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Performed Collection (page 9)

Background imagePerformed Collection: Rossini / Tell / Liebig 1

Rossini / Tell / Liebig 1
Act One : Tell, in his village, reflects on the oppressive Austrian domination of his country

Background imagePerformed Collection: Rimsky, Snow Maiden 5

Rimsky, Snow Maiden 5
( Snegurochka ) A village girl in Tsar Berendeys village

Background imagePerformed Collection: Rimsky, Snow Maiden 4

Rimsky, Snow Maiden 4
( Snegurochka ) A villager of Tsar Berendeys village

Background imagePerformed Collection: Rimsky, Snow Maiden 2

Rimsky, Snow Maiden 2
( Snegurochka ) The palace of Tsar Berendey, where he holds a ball to mark the end of winter

Background imagePerformed Collection: Rimsky, Snow Maiden 1

Rimsky, Snow Maiden 1
( Snegurochka ) The village of Tsar Berendey, where Snegurochka is sent to live with Bobil and Bobilicka, a peasant couple

Background imagePerformed Collection: Rimsky-Korsakov / Pskov

Rimsky-Korsakov / Pskov
(also known as Ivan the Terrible ) Chaliapin as Tsar Ivan in a revival at La Scala, Milano; the opera tells of conflict between Tsar and Pskov

Background imagePerformed Collection: Rimsky-Korsakov / Sadko / 6

Rimsky-Korsakov / Sadko / 6
Street scene in Novgorod

Background imagePerformed Collection: Rimsky-Korsakov / Sadko / 5

Rimsky-Korsakov / Sadko / 5
The sixth scene : the palace of the King of the Ocean, where Sadko marries Volkhova, the kings daughter, but she is transformed into a river

Background imagePerformed Collection: Rimsky-Korsakov / Sadko / 4

Rimsky-Korsakov / Sadko / 4
The seventh scene : the shores of lake Ilmen, where Sadko will be reunited with his wife and learn that he is now the wealthiest merchant in all Novgorod

Background imagePerformed Collection: Rimsky-Korsakov / Sadko / 3

Rimsky-Korsakov / Sadko / 3
The fourth tableau : the quayside at Novgorod where Sadko wins his bet, finding golden fish among his catch

Background imagePerformed Collection: Rimsky-Korsakov / Sadko / 2

Rimsky-Korsakov / Sadko / 2
Scene one : the hall at Novgorod where the merchants are holding a banquet

Background imagePerformed Collection: Rimsky-Korsakov / Sadko / 1

Rimsky-Korsakov / Sadko / 1
The opening scene : the snow covered streets of Novgorod where the merchants are holding a banquet

Background imagePerformed Collection: Reyer / Salammbo, Brevel

Reyer / Salammbo, Brevel
Mademoiselle Breval in the title role of this epic opera based on the novel by Flaubert

Background imagePerformed Collection: Turandot Liebig 4

Turandot Liebig 4
Calaf solves the riddles, but he offers to release Turandot from his claim on her if she can learn his name before the following dawn

Background imagePerformed Collection: Ponchielli / Gioconda / Lbg

Ponchielli / Gioconda / Lbg
Performed at Covent Garden Theatre, London

Background imagePerformed Collection: Pacini / Saffo / Liebig 6

Pacini / Saffo / Liebig 6
Saffo, to expiate the sacri- lege of destroying Apollos altar, even though it was the result of misunderstandings for which she can hardly be blamed, jumps off a cliff

Background imagePerformed Collection: Pacini / Saffo / Liebig 4

Pacini / Saffo / Liebig 4
Saffo, after the sacrilege of destroying Apollos altar, is expelled from the temple

Background imagePerformed Collection: Pacini / Saffo / Liebig 3

Pacini / Saffo / Liebig 3
Saffo, maddened with grief when her lover Faone marries Climene, destroys Apollos altar, an act she will soon regret

Background imagePerformed Collection: Pacini / Saffo / Liebig 2

Pacini / Saffo / Liebig 2
Climene prepares for her wedding with Faone, though Faone still loves Saffo

Background imagePerformed Collection: Pacini / Saffo / Liebig 1

Pacini / Saffo / Liebig 1
Faone repulses Saffo, believing that she has betrayed him, and decides to marry Climene instead

Background imagePerformed Collection: Offenbach / Belle Helene

Offenbach / Belle Helene
Brasseur as Menelas, and Simon-Girard as Helene, in this spoof on the heroes and divinities of Ancient Greece

Background imagePerformed Collection: Meyerbeer / Robert Liebig6

Meyerbeer / Robert Liebig6
Act 5 Finale : the diabolical Bertram is dismayed at the sight of Robert and Isabella, now united in love and also in higher spiritual values

Background imagePerformed Collection: Meyerbeer / Robert Liebig5

Meyerbeer / Robert Liebig5
Act 4 scene 2 : Robert is torn between Bertram (the Devil) and Alice : she saves him from signing a compact, the clock strikes twelve, Bertram vanishes back to Hell

Background imagePerformed Collection: Meyerbeer / Robert Liebig4

Meyerbeer / Robert Liebig4
Act 4 scene 2 : Robert breaks the magic branch, destroying the spell set by Bertram, the Devil

Background imagePerformed Collection: Meyerbeer / Robert Liebig3

Meyerbeer / Robert Liebig3
Act 3 scene 7 : Bertram, the Devil, summons from their graves the spirits of nuns who failed to keep their vows, and promises to add Robert to their number

Background imagePerformed Collection: Meyerbeer / Robert Liebig2

Meyerbeer / Robert Liebig2
Act 2 scene 6 : Isabella lends Robert, who has lost every thing, armour in which to take part in the tournament, but once again Bertram (the real Devil) tricks him

Background imagePerformed Collection: Meyerbeer / Robert Liebig1

Meyerbeer / Robert Liebig1
Act 1 scene 7 : Inspired by Bertram (the real Devil), Roert loses everything he possesses

Background imagePerformed Collection: Meyerbeer / Robert Solo

Meyerbeer / Robert Solo
The famous Act 3 scene where Bertram, the Devil, invokes the spirits of nuns who failed their vows - a ludicrous scene which Meyerbeer magically transforms into a masterpiece

Background imagePerformed Collection: Meyerbeer / Prophete / L5

Meyerbeer / Prophete / L5
Act Five Scene 6 : when his followers address Jean as their Prophet, Berthe learns her lover and the prophet are one and the same and plunges a dagger into her heart

Background imagePerformed Collection: Meyerbeer / Prophete / L4

Meyerbeer / Prophete / L4
Act Four Scene 4 : Jean of Leyden is about to be crowned when he is recognised by his mother, which is embarrassing since he claims to be of divine origin

Background imagePerformed Collection: Meyerbeer / Prophete / L2

Meyerbeer / Prophete / L2
Act Two Scene 3 : Jean of Leyden, shocked by Count Oberthals abduction of the girl he loves, agrees to join the Anabaptists who promise to make him their king

Background imagePerformed Collection: Meyerbeer / Prophete / L1

Meyerbeer / Prophete / L1
Act One Scene 5 : Count Oberthal forces Berthe, with whom he has fallen in love, into his castle

Background imagePerformed Collection: Meyerbeer / Prophete / L

Meyerbeer / Prophete / L
Act four : Jean of Leyden is about to be crowned when his mother recognises him : he tricks her into retracting her recognition

Background imagePerformed Collection: Meyerbeer / Prophete / 3

Meyerbeer / Prophete / 3
The audience at the Paris Opera watch the dramatic scene in Act Four, where John of Leyden, claiming divine origin, is about to be crowned when he is recognised by his mother

Background imagePerformed Collection: Meyerbeer / Huguenots / Lib5

Meyerbeer / Huguenots / Lib5
Act 4 scene 6 - the Huguenot Raoul, who has learnt the massacre plan, leaves his Catholic love Valentine to warn his fellow-protestants

Background imagePerformed Collection: Meyerbeer / Huguenots / Lib4

Meyerbeer / Huguenots / Lib4
Act 4 scene 5 - priests bless the swords of the Catholics who are about to slaughter the Huguenots in the Massacre of Saint Bartholomew

Background imagePerformed Collection: Meyerbeer / Huguenots / Lib3

Meyerbeer / Huguenots / Lib3
Act 3 scene 4 - the Huguenot Raoul de Nangis prepares to fight a duel with St Bris, not knowing he is the father of his beloved Valentine

Background imagePerformed Collection: Meyerbeer / Huguenots / Lib2

Meyerbeer / Huguenots / Lib2
Act 2 scene 4 - the Huguenot Raoul de Nangis is conducted to meet queen Marguerite de Valois in the gardens of Chenonceaux

Background imagePerformed Collection: Meyerbeer / Huguenots / Lib1

Meyerbeer / Huguenots / Lib1
Act 1 scene 2 - the Huguenot Raoul de Nangis is presented to the Catholic duc de Nevers, because the king wishes to reconcile the two faiths

Background imagePerformed Collection: Meyerbeer Africaine Lib6

Meyerbeer Africaine Lib6
Act five - Selika, queen of Madagascar, watches her husband Vasco da Gama sail away with Ines, and sits under a manchineel tree, to breathe whose scent is fatal

Background imagePerformed Collection: Meyerbeer Africaine Lib5

Meyerbeer Africaine Lib5
Act four - Vasco da Gama marries Selika, queen of Madagascar; but even as he swears the marriage oath he hears his beloved Ines lamenting her misfortunes

Background imagePerformed Collection: Meyerbeer Africaine Lib3

Meyerbeer Africaine Lib3
Act three - the warriors of Selika, queen of Madagascar, board Don Pedros ship and massacre the Portuguese : Vasco survives, but only just

Background imagePerformed Collection: Meyerbeer Africaine Lib2

Meyerbeer Africaine Lib2
Act two - Ines, in love with Vasco da Gama, delivers him from imprisonment by the Inquisition but only by consenting to marry Don Pedro

Background imagePerformed Collection: Meyerbeer Africaine Lib1

Meyerbeer Africaine Lib1
Act one - Vasco da Gama before the Grand Council of the king of Portugal tells the story of his explorations and petitions for an expedition to sail round the Cape to the Indies

Background imagePerformed Collection: Massenet / Manon / Liebig

Massenet / Manon / Liebig
The opera performed at the Paris Opera

Background imagePerformed Collection: Massenet / Cid / Liebig

Massenet / Cid / Liebig
Act four, 10th tableau : The confrontation between El Cid and Boabdil, king of the Moors

Background imagePerformed Collection: Massenet / Cid / Liebig 5

Massenet / Cid / Liebig 5
Act four, 10th tableau : The king, grateful to Rodrigo for delivering Spain from the Moors, bestows on him the name of El Cid, which means master warrior

Background imagePerformed Collection: Smetana / Bride - Set

Smetana / Bride - Set
( Prodama Nevesta ) Set design for acts 1 and 3. in the Paris 1928 production



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