Images Dated 15th April 2019 (page 186)

Ipecacuanha, Carapichea ipecacuanha
Ipecacuanha or poaya, Carapichea ipecacuanha (Cephaelis ipecacuanha). Handcoloured lithograph by Hanhart after a botanical illustration by David Blair from Robert Bentley

Red cinchona or quina, Cinchona pubescens (Columbian bark tree, Cinchona cordifolia). Handcoloured lithograph by Hanhart after a botanical illustration by David Blair from Robert Bentley

Red cinchona or quina, Cinchona pubescens (Cinchona succirubra). Handcoloured lithograph by Hanhart after a botanical illustration by David Blair from Robert Bentley

Quinine bark tree, Cinchona officinalis
Quinine bark tree, Peruvian bark tree or pale cinchona bark, Cinchona officinalis. Handcoloured lithograph by Hanhart after a botanical illustration by David Blair from Robert Bentley

Calumba, Jateorhiza palmata (Jateorrhiza calumba). Handcoloured lithograph by Hanhart after a botanical illustration by David Blair from Robert Bentley and Henry Trimens Medicinal Plants, London, 1880

Fennel, Foeniculum vulgare (Foeniculum capillaceum). Handcoloured lithograph by Hanhart after a botanical illustration by David Blair from Robert Bentley and Henry Trimens Medicinal Plants, London

Anise or aniseed, Pimpinella anisum. Handcoloured lithograph by Hanhart after a botanical illustration by David Blair from Robert Bentley and Henry Trimens Medicinal Plants, London, 1880

Pomegranate, Punica granatum. Handcoloured lithograph by Hanhart after a botanical illustration by David Blair from Robert Bentley and Henry Trimens Medicinal Plants, London, 1880

Tormentil, Potentilla erecta (Potentilla tormentilla). Handcoloured lithograph by Hanhart after a botanical illustration by David Blair from Robert Bentley and Henry Trimens Medicinal Plants, London

Meadow saffron, Colchicum autumnale. Handcoloured copperplate engraving from Dr. Willibald Artus Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse

Lily of the valley, Convallaria majalis. Handcoloured copperplate engraving from Dr. Willibald Artus Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse

Castorbean or castor-oil-plant, Ricinus communis. Handcoloured copperplate engraving from Dr. Willibald Artus Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse

Cascarilla, Croton eluteria. Handcoloured copperplate engraving from Dr. Willibald Artus Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants)

Downy hemp-nettle, Galeopsis segetum (Galeopsis ochroleuca). Handcoloured copperplate engraving from Dr. Willibald Artus Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse

Black mustard, Brassica nigra. Handcoloured copperplate engraving from Dr. Willibald Artus Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse

Redcurrant, Ribes rubrum. Handcoloured copperplate engraving from Dr. Willibald Artus Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse, (Handbook of all medical-pharmaceutical plants)

Quinine, red cinchona or cinchona bark, Cinchona micrantha. Handcoloured copperplate engraving from Dr. Willibald Artus Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse

Bittersweet nightshade, Solanum dulcamara. Engraved by F. Kirchner. Handcoloured copperplate engraving from Dr. Willibald Artus Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse

Rosemary, Rosmarinus officinalis. Handcoloured copperplate engraving from Dr. Willibald Artus Hand-Atlas sammtlicher mediinisch-pharmaceutischer Gewachse

The abandonment of Ariadne on Naxos island by Theseus, comforted by a weeping cherub and winged woman. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum

Four putti with symbols of Bacchus: dancer with thyrsus and cembalo, putto with two-handled vase, putto with vase and basin of water and wine, and putto with scepter and basin of Venus

Gentlemen fencers in guard and thrust positions
Gentleman fencers in position of the inside guard called Carte and the thrust under the wrist called the Low Carte. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Handcolored copperplate engraving after an illustration by Thomas Rowlandson

Gentleman fencer disarming his opponent on the Carte or Second Thrust, after parrying with the Prime Parade. Handcolored copperplate engraving after an illustration by Thomas Rowlandson from Mr

Gentleman fencer disarming his opponent
Gentleman fencer performing the disarm after parrying on the outside of the sword. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer disarming his opponent, second position after parrying the Thrust in Tierce, or Carte over the Arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer disarming his opponent on the Thrust in Tierce, or Carte over the Arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Woodcut print in Come Christmas. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration

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