mail_outline sales@mediastorehouse.com
Rabble. Plate 28 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). Rabble. Plate 28 of The Disasters of War. Etching
They can still be of use. Plate 24 of The Disasters of War
Be quick, they are waking up. Plate 78 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). Be quick, they are waking up. Plate 78 of Los Caprichos. Etching
There isn t time now. Plate 19 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). There isn t time now. Plate 19 of The Disasters of War. Etching
Bitter to be present. Plate 13 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). Bitter to be present. Plate 13 of The Disasters of War. Etching
He deserved it. Plate 29 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). He deserved it. Plate 29 of The Disasters of War. Etching
Its no use crying out. Plate 58 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). Its no use crying out. Plate 58 of The Disasters of War. Etching
God forgive her: and it was her mother. Plate 16 of Los CaprGOYA Y LUCIENTES, Francisco de (1746-1828). God forgive her: and it was her mother. Plate 16 of Los Caprichos, etching
he fleeces him. Plate 35 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). She fleeces him. Plate 35 of Los Caprichos, etching and burnished aquatint
It will be the same. Plate 21 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). It will be the same. Plate 21 of The Disasters of War. Etching
Hobgoblins. Plate 49 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). Hobgoblins. Plate 49 of Los Caprichos, etching and aquatint. Etching; Engraving
The worst is to beg. Plate 55 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). The worst is to beg. Plate 55 of The Disasters of War. Etching
Thanks to the millet. Plate 51 of The Disasters of War
And this too. Plate 45 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). And this too. Plate 45 of The Disasters of War. Etching
May the cord break. Plate 77 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). May the cord break. Plate 77 of The Disasters of War. Etching
You will not escape
When day breaks we will be off, Plate 71 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). When day breaks we will be off. etching, burnished
Carnival Scene, Plate 6 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Plate 6 of Los Caprichos, etching and aquatint. Carnival scene. Etching;
Francisco de Goya y Lucientes, painter. Capricho plate 1GOYA Y LUCIENTES, Francisco de (1746-1828). Francisco de Goya y Lucientes, painter. Capricho plate 1, etching, aquatint
Can t anyone untie us? Plate 75 of Los Caprichos
Tantalus, Plate 9 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). Tantalus. Plate 9 of Los Caprichos, etching and burnished aquatint. Etching;
Los Caprichos, Preparatory drawing for plate 16 of Los CapriGOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 16 of Los Caprichos, etching, aquatint
They carried her off!. Capricho plate 8GOYA Y LUCIENTES, Francisco de (1746-1828). They carried her off!. Capricho plate 8, etching and aquatint. Etching; Engraving
Volaverunt. Plate 61 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). Volaverunt. Plate 61 of Los Caprichos, etching, aquatint and drypoint. Engraving;
Nothing, Plate 69 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). Nothing. Plate 69 of The Disasters of War. Etching
Unhappy motherGOYA Y LUCIENTES, Francisco de (1746-1828). Unhappy mother!. Plate 50 of The Disasters of War. Etching
One can t look
The sameGOYA Y LUCIENTES, Francisco de (1746-1828). The same. Plate 3 of The Disasters of War. Etching
And they are like wild beastsGOYA Y LUCIENTES, Francisco de (1746-1828). And they are like wild beasts. Plate 5 of The Disasters of War. Etching
El Cid spearing another bullGOYA Y LUCIENTES, Francisco de (1746-1828). El Cid spearing another bull. Preparatory drawing for plate 11
Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Second preparatory drawing for plate 10 of Los Caprichos. Drawing
The valiant Moor Gazul is the first to spear bulls accordingGOYA Y LUCIENTES, Francisco de (1746-1828). The valiant Moor Gazul is the first to spear bulls according to rules. Plate 5
The rabble hamstring the bull with lances, sickles, banderil
The daring of Martincho in the ring at SaragossaGOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa. Plate
The agility and audacity of Juanito Apinani in the ring at MGOYA Y LUCIENTES, Francisco de (1746-1828). The agility and audacity of Juanito Apinani in the ring at Madrid. Plate 20
Perhaps they are of another breed. Plate 61 of The DisastersGOYA Y LUCIENTES, Francisco de (1746-1828). Perhaps they are of another breed. Plate 61 of The Disasters of War
The healthy and the sick. Plate 57 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). The healthy and the sick. Plate 57 of The Disasters of War. Etching
They do not arrive in time. Plate 52 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). They do not arrive in time. Plate 52 of The Disasters of War. Etching
I saw it. Plate 44 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). I saw it. Plate 44 of The Disasters of War. Etching
Everything is topsy-turvy Plate 42 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). Everything is topsy-turvy. Plate 42 of The Disasters of War. Etching
drawing for plate 42 of Los Caprichos, red wash and sanguineGOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 42 of Los Caprichos, red wash and sanguine
The women give courageGOYA Y LUCIENTES, Francisco de (1746-1828). The women give courage. Plate 4 of The Disasters of War. Etching
Bury them and keep quietGOYA Y LUCIENTES, Francisco de (1746-1828). Bury them and keep quiet. Plate 18 of The Disasters of War. Etching
Sad forebodings of what is to comeGOYA Y LUCIENTES, Francisco de (1746-1828). Sad forebodings of what is to come. Plate 1 of The Disasters of War
Plate with Octopus AndPlate with octopus and fishes. Etruscan art. Ceramics. Proc: ITALY
They (the Moors) play another bull with the cape in an encloGOYA Y LUCIENTES, Francisco de (1746-1828). They (the Moors) play another bull with the cape in an enclosure. Plate
The Moors make a different play in the ring with their burnoGOYA Y LUCIENTES, Francisco de (1746-1828). The Moors make a different play in the ring with their burnous. Plate 6
Two teams of picadors thrown one after the other by a singleGOYA Y LUCIENTES, Francisco de (1746-1828). Two teams of picadors thrown one after the other by a single bull. Plate 32
