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BARTHES, Roland (1915-1980). French writer. Cover of a Catalan edition of Roland Barthes Critique et Verit
Francisco Goya (1746-1828). Caprices. Plaque 10. Love and death. 18th century. Prado Museum. Madrid
Francisco Goya (1746-1828). Caprices. Plaque 5. Two of a kind. 18th century. Prado Museum. Madrid
Bishop ButlerBishop Joseph Butler (1692-1752). Born in Wantage, of Berkshire (now Oxfordshire). He is best known for his critique of Deism, Thomas Hobbess egoism, and John Lockes theory of personal identity
Francisco Goya (1746-1828). Caprices. Plaque 77. What one does to the other. Prado Museum. Madrid
Francisco Goya (1746-1828). Caprices. Plaque 61. They have flown. 18th century. Prado Museum. Madrid. Spain
Francisco Goya (1746-1828). Caprices. Plaque 44. They spin finely. 18th century. Prado Museum. Madrid. Spain
Francisco Goya (1746-1828). Caprices. Plaque 48. Big gusts. Prado Museum. Madrid
Die Herren der Welt (The Masters of the World. When the kings of industry are mad, the common people suffer), cover of Simplicissimus magazine, 1922. Critique of the power of big industries
The case against the top hatA page from The Tatler, dated 20th November 1901, featuring an article entitled " The Case Against the Top Hat", by the Scottish MP Lord Ronald Sutherland-Gower
Renaissance. Haycart by Gillis Mostaert (1528-1598). Around 1575. Museum Catharijneconvent. Utrecht. Netherlands
Francisco Goya (1746-1828). Caprices. Plaque 58. Swalow it, dog. Prado Museum. Madrid. Spain. 18th century
Francisco Goya (1746-1828). Caprices. Plaque 21. How they pluck her !. 18th century. Prado Museum. Madrid. Spain
Francisco Goya (1746-1828). Caprices. Plaque 20. There they go plucked. Prado Museum. Madrid
Francisco Goya (1746-1828). Caprices. Plaque 74. Don t scream, stupid. 18th century. Prado Museum. Madrid
Francisco Goya (1746-1828). Caprices. Plaque 17. It is nicely stretched. 18th century. Prado Museum. Madrid. Spain
Francisco Goya (1746-1828). Caprices. Plaque 18. And the house is on fire. 18th century. Prado Museum. Madrid. Spain
Francisco Goya (1746-1828). Caprices. Plaque 32. Because she was susceptible. Prado Museum. Madrid
Francisco Goya (1746-1828). Caprices. Plaque 6. Nobody knows himself. Prado Museum. Madrid. Spain
Francisco Goya (1746-1828). Caprices. Plaque 80. It is timeFrancisco Goya (1746-1828). Caprices. Plaque 80. 18th century. It is time. Prado Museum. Madrid
Francisco Goya (1746-1828). Caprices. Plaque 7. Event thus he cannot make her out. 18th century. Prado Museum. Madrid
Johann Baptist Fischart (c. 1545-1591). German satirist and publicist. Portrait. Engraving. Colored
BAYLE, Pierre (1647-1706). French critic and philosopher. Front page of an edition of Dictionnaire historique et critique
BAYLE, Pierre (1647-1706). French critic and" BAYLE, Pierre (1647-1706). French critic and philosopher. " Dictionnaire historique et critique" (Berl 1765). Portrait of Pierre Bayle. Engraving. SPAIN. Barcelona
Criticism of the Queen Victoria Memorial in The SphereA page in The Sphere magazine from 1911, which gives a no-holds-barred critique of the newly unveiled Queen Victoria Memorial monument in the Mall, London in front of Buckingham Palace