Rampant Collection

Cunard Line, carved oak rampant lion by Gerry Holzman
Cunard Line, superb and highly impressive carved oak Cunard Line rampant Lion holding a globe aloft and stood upon a coil of rope by Gerry Holzman as signed to the underside G HOLZMAN 69

La Ilustracion Espanola y Americana (The Spanish and American Illustration). Illustrated magazine published in Madrid between 1869 and 1921

Cycladic relief. Pithos. Depiction of Potnia Theron, the Mistress of the Animals. Goddess of nature, crowned with flowers and shotts, flanked by two rampant lionesses and two submissive women

The Ram in a Thicket. Ur
The Ram in a Thicket. Rampant Ram perched on the tree of life, covered with gold leaf. The horns, eyes and back of the animal are of lapis lazuli. The base on silver

Constantine killing Maxentius in the Battle
Roman Emperor Constantine killing Maxentius in the Battle of the Milvian Bridge, Milan, 312. Painting on the North Side of the Chancel

Count of Flanders, Comte de Flandre. Chromolithograph from Loredan Larcheys Ancien Armorial Equestre de la Toison d Or et de l Europe au 15e siecle

Count of Luxembourg, Comte de Luxembourg. Chromolithograph from Loredan Larcheys Ancien Armorial Equestre de la Toison d Or et de l Europe au 15e siecle

Duke of Limburg, Duc de Limbourg. Chromolithograph from Loredan Larcheys Ancien Armorial Equestre de la Toison d Or et de l Europe au 15e siecle

Jean de Luxembourg, comte de Lyons, John II of Luxembourg, Count of Ligny, 1392-1441. Chromolithograph from Loredan Larcheys Ancien Armorial Equestre de la Toison d Or et de l Europe au 15e siecle

Isabella Stewart of Scotland, second wife
Isabella Stewart, Isabel of Scotland, second wife of Francis I, Duke of Brittany. In armorial robe with coat of arms of Scotland (red lion rampant with double tressure) and Brittany (ermine)

The Rearing Horse and Mounted Warrior. Bronze. 16th century
The Rearing Horse and Mounted Warrior. 16th century. Bronze. Attributed to Leonardo da Vinci (1452-1519). Italian Renaissance polymath. Museum of Fine Arts. Budapest. Hungary

Spain. Murcia. Gate of the Palace of the Garden of the Bombs, with the coat of arms of the first marquis of Torre Pacheco. 17th -18th centuries. Baroque. Gardens of the Malecon

Reconstruction of a Phrygian building. 7th century BC
Phrygian Culture. Turkey. Reconstruction of a Phrygian building. Detail. 7th century BC. From Pazarli. Museum of Anatolian Civilizations. Ankara

Papal coat of Pius IX (1792-1878). Relief, 1869. Dome of the St. Peters Basilica. Vatican City

Ferdinand III of Castile, (1199-1252). King of Castile from 1217 and King of Leon from 1230. Manuscript Index of Royal Privileges. 13th century. Archive of the Cathedral of Santiago de Compostela

Billy goats next to a vine. 6th-7th centuries. Relief
Relief depicting two billy goats next to a vine. 6th-7th centuries. Pergamon Museum. Berlin. Germany

Greek Art. Archaic Period. 7th century BCE. Bronze bowl with globular body and a handle with two rampant lions facing each other and a flower in the middle. Archaeological Museum of Olympia. Greece

Belvedere Palace (Upper Belvedere) (1721-1723). Facade. Det
Baroque Art. Belvedere Palace. (Upper Belvedere) (1721-1723). Erected by the Austrian architect Johann Lukas von Hildebrandt (1668-1745). Facade. Detail. Vienna. Austria

Bronze statue of a lion rampant. Second half of 6th century. Olympia Archaeological Museum. Ilia Province. Peloponnese region. Greece

Garter banner of Queen Mary
The garter banner of Queen Mary, made at the Royal School of Art Needlework (now the Royal School of Needlework) in South Kensington, London

Garter banner of King George V
The garter banner of King George V, made at the Royal School of Art Needlework (now the Royal School of Needlework) in South Kensington, London

A Spring P(h)antasy by Wilmot Lunt
Drawing on a popular theme of the 1920s, a rather sexually rampant looking faun with horns, disturbing red hair and beard and huge hairy legs ending in cloven hooves

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