Aquatint Collection (page 4)

French Royal Family in 1814. The Count of Artois (brother and heir of the king as Charles X), Louis XVIII, the duchesses of Angouleme and Berry and sons of the Count of Artois, Louis Anthony

Ixobrychus exilis, least bittern
Plate 210 from John James Audubons Birds of America, original double elephant folio (1834-35), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Tachycineta bicolor, tree swallow
Plate 100 from John James Audubons Birds of America, original double elephant folio (1827-30), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Phalaropus tricolor, Wilsons phalarope
Plate 254 from John James Audubons Birds of America, original double elephant folio (1834-35), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Anas discors, blue-winged teal
Plate 313 from John James Audubons Birds of America, original double elephant folio (1835-38), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Kneeled Nun praying. Aquatint formerly ascribed to Francisco de Goya, drawing

Middlesex Cavalry. Aquatint by and after Thomas Rowlandson, 1799 (c). From a volume of 86 aquatints entitled ?Loyal Volunteers of London and Environs

Royal Artillery. Coloured etched aquatint by J C Stadler after Charles Hamilton Smith, 1815. From the series ?Costumes of the Army of the British Empire, according to the last regulations

Grenadiers of the XLIId or Royal and XCIL
Grenadiers of the XLIId or Royal and XCII OR / Gordon Highlanders. Aquatint by J C Stadler after Charles Hamilton Smith. From Charles Hamilton Smiths

Intelligence of the Battle of Ligny. Coloured aquatint by J C Stadler after William Heath, published by Thomas Tegg, 1 April 1818. Wellington at a Ball receiving news, 16th June 1815

British Riflemen. Aquatint by J C Stadler after Charles Hamilton Smith. From Charles Hamilton Smiths ?Costumes of the Army of the British Empire, according to the last regulations 1812

Battle of Quatre Bras, 16 June 1815. Aquatint by T Sutherland after W Heath, published by J Jenkins, 1 Dec 1815. From ?Napoleonic Wars

Foreign Corps in the British Service. Privates of the Greek Light Infantry Regiment.Aquatint by J C Stadler after Charles Hamilton Smith.From Charles Hamilton Smiths

Hussars and Infantry of the Duke of Brunswick Oels?s Corps.Aquatint by J C Stadler after Charles Hamilton Smith.From Charles Hamilton Smiths

?The Storming of Schinss, Jan 3rd 1810?.Coloured aquatint by I Clark after R Temple, 65th (2nd Yorkshire, North Riding) Regiment of Foot published by W Haines

Ninth Hussars.Coloured aquatint by and after William Heath, published by J Watson, Vere Street, Bond Street, London, 25 Apr 1820.From an album of 18 aquatints entitled Military Costume of the British

Soldiers Drilling. Coloured aquatint with soft ground etching by and after J A Atkinson, nd.Published by William Miller, 49 Albemarle Street, London and James Walker, 8 Conway Street, Fitzroy Square

Waterloo. Defeat of French guard by the highlanders
Waterloo. Defeat of French Guard by the Highlanders, Haye Sainte, 18th June 1815. Coloured aquatint by and after J A Langendyk, published by J M Van Os en Compagnie

The Left Wing of the British Army in action, at Waterloo
The Left Wing of the British Army in action, at the Battle of Waterloo - June 18th-1815.Coloured aquatint after William Heath, 1815; engraved by Thomas Sutherland, 1815; published by James Jenkins

Wellington and Officers at the Battle of Waterloo
The Duke of Wellington and the Most Distinguished Officers at the Battle of Waterloo.. 18 Jun 1815. Coloured aquatint by W T Fry and T Sutherland after William Heath, published by J Jenkins, London

Hussars. A view near Mont St Jean.Aquatint.Inscribed Charge like lightning. with the remains of your troop on the flank of the LancersAssociated with 7th (Queens Own) Light Dragoons

British army in action at the Battle of Waterloo
The centre of the British army in action at the Battle of Waterloo, 18 Jun 1815.Aquatint by Sutherland after W Heath, published by J Jenkins, 1 Dec 1815.Vignette title - vol 1 engraved on it

Promenade of the Duchess of Berri on the Terrasse de l Eau.. Handcolored aquatint engraving after an illustration credited to Victor Auver from A Tour through Paris, William Sams, London, 1825

National Guardsmen in the Corps de Garde, Paris.. Handcolored aquatint engraving after an illustration credited to Victor Auver from A Tour through Paris, William Sams, London, 1825

Procession of the Fete Dieu, Parish Saint Germain l Auxenois.. Handcolored aquatint engraving after an illustration credited to Victor Auver from A Tour through Paris, William Sams, London, 1825

Charcoal porters brawling at a cabaret bar, Paris.. Handcolored aquatint engraving after an illustration credited to Victor Auver from A Tour through Paris, William Sams, London, 1825

Meridian of the Palais Royal.. Handcolored aquatint engraving after an illustration credited to Victor Auver from A Tour through Paris, William Sams, London, 1825

Flower market on the Quai Dessaix, Paris.. Handcolored aquatint engraving after an illustration credited to Victor Auver from A Tour through Paris, William Sams, London, 1825

The juggler at the Chateau d Eau, Paris.. Handcolored aquatint engraving after an illustration credited to Victor Auver from A Tour through Paris, William Sams, London, 1825

The Paris Morgue.. Handcolored aquatint engraving after an illustration credited to Victor Auver from A Tour through Paris, William Sams, London, 1825

itinerant trades people on the boulevards of Paris.. Handcolored aquatint engraving after an illustration credited to Victor Auver from A Tour through Paris, William Sams, London, 1825

Parisian street characters.. Handcolored aquatint engraving after an illustration credited to Victor Auver from A Tour through Paris, William Sams, London, 1825

The Chamber of Deputies on the Faubourg St Germain
The Chamber of Deputies on the Faubourg St. Germain.. Handcolored aquatint engraving after an illustration credited to Victor Auver from A Tour through Paris, William Sams, London, 1825

Parisians reading newspapers in the gardens of the Tuileries.. Handcolored aquatint engraving after an illustration credited to Victor Auver from A Tour through Paris, William Sams, London, 1825

Interior of a swimming school, Paris.. Handcolored aquatint engraving after an illustration credited to Victor Auver from A Tour through Paris, William Sams, London, 1825

Porters and fishwomen revelling around the statue of Henri IV.. Handcolored aquatint engraving after an illustration credited to Victor Auver from A Tour through Paris, William Sams, London, 1825

Office of wetnurses in Paris.. Handcolored aquatint engraving after an illustration credited to Victor Auver from A Tour through Paris, William Sams, London, 1825

Dancers on stilts in the Champs Elysees.. Handcolored aquatint engraving after an illustration credited to Victor Auver from A Tour through Paris, William Sams, London, 1825

Coach drivers and passengers at Place Louis XV.. Handcolored aquatint engraving after an illustration credited to Victor Auver from A Tour through Paris, William Sams, London, 1825

The blind man of the Bridge of Arts, Paris.. Handcolored aquatint engraving after an illustration credited to Victor Auver from A Tour through Paris, William Sams, London, 1825

Roode Sand Pass
Hand coloured aquatint View of the Roode Sand Pass near the Cape of Good Hope, drawn by Henry Salt, Engraved by I. Buck, 1809 Date: 1809

Barges by William Henry Pyne 1805
Hand coloured etching with aquatint engraved by William Henry Pyne. Plate 35 from The Costume of Great Britain, 1805. Date: 1805

The Watering Cart by W H Pyne
The Watering Cart. An aquatint from W H Pynes Costume of Great Britain, plate 39, 1808 Date: 1808

View of St Petersburgh, by Mornay
View of the Centre of the Great Bridge of the Neva, and of St Petersburgh, a hand-coloured aquatint by Clark and Dubourgh after Mornay, published by Edward Orme, 1815. Date: 1815

James Sadlers ascent
Hand-coloured etching and aquatint of James Sadlers ascent from Merton Fields, Oxford, 7 July 1810 [Cuthbert-Hodgson Collection]

The Middleton Colliery, near Leeds
The Collier, coloured aquatint, 1813, by R & D Havell, after a drawing by george Walker. The background shows the Middleton Colliery, near Leeds

Aqueduct on the Bridgewater Canal at Barton, opened in 1761. People regarded it as a marvel and flocked from afar to see boats sailing over the bridge whilst barges passed below

Iron works at Coalbrook Dale. Coloured aquatint, 1805, after a drawing by Philip James de Loutherbourg

All Professionally Made to Order for Quick Shipping