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Images Dated 23rd February 2010 (#56)

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Background imageImages Dated 23rd February 2010: The Moors

The Moors

Background imageImages Dated 23rd February 2010: Kneeled Woman praying

Kneeled Woman praying. Aquatint formerly ascribed to Francisco de Goya. Drawing

Background imageImages Dated 23rd February 2010: Bury them and keep quiet. Plate 18 of The Disasters of War

Bury them and keep quiet. Plate 18 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). Bury them and keep quiet. Plate 18 of The Disasters of War. Preparatory

Background imageImages Dated 23rd February 2010: Modern Judith?

Modern Judith?
GOYA Y LUCIENTES, Francisco de (1746-1828). Modern Judith? 1797 - 1798. Sanguine. Drawing

Background imageImages Dated 23rd February 2010: Abducting horse. Plate 10 of Proverbs

Abducting horse. Plate 10 of Proverbs
GOYA Y LUCIENTES, Francisco de (1746-1828). Abducting horse. Plate 10 of Proverbs, etching, aquatint and drypoint. Engraving

Background imageImages Dated 23rd February 2010: Plate 16 of Proverbs. Preparatory drawing

Plate 16 of Proverbs. Preparatory drawing

Background imageImages Dated 23rd February 2010: Happy fantasy. Plate 12 of Proverbs

Happy fantasy. Plate 12 of Proverbs
GOYA Y LUCIENTES, Francisco de (1746-1828). Happy fantasy. Plate 12 of Proverbs, etching, aquatint and drypoint. Engraving

Background imageImages Dated 23rd February 2010: This is bad. Plate 46 of The Disasters of War

This is bad. Plate 46 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). This is bad. Plate 46 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: There they go, plucked. Plate 20 of Los Caprichos

There they go, plucked. Plate 20 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). There they go, plucked. Plate 20 of Los Caprichos, etching, burnished and drypoint

Background imageImages Dated 23rd February 2010: Los Caprichos. Preparatory drawing for plate 72

Los Caprichos. Preparatory drawing for plate 72
GOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 72 of Los Caprichos. Drawing

Background imageImages Dated 23rd February 2010: Edad con desgracias

Edad con desgracias
GOYA Y LUCIENTES, Francisco de (1746-1828). Edad con desgracias. Paintbrush and sepia ink drawing. Drawing

Background imageImages Dated 23rd February 2010: Los Caprichos. Preparatory drawing for plate 32

Los Caprichos. Preparatory drawing for plate 32
GOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 32 of Los Caprichos. Drawing

Background imageImages Dated 23rd February 2010: They ve already got a seat. Plate 60 of Los Caprichos

They ve already got a seat. Plate 60 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). They ve already got a seat. Plate 60 of Los Caprichos, etching and burnished

Background imageImages Dated 23rd February 2010: Because she was susceptible. Plate 32 of Los Caprichos

Because she was susceptible. Plate 32 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Because she was susceptible. Plate 32 of Los Caprichos, etching. Engraving

Background imageImages Dated 23rd February 2010: Blow. Plate 69 of Los Caprichos

Blow. Plate 69 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Blow. Plate 69 of Los Caprichos, etching, aquatint, drypoint and burin

Background imageImages Dated 23rd February 2010: Yes, he broke the pot. Plate 25 of Los Caprichos

Yes, he broke the pot. Plate 25 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Yes, he broke the pot. Plate 25 of Los Caprichos, etching, aquatint

Background imageImages Dated 23rd February 2010: Riddle of fear. Plate 2 of Proverbs

Riddle of fear. Plate 2 of Proverbs
GOYA Y LUCIENTES, Francisco de (1746-1828). Riddle of fear. Plate 2 of Proverbs, etching, aquatint and drypoint. Engraving

Background imageImages Dated 23rd February 2010: Poor little girls!. Plate 22 of Los Caprichos

Poor little girls!. Plate 22 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Poor little girls!. Plate 22 of Los Caprichos, etching and burnished aquatint

Background imageImages Dated 23rd February 2010: Here comes the bogeyman. Plate 3 of Los Caprichos

Here comes the bogeyman. Plate 3 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Here comes the bogeyman. Plate 3 of Los Caprichos, etching and burnished aquatint

Background imageImages Dated 23rd February 2010: This is how it happened. Plate 47 of The Disasters of War

This is how it happened. Plate 47 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). This is how it happened. Plate 47 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: There is no-one to help them. Plate 60 of The Disasters of W

There is no-one to help them. Plate 60 of The Disasters of W

Background imageImages Dated 23rd February 2010: They do not agree. Plate 17 of The Disasters of War

They do not agree. Plate 17 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). They do not agree. Plate 17 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: They don t like it. Plate 9 of The Disasters of War

They don t like it. Plate 9 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). They don t like it. Plate 9 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: He gets something out of it. Plate 40 of The Disasters of Wa

He gets something out of it. Plate 40 of The Disasters of Wa
GOYA Y LUCIENTES, Francisco de (1746-1828). He gets something out of it. Plate 40 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: Ravages of war. Plate 30 of The Disasters of War

Ravages of war. Plate 30 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). Ravages of war. Plate 30 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: Here too. Plate 43 of The Disasters of War

Here too. Plate 43 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). Here too. Plate 43 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: Appeals are in vain. Plate 54 of The Disasters of War

Appeals are in vain. Plate 54 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). Appeals are in vain. Plate 54 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: Neither do they. Plate 10 of The Disasters of War

Neither do they. Plate 10 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). Neither do they. Plate 10 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: Barbarians!. Plate 38 of The Disasters of War

Barbarians!. Plate 38 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). Barbarians!. Plate 38 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: They do not know the way. Plate 70 of The Disasters of War

They do not know the way. Plate 70 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). They do not know the way. Plate 70 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: It always happens. Plate 8 of The Disasters of War

It always happens. Plate 8 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). It always happens. Plate 8 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: A tough one, this! Plate 31 of The Disasters of War

A tough one, this! Plate 31 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). A tough one, this! 1810 - 1812. Plate 31 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: Get them well, and on to the next. Plate 79 of The Disasters

Get them well, and on to the next. Plate 79 of The Disasters
GOYA Y LUCIENTES, Francisco de (1746-1828). Get them well, and on to the next. Plate 79 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: Rabble. Plate 28 of The Disasters of War

Rabble. Plate 28 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). Rabble. Plate 28 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: They can still be of use. Plate 24 of The Disasters of War

They can still be of use. Plate 24 of The Disasters of War

Background imageImages Dated 23rd February 2010: Be quick, they are waking up. Plate 78 of Los Caprichos

Be quick, they are waking up. Plate 78 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Be quick, they are waking up. Plate 78 of Los Caprichos. Etching

Background imageImages Dated 23rd February 2010: There isn t time now. Plate 19 of The Disasters of War

There isn t time now. Plate 19 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). There isn t time now. Plate 19 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: Bitter to be present. Plate 13 of The Disasters of War

Bitter to be present. Plate 13 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). Bitter to be present. Plate 13 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: He deserved it. Plate 29 of The Disasters of War

He deserved it. Plate 29 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). He deserved it. Plate 29 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: Its no use crying out. Plate 58 of The Disasters of War

Its no use crying out. Plate 58 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). Its no use crying out. Plate 58 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: God forgive her: and it was her mother. Plate 16 of Los Capr

God forgive her: and it was her mother. Plate 16 of Los Capr
GOYA Y LUCIENTES, Francisco de (1746-1828). God forgive her: and it was her mother. Plate 16 of Los Caprichos, etching

Background imageImages Dated 23rd February 2010: he fleeces him. Plate 35 of Los Caprichos

he fleeces him. Plate 35 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). She fleeces him. Plate 35 of Los Caprichos, etching and burnished aquatint

Background imageImages Dated 23rd February 2010: It will be the same. Plate 21 of The Disasters of War

It will be the same. Plate 21 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). It will be the same. Plate 21 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: Hobgoblins. Plate 49 of Los Caprichos

Hobgoblins. Plate 49 of Los Caprichos
GOYA Y LUCIENTES, Francisco de (1746-1828). Hobgoblins. Plate 49 of Los Caprichos, etching and aquatint. Etching; Engraving

Background imageImages Dated 23rd February 2010: The worst is to beg. Plate 55 of The Disasters of War

The worst is to beg. Plate 55 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). The worst is to beg. Plate 55 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: Thanks to the millet. Plate 51 of The Disasters of War

Thanks to the millet. Plate 51 of The Disasters of War

Background imageImages Dated 23rd February 2010: And this too. Plate 45 of The Disasters of War

And this too. Plate 45 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). And this too. Plate 45 of The Disasters of War. Etching

Background imageImages Dated 23rd February 2010: May the cord break. Plate 77 of The Disasters of War

May the cord break. Plate 77 of The Disasters of War
GOYA Y LUCIENTES, Francisco de (1746-1828). May the cord break. Plate 77 of The Disasters of War. Etching



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