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Relief Collection (page 7)

Background imageRelief Collection: Obelisk of king of Assirya Adad-Nirari III (810-783 BC) insc

Obelisk of king of Assirya Adad-Nirari III (810-783 BC) insc
Obelisk of king of Assirya Adad-Nirari III (810-783 BC) worshipping divine emblems and inscribed with cuneiform characters. Erected for the Assyrian king Adad, from Sabaa, Yemen

Background imageRelief Collection: Egyptian Art. Temple of Kom Ombo. The eye of Horus. Relief

Egyptian Art. Temple of Kom Ombo. The eye of Horus. Relief
Egyptian Art. Temple of Kom Ombo. Ptolemaic Dynasty. 2nd century B.C. Dedicated to the crocodile god Sobek and falcon god Haroeris. The eye of Horus. Relief

Background imageRelief Collection: Egypt. Edfu. Temple of Horus. Horus in battle with god Seth

Egypt. Edfu. Temple of Horus. Horus in battle with god Seth
Egypt. Edfu. Temple of Horus. 3rd century B.C. Relief depicting the god Horus standing on a boat and avenging his fathers murder in a battle with his Uncle, the god Seth

Background imageRelief Collection: Ara Pacis Augustae. Goddess Roma, sitting on a pile of troph

Ara Pacis Augustae. Goddess Roma, sitting on a pile of troph
Roman Art. Italy. Ara Pacis Augustae. Dated 13th century BC. Figure of the goddess Roma, sitting on a pile of trophy weapons. Museum of the Ara Pacis. Rome. Italy

Background imageRelief Collection: Ara Pacis Augustae. Tellus panel

Ara Pacis Augustae. Tellus panel
Roman Art. Italy. Ara Pacis Augustae. Tellus panel. Relief depicting Tellus nursing Romulus and Remus. Dated 13 BC. Museum of the Ara Pacis. Rome. Italy

Background imageRelief Collection: Italy. Rome. The Church of St. Ignatius of Loyola at Campus

Italy. Rome. The Church of St. Ignatius of Loyola at Campus Martius. Side chapels. Transept: Chapel of the Annunciation, 1749

Background imageRelief Collection: Egyptian Art. Karnak. The goddess Bastet. Relief

Egyptian Art. Karnak. The goddess Bastet. Relief
Egyptian Art. The Karnak Temple Complex. Relief depicting the goddess Bastet. 19th Dynasty. New Kingdom. Egypt

Background imageRelief Collection: Tomb plate of Heinrich Beyer Boppard (d. 1376) and his wife L

Tomb plate of Heinrich Beyer Boppard (d. 1376) and his wife L
Tomb plate of Heinrich Beyer Boppard. Viscount of Boppard (d.1376) and his wife Lisa von Pyrmont (d.1399). From the Benedictine Monastery of Marienberg, 1399. Red Sandstone

Background imageRelief Collection: Relief depicting a butchering scene. Egypt

Relief depicting a butchering scene. Egypt
Tomb relief depicting a butchering scene. Limestone. Old Kingdom. 5th Dynasty. 2350 BC. Neues Museum. Berlin. Germany

Background imageRelief Collection: Pergamon Altar. West frieze. Gigantomachy. Triton and Amphit

Pergamon Altar. West frieze. Gigantomachy. Triton and Amphit
Pergamon Altar. Built by order of Eumenes II Soter. 164-156 BC by artists of the school of Pergamon. Marble and limestone. West frieze. Gegantomachy. Lift to right; Triton and Amphitrite

Background imageRelief Collection: Pre-Columbian Art. Maya. Archaeological Site of Copa?n. Alta

Pre-Columbian Art. Maya. Archaeological Site of Copa?n. Altar Q. West side. It was created during the rule of King Yax Pac in 776

Background imageRelief Collection: Sarcophagus of a married couple. About 240 AD. Ancient Rome

Sarcophagus of a married couple. About 240 AD. Ancient Rome
Roman art. Sarcophagus of a married couple. About 240 AD. The couple extending hands to each other also appear in the side panels. He as a Greek orator, she as a muse, a cultural ideal. Glyptothek

Background imageRelief Collection: Italy. Roman funerary stele of Prisco. 4th century AD

Italy. Roman funerary stele of Prisco. 4th century AD
Italy. Early Christians. Roman funerary stele of Prisco. Inscription: Christian phrase appears in pace. The symbol of the dove and the olive branch and the monogram of Constantine T. 4th century AD

Background imageRelief Collection: Pergamon Altar. Aether and Uranus

Pergamon Altar. Aether and Uranus
Pergamon Altar. Built by order of Eumenes II Soter. 164-156 BC by artists of the school of Pergamon. Marble and limestone. Gigantomachy: south frieze

Background imageRelief Collection: Pergamon Altar. Goddess Rhea or Cybele riding on a lion next

Pergamon Altar. Goddess Rhea or Cybele riding on a lion next
Pergamon Altar. Built by order of Eumenes II Soter. 164-156 BC. Marble and limestone. Gigantomachy. South frieze. Goddess Rhea or Cybele riding on a lion next to goddess Adrasteia

Background imageRelief Collection: Pergamon Altar. Horse of Helios carriage attacking a giant

Pergamon Altar. Horse of Helios carriage attacking a giant
Pergamon Altar. Built by order of Eumenes II Soter. 164-156 BC by artists of the school of Pergamon. Marble and limestone. South frieze. Gigantomachy. Horse of Helios carriage attacking a giant

Background imageRelief Collection: Pergamon Altar. Artemis and Leto fighting against Otos

Pergamon Altar. Artemis and Leto fighting against Otos
Pergamon Altar. Built by order of Eumenes II Soter. 164-156 BC by artists of the school of Pergamon. Marble and limestone. East frieze. Gigantomachy

Background imageRelief Collection: Pergamon Altar. Leto and Apollo fighting against Tityos

Pergamon Altar. Leto and Apollo fighting against Tityos
Pergamon Altar. Built by order of Eumenes II Soter. 164-156 BC by artists of the school of Pergamon. Marble and limestone. East frieze. Gigantomachy. Leto fights using a torch against titan Tityos

Background imageRelief Collection: Pergamon Altar. Probably goddess Nyx or one of the Erinyes h

Pergamon Altar. Probably goddess Nyx or one of the Erinyes h
Pergamon Altar. Built by order of Eumenes II Soter. 164-156 BC by artists of the school of Pergamon. Marble and limestone. North frieze

Background imageRelief Collection: Iran. Isfahan. Friday Mosque. The Oljeitu Mihrab. 1310

Iran. Isfahan. Friday Mosque. The Oljeitu Mihrab. 1310
Iran. Isfahan. Masjed-e Jame (Friday Mosque). The Oljeitu Mihrab, constructed in 1310 by Mongol ruler Oljeitu

Background imageRelief Collection: Egypt. Stele of Herakleion-Thonis. The Naucratis decree (380

Egypt. Stele of Herakleion-Thonis. The Naucratis decree (380
Egyptian Art. Stele of Herakleion-Thonis. The Naucratis decree (380 B.C.). Royal Decree drafted by order of Pharaoh Nectanebo I (380-362 BC)

Background imageRelief Collection: Pharaoh Akhenaten or Nefertiti. Relief. El-Amarna. Egypt

Pharaoh Akhenaten or Nefertiti. Relief. El-Amarna. Egypt
Relief of a pharaoh Akhenaten or Nefertiti. Sandstone. Probably from Karnak, Egypt. Amarna Period. Ny Carlsberg Glyptotek. Copenhagen. Denmark

Background imageRelief Collection: Urartu civilization. Bronze Sphinx. From Tushpa or Toprakkal

Urartu civilization. Bronze Sphinx. From Tushpa or Toprakkale. 7th century B.C. Turkey. Pergamon Museum. Berlin. Germany

Background imageRelief Collection: Mesopotamian art. Neo-Babylonian. The Throne Room of Nebuch

Mesopotamian art. Neo-Babylonian. The Throne Room of Nebuchadnezzar II. Reconstructed facade. Dated in 580 B.C. Its 56 meters facade was decorated with colored glazed bricks as shows the composition

Background imageRelief Collection: Mesopotamian art. Neo-Babylonian. Ishtar Gate. Aurochs. Perg

Mesopotamian art. Neo-Babylonian. Ishtar Gate. Aurochs. Perg
Mesopotamian art. Neo-Babylonian. Ishtar Gate, one of the eight gates of the inner wall of Babylon. Built in the year 575 B.C

Background imageRelief Collection: Great Temple of Ramses II. Hieroglyph. Abu Simbel. Egypt

Great Temple of Ramses II. Hieroglyph. Abu Simbel. Egypt
Great Temple of Ramses II. Hieroglyph. 19th Dynasty. New Kingdom. Abu Simbel. Egypt

Background imageRelief Collection: Mycenaean art. Llyre of ivory with decorative carvings at th

Mycenaean art. Llyre of ivory with decorative carvings at the base that was the sound box. National Archaeological Museum. Athens. Greece

Background imageRelief Collection: Mesopotamian art. Neo-Assyrian. Relief panels depicting two

Mesopotamian art. Neo-Assyrian. Relief panels depicting two protective winged genius. Detail. Hand. Dated between 883-859 BC. They come from the Palace of Ashurnasirpal II at Nimrud

Background imageRelief Collection: Early Christian art. Spain. Sarcophagus decorated with scene

Early Christian art. Spain. Sarcophagus decorated with scenes from the Old and New Testaments. From right to left: Sacrifice of Isaac, Jesus speaks to Zacchaeus climbed on the fig tree

Background imageRelief Collection: Altar of Mars and Venus. rome. italy

Altar of Mars and Venus. rome. italy
Roman art. Italy. Altar of Mars and Venus in marble lunense. Roman artwork of the end of the reign of Trajan (98-117 ), later re-used under the Hadrianic era (117-132)

Background imageRelief Collection: Polychrome relief of Pharaoh Thutmose III (h. 1490-1436 BC)

Polychrome relief of Pharaoh Thutmose III (h. 1490-1436 BC)
Egyptian Art. Polychrome relief of Pharaoh Thutmose III (h.1490-1436 BC). Sixth pharaoh of the 18th DynastyI. New Kingdom. Part from Thutmose Temple in Deir el-Bahari. Luxor Museum. Egypt

Background imageRelief Collection: Lamasu or Bull-man. Reliefs from Sargon IIs Palace. Dur-Sha

Lamasu or Bull-man. Reliefs from Sargon IIs Palace. Dur-Sha
Assyrian Art. Lamasu or Bull-man. Reliefs from Sargon IIs Palace. Dur-Sharrukin (Khorsabad). Assyria, 721-705 BC. Alabaster. 8th century BC. Louvre Museum. Paris. France

Background imageRelief Collection: Tomb of Amen Khopshef. Young servant. Valley of the Queens

Tomb of Amen Khopshef. Young servant. Valley of the Queens
Tomb of Amen Khopshef, son of Ramses III. Polychrome reliefs decorating the walls of the burial chamber. Young servant. Twentieth dynasty. New Kingdom. Valley of the Queens. Egypt

Background imageRelief Collection: Tomb of Amen Khopshef. Goddess Hathor with the prince. Vall

Tomb of Amen Khopshef. Goddess Hathor with the prince. Vall
Tomb of Amen Khopshef, son of Ramses III. Polychrome reliefs decorating the walls of the burial chamber. Goddess Hathor with the prince. Twentieth dynasty. New Kingdom. Valley of the Queens. Egypt

Background imageRelief Collection: Temple of Ramses III. Winged sun relief as a symbol of prote

Temple of Ramses III. Winged sun relief as a symbol of prote
Temple of Ramses III. Winged sun relief (falcon wings with two uraeus and solar disk), as a symbol of protection above the doors of the temples. New Kingdom. (1550-1069 b.C). Twentieth dynasty

Background imageRelief Collection: Winged sun with uraeus and royal cartridges of Ramesses III

Winged sun with uraeus and royal cartridges of Ramesses III
Winged sun with uraeus and royal cartridges of Ramses III. Temple of Ramesses III. Twentieth dynasty. New Kingdom. Medinet Habu. West Thebes. Egypt

Background imageRelief Collection: Temple of Ramses III. The pharaoh making offerings to god Ho

Temple of Ramses III. The pharaoh making offerings to god Horus. Relief. New Kingdom. (1550-1069 b.C). Twentieth dynasty. Thebes. Medinet-Habou. Egypt

Background imageRelief Collection: Temple of Ramses III. Officials counting the severed hands o

Temple of Ramses III. Officials counting the severed hands of enemies killed in action to know the casualties in the enemy ranks. New Kingdom. (1550-1069 b.C). Twentieth dynasty. Thebes

Background imageRelief Collection: Relief depicting a hand with an ankh or crux ansata. Egypt

Relief depicting a hand with an ankh or crux ansata. Egypt
Relief depicting a hand with an ankh or crux ansata. Temple of Hatshepsut. Eighteenth Dynasty. New Kingdom. Egypt

Background imageRelief Collection: Relief depicting Hatshepsut and hieroglyph on the walls. Tem

Relief depicting Hatshepsut and hieroglyph on the walls. Temple of Hatshepsut. Egypt. 18th Dynasty. New Kingdom. Deir el-Bahari. Egypt

Background imageRelief Collection: Girl Undressing III

Girl Undressing III
Young lady undressing in stages - No.V of XII Bloomers around her ankles exposing her garter tops! Date: 1892

Background imageRelief Collection: The Germanic god Wotan, corresponding to the Scandinavian

The Germanic god Wotan, corresponding to the Scandinavian Odin, represented as a warrior armed with sword and helmet with two bird heads. Funerary stele of the late 7th century. Merovingian art

Background imageRelief Collection: Leda and Swan, fragment of sculpture from Anhas

Leda and Swan, fragment of sculpture from Anhas, Morocco. 3rd century. Coptic art. Relief. EGYPT. CAIRO. Cairo. Coptic Museum

Background imageRelief Collection: Chi Rho. Paleo-christian art. Relief on rock. SPAIN

Chi Rho. Paleo-christian art. Relief on rock. SPAIN. CATALONIA. BARCELONA. Barcelona. Archaeology Museum of Catalonia

Background imageRelief Collection: IRAN. Naqsh-e Rustam. The Roman emperor Valerianus

IRAN. Naqsh-e Rustam. The Roman emperor Valerianus kneeling before Shapur I after the battle of Edessa (260). Persian art. Sasanian art. Relief

Background imageRelief Collection: INDIA. Bombay. Elefanta. Elephanta Caves. Trimurti

INDIA. Bombay. Elefanta. Elephanta Caves. Trimurti of Shiva in the main cave, 7th-8th c A.D. Detail of the three-headed bust representing the three roles of the god, creator

Background imageRelief Collection: Gallo-Roman funerary stele with commercial scene

Gallo-Roman funerary stele with commercial scene. Roman art. Relief on rock. FRANCE. LORRAINE. MOSELLE. Metz. mus饠 de La Cour d Or Metz M鴲 opole

Background imageRelief Collection: Ara Casali. View of the back, with the legend of

Ara Casali. View of the back, with the legend of Romulus and Remus. Roman art. Relief on rock. VATICAN CITY. Pius-Clementine Museum (Vatican Museums)



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