Images Dated 13th June 2019 (page 20)

The Dancing Team of Moss and Fontana, London, 1919. Maxixe or Shadow Valse. A figure in the maxixe and the Shadow Valse because the man is occasionally behind his partner Date: 1919

Advert for His Masters Voice for new dance records, London
Advert for His Masters Voice for new dance records featuring Savoy Orpeans, Savoy Havana Band and Jack Hylton and his Orchestra, London, 1927 Date: 1927

The Dancing Team of Moss and Fontana, London, 1919. In the Maxixe. Its success depends upon the gracefulness of the arm movements Date: 1919

Madge Evans in the Age of Indiscretion (1935) wore this smart working girl outfit designed by Dolly Tree Date: 1935

Lynn Bari in The Magnificent Dope (1942) wearing a suit designed by Dolly Tree. The two tone striped grey wool suit featured front fullness on the skirt achieved by a single kick pleat

Betty Furness wore this Dolly Tree gown in Shadow of Doubt (1935). Comprised of taupe double faced satin with a soft peach lining the extremely full skirt is given additional flare by means of an old

Scenes from Escapade (1935) from Film Kurier magazine featuring Virginia Bruce, Luise Rainer, Mady Christians and William Powell with all the women wearing Dolly Tree Creations Date: 1935

Scenes from Escapade (1935) from Film Kurier magazine featuring Virginia Bruce, Luise Rainer, Mady Christians and William Powell with all the women wearing Dolly Tree Creations Date: 1935

Dorothy Mackaill wearing one of her Dolly Tree costumes in The Chief (1933). Date: 1933

Cover for Picturegoers Famous Films Supplement for Wife Versus Secretary (1936) a film dressed by Dolly Tree Date: 1936

Birth of a Gown feature (2 / 2) showing Dolly Tree design
Birth of a Gown feature (2/2) showing Dolly Tree designing the wardrobe for Rita Johnson in The Girl Downstairs (1938) Date: 1938

Loretta Young in The Unguarded Hour, 1936, wearing a Dolly Tree negligee Date: 1936

A scene from The Good Earth (1937) with Luise Rainer and Paul Muni, dressed by Dolly Tree Date: 1937

A scene from The Good Earth (1937) with Luise Rainer and Paul Muni, dressed by Dolly Tree Date: 1937

A scene from The Good Earth (1937) with Luise Rainer and Paul Muni, dressed by Dolly Tree Date: 1937

Myrna Loy in The Thin Man (1934)
There is a touch of the Scottish Highlands in this suit designed by Dolly Tree and worn by Myrna Loy in The Thin Man (1934)

A debutante Style designed by Dolly Tree for Diana Lewis
" A debutante Style designed by Dolly Tree for Diana Lewis in Andy Hardy Meets Debutante (1940) comprising a black evening gown featuring a strapped top bodice with lace edging over the skirt

A scene from Maisie Was A Lady (1941) with Ann Sothern wearing a Dolly Tree creation Date: 1941

Ann Sothern in Congo Maisie wearing a Dolly Tree costume
Ann Sothern in Congo Maisie (1940) wearing a Dolly Tree costume Date: 1940

Helen Gilbert in The Secret of Dr. Kildare (1939), wore this housecoat in taffeta banded in gold brocade with huge ermine cuffs and designed by Dolly Tree Date: 1939

A satin negligee designed by Dolly Tree for Ann Morriss
Ice blue satin, intriguingly draped formed this negligee designed by Dolly Tree for Ann Morriss in The Chaser (1938). The left side was plain with an open cap sleeve

Ann Morriss wearing a smart suit designed by Dolly Tree in The Chaser (1938) Date: 1938

Florence Rice in Dolly Tree creation for Stand Up and Fight
Scenes from Stand Up and Fight (1939) with Florence Rice in Dolly Tree creations Date: 1939

An evening dress for Rita Johnson in Manproof (1938)
Coronation blue combined with black fashioned this evening ensemble for Rita Johnson in Manproof (1938) designed by Dolly Tree

Rita Johnson wearing an evening gown designed by Dolly Tree
Rita Johnson wearing a stylish strapless, off-the-shoulder black lace evening gown designed by Dolly Tree from The Golden Fleecing (1940) Date: 1940

Rita Johnson wearing an evening gown designed by Dolly Tree
Rita Johnson wearing a satin evening gown with jewelled clasps on the shoulder straps designed by Dolly Tree in My Dear Miss Aldrich (1937) with Paul Harvey Date: 1937

Ilona Massey in one of her dance numbers from Rosalie (1937) wearing a Dolly Tree gown Date: 1937

Judy Garland and Mickey Rooney in Andy Hardy Meets Debutante (1940) wearing a Dolly Tree gown. Date: 1940

Virginia Bruce in The First Hundred Years (1938) in a peasant influenced full-skirted dress designed by Dolly Tree in purple, red and white

A suit designed by Dolly Tree for Virginia Bruce
The three-tiered silhouette was introduced on a smart black formal suit designed by Dolly Tree for Virginia Bruce in Times Square Lady (1935)

Madge Evans in the Age of Indiscretion (1935) wore this smart suit designed by Dolly Tree, with a definite Cossack influence

Myrna Loy in Third Finger Left Hand (1940)
Costume design by Dolly Tree for Myrna Loy in Third Finger Left Hand (1940) for a negligee of white souffl. The model was pleated in an all over pattern

Myrna Loy in I Love You Again (1940)
An exquisite white strapless, souffl evening gown designed by Dolly Tree for Myrna Loy in I Love You Again (1940), although not seen in the film

Myrna Loy in I Love You Again (1940)
This evening ensemble was designed by Dolly Tree for Myrna Loy in I Love You Again (1940). A black crepe, strapless and backless dinner gown, beautifully draped and cut on classic lines

Myrna Loy in Manproof (1937)
This long-sleeved dinner gown was a favourite with Myrna Loy. Designed by Dolly Tree for Manproof (1937), it did not appear in the film

Myrna Loy in Manproof (1937)
Myrna Loy?s black Lyons velvet housecoat designed by Dolly Tree in Manproof (1937) was form-fitting with a flaring skirt, well-defined waistline

Myrna Loy in Libeled Lady (1936) wearing a Dolly Tree print dress Date: 1936

Myrna Loy in Libeled Lady (1936) wearing a white Dolly Tree evening gown with white fur wrap. Date: 1936

Myrna Loy in Wife Versus Secretary (1936)
A light, single-breasted suit designed by Dolly Tree for Myrna Loy in Wife Versus Secretary (1936) was worn with a lace jabot and tricorn hat. Date: 1936

Myrna Loy in Evelyn Prentice (1934)
An East Indian note was caught in this model, inspired by the costume of the Brahman designed by Dolly Tree for Myrna Loy in Evelyn Prentice (1934)

Myrna Loy in Evelyn Prentice (1934)
An outstanding outfit for Myrna Loy in Evelyn Prentice (1934) was this Dolly Tree creation inspired by the calla lily described by Seymour in Photoplay February 1935 as an ?exquisite formal ensemble

Myrna Loy in Evelyn Prentice (1934)
A kimono designed by Dolly Tree for Myrna Loy in Evelyn Prentice (1934) made of a dark fabric with light patterned lines and large full sleeves

Myrna Loy in Evelyn Prentice (1934)
A sequinned gown designed by Dolly Tree for Myrna Loy in Evelyn Prentice (1934). Kimono-style, with tunic, the unusual shoulder detail with an uneven ?Jenny

Myrna Loy in Stamboul Quest (1934) wearing a Dolly Tree evening gown with a low-cut, draped dcolletage framed by fabric flowers in place at the high waistband with long ties

Myrna Loy in Prizefighter and the Lady (1933)
Myrna Loy in a form-fitting off-the-shoulder, silvery evening gown with a jewelled band all around the top of gown and wrists designed by Dolly Tree for Prizefighter and the Lady (1933)

Myrna Loy in Prizefighter and the Lady (1933). wore this long form-fitting evening gown, after the prevailing fashion, but with Dolly Tree

Myrna Loy in Prizefighter and the Lady (1933)
Myrna Loy wearing a black taffeta evening gown designed by Dolly Tree in Prizefighter and the Lady (1933). Inspired by the Gibson girl silhouette with an hourglass line and a tiny waist

Myrna Loy in Prizefighter and the Lady (1933) wearing a Dolly Tree creation Date: 1933

All Professionally Made to Order for Quick Shipping