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Full-length portrait of an Aboriginal man named Cameragal, eDrawing 53 from the Watling Collection titled Cameragal the chief of the most powerful Tribe in New South Wales by Port Jackson Painter, 1788-1797
Portrait of an Aboriginal woman carrying a child on her shouDrawing 42 from the Watling Collection titled A Native Woman and her Child by Port Jackson Painter, 1788-1797
Aboriginal man armed for combatDrawing 50 from the Watling Collection titled A Native of New South Wales equipt for Fight by Port Jackson Painter, 1788-1797
Portrait of an Aboriginal man named Gur-roo-eeDrawing 37 from the Watling Collection titled Portrait of Gur-roo-ee by Thomas Watling, 1792-1797
Aboriginal woman healing a childDrawing 62 from the Watling Collection titled A woman of New South Wales cureing the head ache by Port Jackson Painter, 1788-1797
Portrait of an Aboriginal man named Bi-GongDrawing 38 from the Watling Collection titled Portrait of Bi-Gong by Thomas Watling, 1792-1797
Aboriginal men fighting in a landscapeDrawing 47 from the Watling Collection titled A Native of New South Wales surprising and wounding another whilst asleep by Port Jackson Painter, 1788-1797
An Aboriginal family in a harbour landscapeDrawing 43 from the Watling Collection titled A Native going to Fish with a Torch and flambeaux, while his Wife and children are broiling fish for their supper by Port Jackson Painter, 1788-1797
Aborigines returned from fishingDrawing 73 from the Watling Collection titled Natives returned from Fishing by a Port Jackson Painter, 1788-1797
Portrait of an Aboriginal man carrying a basketDrawing 68 from the Watling Collection titled A Native carrying a water basket of bark by Port Jackson Painter, c. 1791
A Group of Aborigines around a camp fireDrawing 26 from the Watling Collection titled A Group on the North Shore of Port Jackson, New South Wales by Thomas Watling, 1792-1797
Portraits of Wear rung and Karra da of the Boo. roo. bee. rungDrawing 36 from the Watling Collection titled Wear rung commonly known by the name of Mr Long and Karra da who exchanged names with Captain Ball by Thomas Watling, 1792-1797
Full-length portrait of an Aboriginal boy named NanberryDrawing 63 from the Watling Collection titled Nan.bar.ree painted for a dance by Port Jackson Painter, 1789-1797
Fishing scene framed in tondo, surrounded by musical instrumDrawing 70 from the Watling Collection titled Fishing scene with musical instruments by Port Jackson Painter, 1788-1797
Portrait of an Aboriginal man named ColebeeDrawing 28 from the Watling Collection titled Portrait of Colebee by Thomas Watling, 1792-1797
Portrait of an Aboriginal woman, named Da-ring-ha, and a chiDrawing 31 from the Watling Collection titled Da-ring-ha, Colebees Wife by Thomas Watling, 1792-1797
An encounter between British colonists and Australian AborigDrawing 25 from the Watling Collection titled Mr. White, Harris and Laing with a party of Soldiers visiting Botany Bay Colebee at that place, when wounded by a Port Jackson Painter c. 1790
An Aboriginal family paddling a canoeDrawing 27 from the Watling Collection titled A Canoe of New South Wales by a Port Jackson Painter, 1788-1797
Group of Aborigines in a landscape
Portrait of an Aboriginal womanDrawing 32 from the Watling Collection titled The sitting attitude of the women of New South Wales by Thomas Watling, 1792-1797
A native spearing a kangarooDrawing 74 from the Watling Collection titled A Native spearing a Kangaroo by a Port Jackson Painter, 1788-1797
Moon-lit fishing sceneDrawing 49 from the Watling Collection titled A New South Wales Native stricking fish by moonlight by Port Jackson Painter, 1788-1797
Portrait of an Aboriginal woman named Dirr-a-goaDrawing 35 from the Watling Collection titled Dirr-a-goa by Thomas Watling, 1792-1797
A Norfolk Island Hand AdgesDrawing 79 from the Watling Collection titled A Norfolk Island Hand Adges by Port Jackson Painter, 1788-1797
Wounded aboriginal man in a classical poseDrawing 52 from the Watling Collection titled A Native wounded while asleep by Port Jackson Painter, 1788-1797
Portrait of an Aboriginal man decorated for a funeralDrawing 69 from the Watling Collection titled A Moo.bee Ornamented after a Burial by Port Jackson Painter, 1788-1797
Camp of Aboriginals, Cape YorkA photograph taken during the voyage of H.M.S. Challenger (1872-1876) funded by the British Government for scientific purposes
Watling Collection 69-74: Portrait, tools and landscape
Drawings 32-36 from the Watling Collection32. The sitting attitude of women from New South Wales. 33. Untitled. 34. Nanbree. 35. Dirr-a-Goa. 36. Wearring, known as Mr Long, and Karra da
Australian Aborigine toolsIllustrations by Thomas Watling. Drawings 78 to 79 from the Watling Collection
Watling Collection 58-61: Natives of New South Wales, Austra58. Balloderree, 59. View in Port Jackson, 60. Gna.na.gan.na, 61. Native of New South Wales, Australia. Drawings 58-61 from the Watling Collection
The Installation of No BenguluInto the supreme chieftainship of Matabili land, February 1870. Sketch 36 from a collection of original sketches by Thomas Baines, (1859-1871)
Australian Aborigine portraitsA collection of illustration by Thomas Watling. Drawings 61 to 68 from the Watling Collection held at the Natural History Museum, London
Portrait of an Aboriginal man decorated for a funeral ceremoDrawing 44 from the Watling Collection titled A Moo.bee Ornamented after a Burial with a Club of great / size over the Shoulder by Port Jackson Painter, 1788-1797
Fishing scene in a harbour landscapeDrawing 29 from the Watling Collection titled A New South Wales native sticking fish while his wife is employed fishing with hooks and lines in her canoe by Port Jackson Painter, 1788-1797
An Aborigine with his hair matted with gum, a bark paddle anDrawing 64 from the Watling Collection titled A paddle made from bark, a Native his hair matted with gum, A Basket made of the knot of a tree by Port Jackson Painter, 1788-1797
An Aborigine fishing from the shoreDrawing 72 from the Watling Collection titled A Native striking a Fish by a Port Jackson Painter, 1788-1797
Aboriginal man equipped for fishing, standing by the sea
Aboriginal family group in a harbour landscapeDrawing 59 from the Watling Collection titled A view in Port Jackson. A woman meeting her husband who has been out on some exploit and offering him some fish by Port Jackson Painter, 1788-1797
Portrait of an Aboriginal woman named DorringaDrawing 66 from the Watling Collection titled Dorringa his wife smeared over with burnt stick and grease by Port Jackson Painter, c. 1791
Aboriginal method of climbing treesDrawing 75 from the Watling Collection titled Method of Climbing Trees by Port Jackson Painter, 1788-1797
Portrait of an Aboriginal man named Goo-nee-owl-galDrawing 39 from the Watling Collection titled Portrait of Goo-nee-owl-gal by Thomas Watling, 1792-1797
Fishing scene, with details of aboriginal implementsDrawing 77 from the Watling Collection by Port Jackson Painter, 1788-1797
Portrait of an aboriginal man named BalloderreeDrawing 58 from the Watling Collection titled Portrait of Balloderree by Port Jackson Painter, 1788-1797
Portrait of an Aboriginal man named Colebee, decorated for aDrawing 67 from the Watling Collection titled Colebee, when a Moobee, after Balloderrees Burial by Port Jackson Painter, c. 1791
Portrait of an Aboriginal manDrawing 56 from the Watling Collection titled A method used by the Natives of New South Wales of ornamenting themselves by Port Jackson Painter, 1788-1797
Nanberry, a native boy of Port JacksonA painting by George Raper, 1792, part of the George Raper drawing collection held within the Natural History Museum, London
Two Aboriginal boys in a harbour landscape, playing at fightDrawing 46 from the Watling Collection titled Native Boys of New South Wales practicing throwing the Spears by Port Jackson Painter, 1792
