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Renaissance Collection (page 14)

Background imageRenaissance Collection: The Carafa Chapel. The Annunciation. Detail of the Virgin Ma

The Carafa Chapel. The Annunciation. Detail of the Virgin Ma
The Carafa Chapel with late 15th-century frescoes (1488-1493) by Filippino Lippi (c.1457-1504). The Annunciation. Detail of the Virgin Mary. It is also known as the Chapel of St Thomas Aquinas

Background imageRenaissance Collection: Michelangelo Buonarroti (1475-1564). The Cristo della Minerv

Michelangelo Buonarroti (1475-1564). The Cristo della Minerva, also known as Christ the Redeemer or Christ Carrying the Cross. Marble sculpture, 1521. Located to the left of the main altar

Background imageRenaissance Collection: Italy. Rome. Basilica of San Carlo al Corso at sunset. Backl

Italy. Rome. Basilica of San Carlo al Corso at sunset. Backl
Italy. Rome. Sant Ambrogio e Carlo al Corso, usually known as San Carlo al Corso with the dome of St. Peters Basilica in the background, at sunset. Backlighting

Background imageRenaissance Collection: Italy. Rome. Church of Saint Jerome of the Croats. 16th cent

Italy. Rome. Church of Saint Jerome of the Croats. 16th cent
Italy. Rome. Church of Saint Jerome of the Croats (San Girolamo degli Schiavoni). Rebuilt between 1588-1589, under the pontificate of Sixtus V, by Martino Longhi the Elder (15341591). Facade

Background imageRenaissance Collection: Italy. Rome. Barracco Museum of Antique Sculpture. 16th cent

Italy. Rome. Barracco Museum of Antique Sculpture. 16th cent
Italy. Rome. Barracco Museum of Antique Sculpture (Museo Barracco di Scultura Antica). Located in the Piccola Farnesina palace, firstly attribute to Antonio da Sangallo

Background imageRenaissance Collection: Italy. Castel Gandolfo. The Papal Palace or the Apostolic Pa

Italy. Castel Gandolfo. The Papal Palace or the Apostolic Palace. 17th century. It has served as a summer residence for the Pope

Background imageRenaissance Collection: Spain. Avila. Monument of Teresa of Avila (1515-1582) and Ga

Spain. Avila. Monument of Teresa of Avila (1515-1582) and Ga
Spain. Castile and Leon. Avila. Monument of Teresa of Avila (1515-1582) and Gate of the Fortress, 12th century

Background imageRenaissance Collection: Renaissance. Masaccio (1401-1428). The Madonna and Child wit

Renaissance. Masaccio (1401-1428). The Madonna and Child wit
Renaissance. Quattrocento. Masaccio (1401-1428). The Madonna and Child with St. Anne (Sant Anna Metterza), Probably in collaboration with Masolino da Panicale, 1424. The Uffizi Gallery

Background imageRenaissance Collection: Prague. St. Vitus Cathedral. The Golden Gate. Mosaic of Ada

Prague. St. Vitus Cathedral. The Golden Gate. Mosaic of Ada
Czech Republic. Prague. St. Vitus Cathedral. The Golden Gate. The Mosaic of Adam and Eve(1372), by Niccoletto Semitecolo, Italian painter of the early-Renaissance. 14th century. Castle complex

Background imageRenaissance Collection: Prague. St. Vitus Cathedral. The Golden Gate. Mosaic of the

Prague. St. Vitus Cathedral. The Golden Gate. Mosaic of the
Czech Republic. Prague. St. Vitus Cathedral. The Golden Gate. The Mosaic of the Last Judgement (1372), by Niccoletto Semitecolo, Italian painter of the early-Renaissance. 14th century. Castle complex

Background imageRenaissance Collection: Czech Republic. Prague. Old Town Hall. Renaissance window

Czech Republic. Prague. Old Town Hall. Renaissance window. Detail

Background imageRenaissance Collection: Enthroned Maria with Child with John the Baptist and John th

Enthroned Maria with Child with John the Baptist and John th
Sandro Botticelli (1445-1510). Italian painter. Enthroned Maria with Child with John the Baptist and John the Evangelist, 1484-1485, Gemaldegalerie. Berlin. Germany

Background imageRenaissance Collection: Ugolino Martelli (1519-1592). 1536-1537. Portrait by Il Bron

Ugolino Martelli (1519-1592). 1536-1537. Portrait by Il Bron
Ugolino Martelli (1519-1592). Florentine aristocrat. Portrait, 1536-1537, by Il Bronzino (Agnolo di Cosimo) (1503-1572). Gemaldegalerie. Berlin. Germany

Background imageRenaissance Collection: Portrait of a youth, 1484-1485, by Filippino Lippi (1457-150

Portrait of a youth, 1484-1485, by Filippino Lippi (1457-150
Filippino Lippi (1457-1504). Italian painter. Portrait of a youth, 1484-1485. Gemaldegalerie. Berlin. Germany

Background imageRenaissance Collection: St. Peters Basilica. Dome built by Giacomo della Porta (154

St. Peters Basilica. Dome built by Giacomo della Porta (154
Renaissance Art. Italy. St. Peters Basilica. Dome built by Giacomo della Porta (1540-1602) and Domenico Fontana (1543-1607) in 1590

Background imageRenaissance Collection: Vatican Museums. Vatican City. Exterior

Vatican Museums. Vatican City. Exterior
Vatican Museums. Founded by Pope Julius II. 16th century. Vatican City. Exterior

Background imageRenaissance Collection: St. Peters Basilica. Lantern of the dome built by Giacomo d

St. Peters Basilica. Lantern of the dome built by Giacomo d
Renaissance Art. Italy. St. Peters Basilica. Lantern of the dome built by Giacomo della Porta (1540-1602) and Domenico Fontana (1543-1607) in 1590

Background imageRenaissance Collection: Tomb of Camoes in the Jeronimos Monastery. Lisbon. Portugal

Tomb of Camoes in the Jeronimos Monastery. Lisbon. Portugal
Luis Vaz de Camoes (1524-1580). Poet portuguese. Tomb of Camoes in the Jeronimos Monastery, Belem, Lisbon. Portugal. Esculpted by Cosa Mota, Neo-Manueline style, 19th century

Background imageRenaissance Collection: Portugal. Evora. Renaissance fountain (1556) in Largo das P

Portugal. Evora. Renaissance fountain (1556) in Largo das Portas de Moura

Background imageRenaissance Collection: Portugal. Evora. Catheral and Largo das Portas de Moura

Portugal. Evora. Catheral and Largo das Portas de Moura

Background imageRenaissance Collection: River Tiber. Four Fountains (Quattro Fontane), 1588-1593, de

River Tiber. Four Fountains (Quattro Fontane), 1588-1593, de
Italy. Rome. Group of Four Fountains (Quattro Fontane), 1588-1593. River Tiber. Designed by Domenico Fontana (1543-1607)

Background imageRenaissance Collection: France. Paris. The Hotel de Ville, the building housing the

France. Paris. The Hotel de Ville, the building housing the citys local administration. Lithograph. 1883

Background imageRenaissance Collection: Federico III da Montefeltro (1422-1482). Portrait by Piero d

Federico III da Montefeltro (1422-1482). Portrait by Piero d
Federico III da Montefeltro (1422-1482). Italian Condottiere. Duke of Urbino (1444-1482). Portrait in the Diptych of the Dukes of Urbino (1465), by Piero della Francesca (h.1420-1492)

Background imageRenaissance Collection: Raphael (1483 A?i? 1520). Canigiani Holy Family. 1507-1508

Raphael (1483 A?i? 1520). Canigiani Holy Family. 1507-1508
Raphael (1483A?i? 1520) was an Italian painter. Canigiani Holy Family or Canigiani Madonna. 1507-1508. High Renaissance. Alte Pinakothek. Munich. Germany

Background imageRenaissance Collection: Fra Filippo Lippi (1406-1469). Ealry Renaissance. The Annun

Fra Filippo Lippi (1406-1469). Ealry Renaissance. The Annun
Fra Filippo Lippi (1406-1469). Italian painter. Ealry Renaissance. The Annunciation. 1443-1450. Oil on panel. Alte Pinakothek, Munich. Germany

Background imageRenaissance Collection: Jan Mabuse (1478-1532). Flemish painter. Danae. 1527

Jan Mabuse (1478-1532). Flemish painter. Danae. 1527. Style: Northern Renaissance. Alte Pinakothek. Munich. Germany

Background imageRenaissance Collection: Adrien Isenbrant (c. 1480 / 90-1551). Painter flemish. Renaiss

Adrien Isenbrant (c. 1480 / 90-1551). Painter flemish. Renaiss
Adrien Isenbrant (c. 1480/90-1551). Painter flemish. Renaissance style. The Mystic Marriage of Saint Catherine of Alexandria. Alte Pinakothek, Munich, Germany. Europe. Pinakothek, Munich, Germany

Background imageRenaissance Collection: inside Catheral of Milan. Detail marble from Candoglia. Work

inside Catheral of Milan. Detail marble from Candoglia. Work
Catheral of Milan. Detail polychrome marble from Candoglia, decorating the pavement inside the temple. The design dates back to the 16th century, and is a work of Pellegrino Tibaldi

Background imageRenaissance Collection: Mirror Lapper. Machine designed by Leonardo. Codex Atlanticu

Mirror Lapper. Machine designed by Leonardo. Codex Atlanticu
Mirror Lapper. Machine by to the manufacturing of concave mirrors. During the Renaissance, mirrors are obtained by smoothing carefully bronze, copper or silver surfaces until they reflect perfectly

Background imageRenaissance Collection: Leonardesque model. Wagon axle. Codex Atlanticus by Leonardo

Leonardesque model. Wagon axle. Codex Atlanticus by Leonardo da Vinci, shett 1049v, 1480. Model (19th century). The Science and Technology Museum Leonardo da Vinci. Milan. Italy

Background imageRenaissance Collection: Leonardo Gallery. The science and Technology Museum Leonardo

Leonardo Gallery. The science and Technology Museum Leonardo
Leonardo Gallery. Models (1950s)drawings by Leonardo da Vinci (15th century). The science and Technology Museum Leonardo da Vinci. Milan. Italy

Background imageRenaissance Collection: Study the air screw by Leonardo da Vinci. Manuscript B, shee

Study the air screw by Leonardo da Vinci. Manuscript B, shee
Flying machines. Study of air screw by Leonardo da Vinci. Manuscript B, sheet, 83 V, 1483-1486. Model by Mario Alberto and Vittorio Somenzi, 1952. The science and Technology Museum Leonardo da Vinci

Background imageRenaissance Collection: Leonardesque models. Adjustable-tilt wing and Wing-beating d

Leonardesque models. Adjustable-tilt wing and Wing-beating d
Leonardesque models. Adjustable-tilt wing (Codex Atlanticus) and Wing-beating device with a screw and lead screw system ( Manuscript B). Leonardo da Vinci.16 th century

Background imageRenaissance Collection: Model. Wing-beating device with a screw and lead screw syste

Model. Wing-beating device with a screw and lead screw syste
Flying machines. Wing-beating device with a screw and lead screw system. Manuscript B, sheet 77 r. Leonardo da Vinci.15th century. Model by Mario Alberto and Vittorio Somenzi, 1952

Background imageRenaissance Collection: Leonardo model. Sea Dredger. Codex Atlanticus, sheet 842, 14

Leonardo model. Sea Dredger. Codex Atlanticus, sheet 842, 1486-90. Study for a dredging and cleaning boat. The digging tool, called bucket

Background imageRenaissance Collection: Mud Dredge, designed by Leonardo da Vinci. Manuscript E, she

Mud Dredge, designed by Leonardo da Vinci. Manuscript E, she
Mud Dredge. Study by leonardo da Vinci to clean the beds of lagoon canals and locks. Manuscript E, sheet 75v. 1513-1515. Model by Louis Tursini, 1952-1953

Background imageRenaissance Collection: Float. Leonardos drawing. Codex Atlanticus, sheet 656, 1485

Float. Leonardos drawing. Codex Atlanticus, sheet 656, 1485
Water and Land Machines. Float. Its function is that troops can cross the river. Leonardos drawing. Codex Atlanticus, sheet 656, 1485-1490. Model by Luigui Tursini, 1952

Background imageRenaissance Collection: Parabolic bridge. Model by Ermenegildo Menighetti, 1952-1953

Parabolic bridge. Model by Ermenegildo Menighetti, 1952-1953. Leonardos drawing (Codex Atlanticus, sheet 855, 1480-90). The science and Technology Museum Leonardo da Vinci. Milan. Italy

Background imageRenaissance Collection: Leonardesque model. Pole Hammer. Codex Atlanticus, sheet 785

Leonardesque model. Pole Hammer. Codex Atlanticus, sheet 785 b, 1500-1505. The Science and Technology Museum Leonardo da Vinci. Milan. Italy

Background imageRenaissance Collection: Leonardesque model. Mobile ram boats. Model by Luigui Tursin

Leonardesque model. Mobile ram boats. Model by Luigui Tursini, 1952-1943. The Science and Technology Museum Leonardo da Vinci. Milan. Italy

Background imageRenaissance Collection: Fast ramming boat. 1487-1492. Model

Fast ramming boat. 1487-1492. Model
Fast ramming boat. Codex Ashburham 2037, sheet 3r, 1487-1492. Model. The Science and Technology Museum Leonardo da Vinci. Milan. Italy

Background imageRenaissance Collection: Hydraulic saw. Codex Atlanticus, sheet 1078, 1478-1480. Desi

Hydraulic saw. Codex Atlanticus, sheet 1078, 1478-1480. Desi
Hydraulic saw. Mechanical saw works with hydraulic energy. Leonardo da Vinci drawing. Codex Atlanticus, sheet 1078, 1478-1480

Background imageRenaissance Collection: Crane with central winch. Codex Atlanticus f. 105 bv. Leonar

Crane with central winch. Codex Atlanticus f. 105 bv. Leonar
Machine. Crane with central winch. Codex Atlanticus f. 105 bv. This machine is one of the many cranes Da Vinci studied while he was living in Florence

Background imageRenaissance Collection: Leonardesque models. Revolving cranes. 15th century. Models

Leonardesque models. Revolving cranes. 15th century. Models
Machine. Leonardes models. Revolving cranes. 15th century. The Science and Technology Museum Leonardo da Vinci. Milan. Italy

Background imageRenaissance Collection: Leonardesque model. Work machines. Winch. Codex Atlanticus

Leonardesque model. Work machines. Winch. Codex Atlanticus
Leonardesque model. Work machines. Winch. Leonardo describes a winch that can transform the alternated motion of a lever in the continuous circular motion of a shaft. Codex Atlanticus, shett 30v

Background imageRenaissance Collection: Study of Leonardo da Vinci. The transformation of water into

Study of Leonardo da Vinci. The transformation of water into steam. Tool designed to measure the expansion and pressure of steam. Codex Leicster, sheet 10 r

Background imageRenaissance Collection: Alhazens problem from Atlantic Codex (Codex Atlanticus) by

Alhazens problem from Atlantic Codex (Codex Atlanticus) by Leonardo da Vinci. The Science and Technology Museum Leonardo da Vinci. Milan. Italy

Background imageRenaissance Collection: Sketch drawing for Leonardo da Vinci painting for Virgin of

Sketch drawing for Leonardo da Vinci painting for Virgin of the Rocks. Study of rocks. Copy. The Science and Technology Museum Leonardo da Vinci. Milan. Italy



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