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Lithography stones, Parc Metallurgique, Dommartin-le-FrancLithography stones of plans for metalwork, used for printing, exhibited at the Parc Metallurgique or Metallurgic Park, an interpretation centre for ancient and contemporary metallurgy
Portable darkroomA man uses a self contained, portable darkroom to develop photographic prints. Date: 19th century
ENGRAVERS WORKSHOPTeams of engravers were employed by illustrated magazines like the Illustrated London News, transforming the artists drawings into blocks for printing. Date: circa 1850
TAKING PRINT C18Taking a print in a French engravers workshop, Date: circa 1760
TAKING PRINT FROM PRESSAn engraver takes a print in a French workshop. Date: 1852
JAPANESE WOOD-ENGRAVERA Japanese wood-engraver at work at Yokohama. Date: 1864
ENGRAVERS STUDIO C18A copperplate engraving studio in 18th century France. Date: circa 1760
ENGRAVER AT WORKAn engraver at work before a window. Date: 1887
FANCY PORTRAIT 1658Austrian archduke Leopold Wilhelm occupies only a tiny part of his portrait, a riot of figures which symbolise his interests and activities, to say nothing of his wife ! Date: 1658
LITHOGRAPH TOUR DE FORCEA tour-de-force of lithography, no doubt done to show the range and versatility of which the lithograph is capable Date: circa 1840
Making a LithographRevealing a lithograph printed on a lithograph stone
Wood Engraver C1850Wood engraver at work on a block. Date: circa 1850
Visscher at WorkThe great Flemish engraver Jakob Visscher at work : he made one of the finest panoramas of early London. Date: 17th century
Engravers Tools, DiderotThe tools of the copperplate engraver. Date: circa 1760
Taking a Print (Cochin)Taking a print, in a printmakers workshop : one man is using the heavy hand press, while others are at work on plates. Date: 17th century
Engravers StudioAn engraver and his assistants at work in a French atelier
Printing Example 1691A very fine example of the use of fonts in 17th century printing
Japanese PrintmakingHow they print from wood blocks in the Orient - apart from its subject interest, a remarkable pastiche of Japanese painting