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4,928 items
Advertising leaflet for silver and plated wares including table services, candlesticks, dishes, tureens and lamps manufactured by Spooner Clawes & Co. of Birmingham, printed in England c.1820-1830
The First Interview, or Happiness Sacrifised to RichesThe FIRST INTERVIEW, or HAPPINESS SACRIFISED TO RICHES, hand-coloured mezzotint on laid paper, printed for and sold by Carington Bowles, London, 1784. Date: 1784
Textile swatchesA selection of seven textile samples which were found loose with in the volume and not associated with a particular page. Date: 1887-1894
Capt Jessamy Learning the Proper Discipline of the CouchMezzotint on laid paper entitled, CAPT JESSAMY learning the PROPER DISCIPLINE OF THE COUCH, hand-coloured with watercolour and gouache, printed and published in London by Carington Bowles in c.1782
The Contemplative CharmerMezzotint on laid paper, The Contemplative Charmer, extensively hand-coloured with watercolour and gouache, published by R. Sayer and J. Bennett in London in 1780. Date: 1780
The Musical Charmer, a woman seated in a domestic interior playing a stringed instrument, mezzotint print on laid paper hand-coloured with watercolour and gouache, by R. Sayer and J
Interior with a couple playing cards, oil on canvas, signed by Nancy A Sabine Pasley, 1887-1891. Date: 1887-1891
Back cover of Catalogue of Materials for House PaintingCatalogue of Materials for House Painting & Glazing, a hardback illustrated catalogue containing paint samples, produced by Jas. Nicholson & Co. London, and printed by Henry Drake & Co. London, 1893
Page from Catalogue of Materials for House Painting and GlaCatalogue of Materials for House Painting & Glazing, a hardback illustrated catalogue containing paint samples, produced by Jas. Nicholson & Co. London, and printed by Henry Drake & Co. London, 1893
Bust in glass domeGlass dome with metal base
PlateOne of three earthenware plates with a black and white transfer printed underglaze design in the centre and a zig-zag border around the rim, the pattern name is Pomona
Elizabeth Wray, Baroness Norris, reversePortrait of Elizabeth Wray, Baroness Norris, holding a funerary wreath, oil on canvas by John Hayl, c.1638 and overpainted c.1645, in a gilded frame with moulded decoration. Date: c.1638-1645
Frame for Elizabeth Wray, Baroness NorrisPortrait of Elizabeth Wray, Baroness Norris, holding a funerary wreath, oil on canvas by John Hayl, c.1638 and overpainted c.1645, in a gilded frame with moulded decoration. Date: c.1638-1645
Elizabeth Wray, Baroness Norris, detailPortrait of Elizabeth Wray, Baroness Norris, holding a funerary wreath, oil on canvas by John Hayl, c.1638 and overpainted c.1645, in a gilded frame with moulded decoration. Date: c.1638-1645
Title page from Illustrated Catalogue of Machine-Made and CIllustrated Catalogue of Machine-Made and Cast Cabinet & Builders Brassfoundry, published by White & Pike Ltd. of Birmingham and London on 1 January 1897. Date: 1 January 1897
Front cover of Illustrated Catalogue of Machine-Made and CaIllustrated Catalogue of Machine-Made and Cast Cabinet & Builders Brassfoundry, published by White & Pike Ltd. of Birmingham and London on 1 January 1897. Date: 1 January 1897
Page from Illustrated Catalogue of Machine-Made and Cast CaIllustrated Catalogue of Machine-Made and Cast Cabinet & Builders Brassfoundry, published by White & Pike Ltd. of Birmingham and London on 1 January 1897. Date: 1 January 1897
Christmas crackers in boxCracker box printed in red and white, with a cut-out window revealing twelve unused Christmas crackers, manufactured in England c.1960-1970. Date: c.1960-1970
Flower bowlTin-glazed earthenware flower or pot-pourri holder and lid, with blue and manganese painted decoration of stylised floral sprays set within quatrefoils
Price list, back coverPrice list for flint glass ware manufactured by Apsley Pellatt, including illustrations printed in blue, published in London c.1850. Date: c.1850
Maiolica plate, undersideTin-glazed earthenware (maiolica) plate, hand-painted with a linear geometric interlacing pattern of squares, flower heads and curved lines, made in Montelupo, Italy, c.1575-1625. Date: 1575-1625
Maiolica plateTin-glazed earthenware (maiolica) plate, hand-painted with a linear geometric interlacing pattern of squares, flower heads and curved lines, made in Montelupo, Italy, c.1575-1625. Date: 1575-1625
Scene in a domestic interior with children watching as a womDomestic interior with a family group surrounding a seated woman receiving electricity treatment for a headache, oil on canvas by David Henry Friston, c.1865-1870. Date: c.1865-1870
My Mothers Corner, a view of a domestic interior, watercolour on paper, c.1880-1900. Date: c.1880-1900
Lametta boxLametta for Decorating Christmas Trees, a cardboard box containing strips of silver lametta, manufactured in England, c.1930-1940. Date: c.1930-1940
Portrait of a woman in an interiorPortrait of a woman seated in a domestic interior, oil on canvas, by Arthur Devis, c.1742, in a gilded neo-classical style frame with carved and moulded decoration. Date: c.1742
Sweetmeat glass with a plain bowl and everted rim on an eight-sided pedestal stem with a teared cushion knop, and a domed foot, made in England c.1750. Date: c.1750
JugEarthenware jug with green glaze decoration, a handle and a pouring lip, with restorations to the rim, Surrey/Hampshire border ware, made in England c.1630-1670. Date: 1630-1670
Pages from a price listPrice list for flint glass ware manufactured by Apsley Pellatt, including illustrations printed in blue, published in London c.1850. Date: c.1850
Changing HomesPainting, oil on canvas, Changing Homes, by George Elgar Hicks, signed and dated 1862, in a gilded picture frame. Date: 1862
Miniature Christmas baublesSet of 12 miniature coloured Christmas tree baubles in their original packaging, a printed red, cream and green cardboard box with a cellophane window, manufactured c.1950-1960. Date: c.1950-1960
Christmas baublesSet of 12 miniature coloured Christmas tree baubles in their original packaging, a printed red, cream and green cardboard box with a cellophane window, manufactured c.1950-1960. Date: c.1950-1960
Group portrait of an unidentified family in a domestic interGroup portrait of a family in a domestic interior, oil on canvas, by an unknown artist, c.1815-1820, in reproduction frame produced in Britain, c.1990-2005. Date: 1815-1820
Fruitwood armchair with high back described as a Mendlesham chair Date: c.1830
Portrait of an unknown woman, oil on panel, thought to be by Cornelius Johnson, c.1620, in a carved and gilded frame. Date: c.1620
Domestic interior with a sleeping soldier, oil on canvas, 1860-1869, by Henry Nelson O Neil (1817-1880). Date: 1860-1869
ChairOne of four tall-back chairs with ebonised and gilded wood frames, possibly made from oak and beech, with later red silk brocade upholstery, made in England or continental Europe c.1700. Date: c.1700
Oak armchair and stoolOak armchair with parquetry banding, inlaid decoration and carved details, made in the west of England c.1600-1640. Date: c.1600-1640
Drinking glassCordial glass with a plain round funnel bowl, a pale tall stem with a tear, and a domed foot, made in England c.1740-1750. Date: c.1740-1750
Four wine glassesWine glass with a double series opaque twist stem and tulip-shaped bowl engraved with swags of husk decoration, one of a set of four made in England c.1790. Date: c.1790
The Appointment, a domestic scene with a woman reading a letter, oil on canvas, monogrammed by the artist Rebecca Solomon, 1861, in a gilded composition frame. Date: 1861
Guilbaud Writing Cabinet, Trade LabelWalnut-veneered writing cabinet bearing the trade label of John Guilbaud, retailed in London, c.1695-1700. Date: 1693-1712
Guilbaud Writing Cabinet, detailWalnut-veneered writing cabinet bearing the trade label of John Guilbaud, retailed in London, c.1695-1700. Date: 1693-1712
Fruitwood armchair with an elm seat and a heart-shaped splat Date: c.1830
Page from William Tarn and Co.s Illustrated Catalogue: witWilliam Tarn and Co.s Illustrated Catalogue, containing 202 pages including the front and back covers, with black and white and colour illustrations including designs for ceilings and dados
Record shotWilliam Tarn and Co.s Illustrated Catalogue, containing 202 pages including the front and back covers, with black and white and colour illustrations including designs for ceilings and dados
Ewer made from porcelain, painted in gold and blue on a white ground with a coloured central reserve depicting a shepherdess holding a bird cage
