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Crepe Collection

Background imageCrepe Collection: Fabric design, Art Gout Beaute, 1924

Fabric design, Art Gout Beaute, 1924
Fabric design for Moroccan crepe in a multicoloured, Middle Eastern style, Art Gout Beaute, 1924. 1924

Background imageCrepe Collection: Handbag Advert / Army / Navy

Handbag Advert / Army / Navy
A selection of British made & foreign handbags, pochettes & evening bags in crepe de chine, also a beaded bag, an embroidered nightdress sachet & a bag with applique flowers

Background imageCrepe Collection: Two Dressed by Chantal

Two Dressed by Chantal
Two women wear creations by Chantal of Paris - one a woollen serge tailor-made for morning wear, her companion a day frock in two shades of crepe de Rome

Background imageCrepe Collection: Crape myrtle, Lagerstromia indica

Crape myrtle, Lagerstromia indica. Handcoloured lithograph by D. Blair after an illustration by Lena Lowis from her Familiar Indian Flowers with Coloured Plates, L. Reeve, London, 1878

Background imageCrepe Collection: Advert for Gorringes womens clothing 1928

Advert for Gorringes womens clothing 1928
70th year anniversary offers, smart sultan coat of dull satin, crepe-de-chine printed dress and a elegant coat in crepe-de-chine givree a fascinating mixture of artificial silk and wool. 1928

Background imageCrepe Collection: Suffragette Coronation Procession 1911 Souvenir

Suffragette Coronation Procession 1911 Souvenir
A souvenir and programme of the Womens Coronation Procession, 17th June, 1911, giving details of the Pageants. The Suffrage Societies taking part and the routes

Background imageCrepe Collection: Three daytime outfits by Drecoll, Poiret and Jenny

Three daytime outfits by Drecoll, Poiret and Jenny
Three women in the latest day wear. On the left, a black scoop neck dress with large red rose to the side, by Drecoll. In the middle, a white, red and black print dress and black coat

Background imageCrepe Collection: Afternoon dresses by Poiret and Drecoll

Afternoon dresses by Poiret and Drecoll
Two fashionable women in afternoon dresses. On the left, black decorated with metal and gold lace, by Poiret. On the right, three-piece dress in crepe de chine, red and black

Background imageCrepe Collection: CREPE PAN

CREPE PAN
A flat-bottomed, shallow frying pan made for cooking crepes or pancakes to perfection

Background imageCrepe Collection: Printed Fortnum & Mason dresses for the Riviera casinos

Printed Fortnum & Mason dresses for the Riviera casinos
Elegant evening dresses in print crepe-de-chine, among the styles seen in the casinos of Southern France according to The Sketch magazine in which this photograph was featured

Background imageCrepe Collection: Cruising Suit Circa 1940

Cruising Suit Circa 1940
A two-piece cruising suit composed of blue trousers and a blazer (double-breasted coat) of striped flannel

Background imageCrepe Collection: Man in loose fitting coat, waistcoat, trousers and boots

Man in loose fitting coat, waistcoat, trousers and boots
Man in loose fitting coat of grey cloth with velvet collar, pink-and-white check waistcoat, hazelnut colour trousers and soft boots. Handcoloured lithograph by E

Background imageCrepe Collection: Woman in dress and cape of bleu crepe de chine

Woman in dress and cape of bleu crepe de chine with pekine velvet gilet jacket. Robe et cape de crepe de chine bleu, gilet de velours pekine

Background imageCrepe Collection: Dress and cape by Molyneux, 1932

Dress and cape by Molyneux, 1932
An evening dress of green and white crepe romaine with ruching around the hips, worn with a cape of black velvet, trimmed with ermine. Designed by Edward Molyneux of 60, Grosvenor Street. Date: 1932

Background imageCrepe Collection: Service Bocker outfit, Debenham & Freebody

Service Bocker outfit, Debenham & Freebody
The Service Bocker, underwear and shirt, Debenham & Freebody, fashion illustration of woman in outfit. Captioned, A clever utility garment'

Background imageCrepe Collection: Advert for Summer Suits in Ascot Crepe

Advert for Summer Suits in Ascot Crepe
Advert from Marshall and Snelgrove, promoting their latest range of summer suits, made from Ascot crepe. Date: 1932

Background imageCrepe Collection: Gladys Cooper

Gladys Cooper
Actress Gladys Cooper (1888-1971), later Dame Gladys, showing off some of her gowns. Date: 1931

Background imageCrepe Collection: Three Japanese Gifts for Felicitous Events

Three Japanese Gifts for Felicitous Events, Mitsukoshi Department Store, Osaka. Top: Symbol of Supreme Felicity - red and white silk crepe, pine foliage, crane and tortoise

Background imageCrepe Collection: Beauty of Japan's Textiles

Beauty of Japan's Textiles - the young woman on the left, holding a battledore, is in formal New Year's Day dress. The one on the right is in a homongi, a costume suitable for paying visits

Background imageCrepe Collection: Courtaulds Courgette Advertisement

Courtaulds Courgette Advertisement
An advertisement for Courtaulds Ltd, promoting Courgette, a very dainty crepe fabric with full surface weave. Image shows a stylish woman at a formal gathering with the quotation Joan dear

Background imageCrepe Collection: Isabel Jeans, actress, (1891-1985) studio fashion portrait, with fashion illustration

Isabel Jeans, actress, (1891-1985) studio fashion portrait, with fashion illustration. With description, Miss Isabel Jeans wears an unusual cocktail or cinema gown designed by Peggy Morris

Background imageCrepe Collection: Camilla Horn, German actress and dancer (1903-1996), fashion studio portrait

Camilla Horn, German actress and dancer (1903-1996), fashion studio portrait. With description, Miss Camilla Horn, who has recently completed a film in England and is now rehearsing another

Background imageCrepe Collection: Marda Vanne, actress, studio fashion portrait. From an item, A Portfolio of Fashion

Marda Vanne, actress, studio fashion portrait. From an item, A Portfolio of Fashion, compiled weekly for The Bystander, by Madge Garland'

Background imageCrepe Collection: Advert for Marshall and Snelgrove's range of printed silk frocks, worn with woollen coats

Advert for Marshall and Snelgrove's range of printed silk frocks, worn with woollen coats. Date: 1932

Background imageCrepe Collection: Averil Streatfield (1911-1977) is here seen modelling a crepe romain gown

Averil Streatfield (1911-1977) is here seen modelling a crepe romain gown and a coat bordered with grey fox, by designer Norman Hartnell (1901-1979). Date: 1932

Background imageCrepe Collection: Changing of the Guard, St James's Palace, London

Changing of the Guard, St James's Palace, London
Changing of the Guard at St James's Palace, Central London. The colours are tied with black crepe in honour of the recent death of King Edward VII. Date: 1910

Background imageCrepe Collection: WELLINGTON'S FUNERAL

WELLINGTON'S FUNERAL
The Horse Guards, who will be marshalling the procession. Top hats tied with black crepe are worn. A tent housing the coffin & funeral car & plumed horses can be seen. 18 November 1852

Background imageCrepe Collection: FREDERICK VIII

FREDERICK VIII (1843 - 1912), King of Denmark (1906 - 12) - a commemorative picture soon after his death

Background imageCrepe Collection: Putting bee-hives into mourning 1856

Putting bee-hives into mourning 1856
Telling the bees, traditional European custom in which bees would be told of an important event in the beekeepers life, such as long journeys, births, marriages and deaths

Background imageCrepe Collection: Advert for Celes pure silk Spring Models for 1925

Advert for Celes pure silk Spring Models for 1925 Date: 1925

Background imageCrepe Collection: Three Spring Parisian frocks for the Riviera, 1925

Three Spring Parisian frocks for the Riviera, 1925. On left is a dress of blue and white foulard from Lucien Lelong, centre is a dress of blue and white crepe de Chine

Background imageCrepe Collection: A spring dress from Lucien Lelong, Paris, 1925

A spring dress from Lucien Lelong, Paris, 1925. An important feature is the tunic skirt made of black crepe de chine Date: 1925

Background imageCrepe Collection: An evening gown from Chantal, Paris, 1925

An evening gown from Chantal, Paris, 1925. Made of almond green crepe and soft tulle draperies on the skirt and steel and silver bead embroidery Date: 1925

Background imageCrepe Collection: Two outfits from Lucien Lelong, Paris, 1925

Two outfits from Lucien Lelong, Paris, 1925 - one a coat trimmed with fox, the other a dance frock of crepe de chine trimmed with bands of silver, gold and ruby Date: 1925

Background imageCrepe Collection: Two gowns worn by actresses at the Poiniere Theatre, Paris

Two gowns worn by actresses at the Poiniere Theatre, Paris, 1925 - the left worn by Mlle Marken is an emerald green crepe edged with silver rose voile

Background imageCrepe Collection: Sketches of three dress offerings from Paris, 1926

Sketches of three dress offerings from Paris, 1926
Sketches of three dress offerings from Bernard et Cie, Paris, 1926. Top left a cape, centre a dress of Kasha and top right a dress of crepe de chine Date: 1926

Background imageCrepe Collection: A portrait of the American dancer Claire Luce, 1929

A portrait of the American dancer Claire Luce, 1929 wearing a Lucien Lelong tiered black georgette crepe dance frock Date: 1929

Background imageCrepe Collection: Four costumes representing Maytime Modes. Suggestions

Four costumes representing Maytime Modes. Suggestions for dancers both on and off the stage, 1928, Top left: sophisticated simplicity - a gown of black satin crepe

Background imageCrepe Collection: Christmas Day at the North Eastern Hospital 1904

Christmas Day at the North Eastern Hospital 1904
Christmas Day in a childrens Goldsmiths Ward in North Eastern Hospital in Hackney Road, London. Showing a huge Christmas tree in the ward, decorated with stockings, crackers, dolls

Background imageCrepe Collection: Woman in linen dress looking at herself in the mirror

Woman in linen dress looking at herself in the mirror. Robe de linon de fil. Handcoloured pochoir (stencil) etching after an illustration by Adrien Etienne Drian from Tommaso Antonginis Journal des

Background imageCrepe Collection: Woman in crepe-de-chine gown with cupid, 1913

Woman in crepe-de-chine gown with cupid, 1913
Woman in crepe-de-chine gown with belt and bag embroidered with pearls. A cupid aims a love dart at her head. Robe de crepe de chine, sac et ceinture brodes de perles

Background imageCrepe Collection: Jewelry cockade and flexible rings designed by Morgan

Jewelry cockade and flexible rings designed by Morgan. Aigrette et bagues souples par Morgan. Handcoloured pochoir (stencil) etching from Tommaso Antonginis Journal des Dames et des Modes

Background imageCrepe Collection: Porcelain designs for tableware, 1913

Porcelain designs for tableware, 1913
Porcelain designs for tableware from Saxe, Mennecy, Nymphenbourg and Wedgwood, 1913. Handcoloured pochoir (stencil) etching from Tommaso Antonginis Journal des Dames et des Modes

Background imageCrepe Collection: Woman in white crepon dress with taffeta jacket and hat

Woman in white crepon dress with taffeta jacket and hat
Woman in white crepon dress with yellow taffeta jacket and hat. Robe de crepon blanc, casaque de taffetas soufre, bonnet de taffetas pekine

Background imageCrepe Collection: Young woman in dress of white crepe de chine, 1913

Young woman in dress of white crepe de chine, 1913
Young woman in dress of white crepe de chine decorated with black velvet in garden with roses on lattice. Robe de jeune fille en crepe de chine blanc et garnie de velours noirs

Background imageCrepe Collection: Woman in green wool suit with pet dogs, 1913

Woman in green wool suit with pet dogs, 1913
Woman in green wool suit with collar, belt and cuffs in yellow and grey taffeta check, walking with two dogs. Costume tailleur du matin en lainage vert-de-gris

Background imageCrepe Collection: Woman in crepe de chine dress, cape of otter and skunk fur

Woman in crepe de chine dress, cape of otter and skunk fur
Woman in white crepe de chine dress, cape of otter and skunk fur lined with floral pattern, skull cap with plumes. Robe de crepe de chine blanc garnie de renard, manteau de loutre et skunks

Background imageCrepe Collection: Woman in violet velvet cape trimmed with fox fur, green suit

Woman in violet velvet cape trimmed with fox fur, green suit
Woman in violet velvet cape trimmed with fox fur, suit of bottle-green woo, gaiters. Manteau de velours violet garni de renard naturel, tailleur de drap vert verre



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