Lockes theory of personal identity

Background imageCritique Collection: Francisco Goya (1746-1828). Caprices. Plaque 77. What one do

Francisco Goya (1746-1828). Caprices. Plaque 77. What one does to the other. Prado Museum. Madrid

Background imageCritique Collection: Francisco Goya (1746-1828). Caprices. Plaque 61. They have f

Francisco Goya (1746-1828). Caprices. Plaque 61. They have flown. 18th century. Prado Museum. Madrid. Spain

Background imageCritique Collection: Francisco Goya (1746-1828). Caprices. Plaque 44. They spin f

Francisco Goya (1746-1828). Caprices. Plaque 44. They spin finely. 18th century. Prado Museum. Madrid. Spain

Background imageCritique Collection: Francisco Goya (1746-1828). Caprices. Plaque 48. Big gusts

Francisco Goya (1746-1828). Caprices. Plaque 48. Big gusts. Prado Museum. Madrid

Background imageCritique Collection: Die Herren der Welt (The Masters of the World. When

Die Herren der Welt (The Masters of the World. When the kings of industry are mad, the common people suffer), cover of Simplicissimus magazine, 1922. Critique of the power of big industries

Background imageCritique Collection: The case against the top hat

The case against the top hat
A page from The Tatler, dated 20th November 1901, featuring an article entitled " The Case Against the Top Hat", by the Scottish MP Lord Ronald Sutherland-Gower

Background imageCritique Collection: Renaissance. Haycart by Gillis Mostaert (1528-1598). Around

Renaissance. Haycart by Gillis Mostaert (1528-1598). Around 1575. Museum Catharijneconvent. Utrecht. Netherlands

Background imageCritique Collection: Francisco Goya (1746-1828). Caprices. Plaque 58. Swalow it

Francisco Goya (1746-1828). Caprices. Plaque 58. Swalow it, dog. Prado Museum. Madrid. Spain. 18th century

Background imageCritique Collection: Francisco Goya (1746-1828). Caprices. Plaque 21. How they pl

Francisco Goya (1746-1828). Caprices. Plaque 21. How they pluck her !. 18th century. Prado Museum. Madrid. Spain

Background imageCritique Collection: Francisco Goya (1746-1828). Caprices. Plaque 20. There they

Francisco Goya (1746-1828). Caprices. Plaque 20. There they go plucked. Prado Museum. Madrid

Background imageCritique Collection: Francisco Goya (1746-1828). Caprices. Plaque 74. Don t screa

Francisco Goya (1746-1828). Caprices. Plaque 74. Don t scream, stupid. 18th century. Prado Museum. Madrid

Background imageCritique Collection: Francisco Goya (1746-1828). Caprices. Plaque 17. It is nicel

Francisco Goya (1746-1828). Caprices. Plaque 17. It is nicely stretched. 18th century. Prado Museum. Madrid. Spain

Background imageCritique Collection: Francisco Goya (1746-1828). Caprices. Plaque 18. And the hou

Francisco Goya (1746-1828). Caprices. Plaque 18. And the house is on fire. 18th century. Prado Museum. Madrid. Spain

Background imageCritique Collection: Francisco Goya (1746-1828). Caprices. Plaque 32. Because she

Francisco Goya (1746-1828). Caprices. Plaque 32. Because she was susceptible. Prado Museum. Madrid

Background imageCritique Collection: Francisco Goya (1746-1828). Caprices. Plaque 6. Nobody knows

Francisco Goya (1746-1828). Caprices. Plaque 6. Nobody knows himself. Prado Museum. Madrid. Spain

Background imageCritique Collection: Francisco Goya (1746-1828). Caprices. Plaque 80. It is time

Francisco Goya (1746-1828). Caprices. Plaque 80. It is time
Francisco Goya (1746-1828). Caprices. Plaque 80. 18th century. It is time. Prado Museum. Madrid

Background imageCritique Collection: Francisco Goya (1746-1828). Caprices. Plaque 7. Event thus h

Francisco Goya (1746-1828). Caprices. Plaque 7. Event thus he cannot make her out. 18th century. Prado Museum. Madrid

Background imageCritique Collection: Johann Baptist Fischart (c. 1545-1591). German satirist

Johann Baptist Fischart (c. 1545-1591). German satirist and publicist. Portrait. Engraving. Colored

Background imageCritique Collection: BAYLE, Pierre (1647-1706)

BAYLE, Pierre (1647-1706). French critic and philosopher. Front page of an edition of Dictionnaire historique et critique

Background imageCritique Collection: BAYLE, Pierre (1647-1706). French critic and

BAYLE, Pierre (1647-1706). French critic and
" BAYLE, Pierre (1647-1706). French critic and philosopher. " Dictionnaire historique et critique" (Berl� 1765). Portrait of Pierre Bayle. Engraving. SPAIN. Barcelona

Background imageCritique Collection: Criticism of the Queen Victoria Memorial in The Sphere

Criticism of the Queen Victoria Memorial in The Sphere
A page in The Sphere magazine from 1911, which gives a no-holds-barred critique of the newly unveiled Queen Victoria Memorial monument in the Mall, London in front of Buckingham Palace


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