Polychromy Collection (page 6)

Vulture Nekhbet opening their protective wings. Temple of Ha
Vulture Nekhbet opening their protective wings. Polychrome relief in one of the walls of the Temple of Hatshepsut. 18th Dynasty. New Kingdom. Deir el-Bahari. Egypt

Relief depicting cobras. Temple of Hatshepsut. Deir el-Bahari. 18th Dynasty. New Kingdom. Egypt

God Anubis (jackal-face) and god Amon (feather headdress). T
Polychrome relief depicting god Anubis (jackal-face) and god Amon (feather headdress). Temple of Hatshepsut. Eighteenth Dynasty. New Kingdom. Deir El-Bahari. Egypt

Egyptian deities. Relief. Temple of Hatshepsut. Deir El-Baha
Egyptian deities. Relief. Temple of Hatshepsut. Eighteenth Dynasty. New Kingdom. Deir El-Bahari. Egypt

Polychrome reliefs depicting an Egyptian worker. Deir el-Bah
Polychrome reliefs depicting an Egyptian worker. Temple of Hatshepsut. Eighteenth Dynasty. New Kingdom. Deir el-Bahari. Egypt

Horus. Temple of Hatshepsut. Egypt
Polychrome relief of Horus, sky god, represented with a falcon head. Temple of Hatshepsut. New Kingdom. Eighteenth Dynasty. Egypt

Polychrome relief representing the goddess Hathor as a cow with solar disk between his horns. Temple of Hatshepsut. Eighteenth Dynasty. New Kingdom. Deir el-Bahari. Egypt

Temple of Hatshepsut. Door with polychrome reliefs representing the pharaoh Hatshepsut with masculine attributes. 18th Dynasty. New Kingdom. Deir el-Bahri. Egypt

Womans head painted. 13th Century B. C National Archaeolog
Womans head painted. It comes from the Worship Center area of the acropolis of Mycenae. 13th century B.C. National Archaeological Museum. Athens. Greece

EGYPTIAN ART. Relief depicting a lion. Temple of Hatshepsut, Queen of the Eighteenth Dynasty. New Kingdom. Deir El Bahari. Luxor. Ancient Thebes (Waset). Egypt

ECUADOR. Quito. Convent of San Francisco. Detail of Altarpiece. 1630. Quito School. The use of bright polychromy was a feature of this school. Colonial baroque. Relief

ECUADOR. Quito. Convent of San Francisco. Altarpiece of Santa Catalina. Polychrome carving. 1630. Quito School. The use of bright polychromy was a feature of this school. Colonial baroque

SIERRA, Pedro de (1702-1760). Altarpiece of the

Virgin. 2nd half s. XIV. Detail. It has remains
Virgin. 2nd half s.XIV. Detail. It has remains of polychromy. Attributed to the same author as the Virgin from Boixadors (Anoia) one which is in the Museu Episcopal of Vic. International gothic

Virgin. It has remains of polychromy. Attributed to the same artist as the Virgin from Boixadors (Anoia) one, which is in

Virgin from Ger. Woodcarving with polychromy in tempera. Romanesque art. Sculpture on wood. Proc: SPAIN. Ger. Church of Santa

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