Rowlandson Collection (#4)

Regency gentleman using a whip to steer a horse. Behind him, two women in a gig struggle to control their horse. How to Turn any Horse, Mare or Gelding

Regency man riding a horse sliding down a hill on its hind legs, its forelegs straight. A man with a peg leg and eyepatch tumbles behind. How to Travel Upon Two Legs in a Frost

Regency man trying to stop a horse entering a tavern. Drinkers laugh at his struggles to control his horse, as a stage coach rides off in the distance. A Horse with a Nose

Regency man with a cudgel riding a horse prone to tumbling. In the background, a woman falls off a horse with panniers. The Tumbler, or its Affinities

Regency gentleman riding a horse that barely lifts its feet. He loses his bicorne when the horse hits a pig while a woman screams from a thatched cottage. A Daisy Cutter with his Varieties

Regency man riding a horse, while other riders struggle behind him on galloping and bolting mounts. The Mistaken Notion. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration

Regency gentleman riding a horse without a bridle
Regency gentleman riding a horse with only a string around its neck. A man is dragged off by a horse, his foot caught in a stirrup, in the background. How to Ride Without a Bridle

Regency gentleman loses his hat and wig on a mare. How to Make the Mare to Go. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration by Henry Bunbury from Geoffrey Gambados An

Regency gentleman riding a horse while another falls from the saddle. How to Prevent the Horse Slipping his Girths. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration by

Regency man riding on a horse with two women pillion
Regency man riding on a horse with two women in seats mounted pillion in pannier basket seats beside him.. Parson and lady riding sidesaddle ahead. Me, My Wife and Daughter

Regency gentleman on a horse caught on a sty during a fox hunt with hounds. How to Do Things by Halves. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration by Henry Bunbury

Regency gentleman riding with his belle
Regency gentleman riding with his love, embarrassed by his horses constant flatulence. A parson rides a bony nag in the background. Love and Wind

Regency gentleman on a bucking horse with a stick under its tail. Two boys laugh at their prank in front of the Game Cock pub and inn. Tricks Upon Travellers

Regency man riding a horse using a whip, while a man whips a galloping donkey and a couple in a carriage beat a horse. How to Make the Least of Him

Self-portrait of artist and writer Henry Bunbury (as
Self portrait of the artist Henry Bunbury as Geoffrey Gambado Esq. with gouty foot and pot belly, seated watching a riding instructor jump on a hobby horse

Regency gentleman riding a prancing horse in a town street. How to Make the Most of a Horse. Handcoloured copperplate engraving by Thomas Rowlandson after an illustration by Henry Bunbury

Sicre Gully or Siclygully Pass between Bengal and Bihar.. Temple on hilltop, elephant and bivouac tents in thet valley. Illustration by Lt. Col

Gentlemen fencers in thrust and guard positions
Gentlemen fencers in position of the inside Carte and the thrust given on the outside flank called Flanconade. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencers in thrust and guard positions
Gentlemen fencers in position for the outside-guard called Tierce and the thrust from the outside under the wrist called Second

Gentlemen fencers in Tierce outside guard
Gentlemen fencers in position for the Tierce outside guard and the thrust on the same side with the wrist reversed in carte called Carte over the Arm

Defensive guard of the small sword (B) against an attack by the broad sword (A). Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in guard of sword and lantern
Gentleman fencer in the guard of the sword and lantern run through by a thrust from an opponent using sword and cloak. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in the guard of the sword and cloak opposed by the sword and lantern. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

The Spanish Guard defeated after an attempt of the Cut on the Head. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentleman fencer in the French Guard attack against an opponent in the Spanish Guard position (A). Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer making the return thrust in Tierce after having parried with the poignard. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in the Italian Guard position fighting with sword and dagger. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in guard and thrust positions
Gentlemen fencers in position for the inside-guard called Carte and the inside-thrust called Thrust in Carte. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer disarming his opponent on the Carte Thrust
Gentleman fencer disarming his opponent on the Carte or Second Thrust, after parrying with the Prime Parade. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer taking his opponents sword, second position of the Disarm after parrying his Carte Thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer disarming his opponent after parrying his Carte Thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the whole turn called Volte
Gentleman fencer making the whole turn called Volte, on the Pass in Tierce, or in Carte over the Arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the Demi-Volte turn
Gentleman fencer in the half-round or bounding turn of the Body called the Demi-Volte. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer running through an opponent
Gentleman fencer stabbing his opponent after an Evasion, by moving his left leg back when his opponent makes a pass on the outside of the sword

Gentleman fencer making the Pass on the sword in Carte over the arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentlemen fencers making the plain Cut over the Point from Carte in Tierce. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the return from the Prime parade to the Seconde and Low Carte thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer making the return on the Flanconade thrust by reversing the edge to an opponent who has not opposed with the left hand

Gentlemen fencers making a return thrust in Quinte after the thrust in Seconde. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer making the Seconde return thrust after parrying Carte over the Arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in the Tierce return after the Tierce thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentlemen fencers in the Carte return after the Carte parry. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentlemen fencers in the Quinte parry against Quinte Thrust
Gentlemen fencers in the Quinte parade, point low and wrist raised, against the Quinte Thrust, outside thrust under the wrist

Gentlemen fencers in Prime parry and Seconde thrust
Gentlemen fencers in the Prime parade or St. George Guard parry derived from the broadsword, against the outside thrust under the wrist called Seconde

Gentlemen fencers in guard positions
Gentlemen fencers in the position for the Guard in Carte, and position for the Guard in Tierce. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the position of the Thrust in Seconde
Gentleman fencer in the position of the outside Parade for the thrust under the wrist or the Thrust in Seconde. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in thrust and parry positions
Gentlemen fencers in the position of the outward parry with the nails upward or the Feather Parade and the outward thrust nails upward, or the Carte over the Arm

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