Ottoman Collection (page 7)

Entrance to the Tomb of Absalom and Cave of Jehosophat. Ingresso all Tombe di Assalonne e di Giosofat. Handcoloured copperplate engraving after Giulio Ferrario in his Costumes Ancient

Tomb of Absalom and entrance to the Cave of Jehosophat
Tomb of Absalom or Absaloms Pillar and entrance to the Cave of Jehosophat, 1800s. Sepolcri di Assalonne e di Giosofat. Handcoloured copperplate engraving by Carocci after Giulio Ferrario in his

The Pool of Bethesda, Jerusalem, 18th century
The Pool of Bethesda in the Muslim Quarter of Jerusalem, 18th century. Piscina probatica. Handcoloured copperplate engraving by Carroci after Giulio Ferrario in his Costumes Ancient

Tomb of the Virgin Mary, Gethsemane, 1800s. Tomba della Vergine Maria a Getsemani. Handcoloured copperplate engraving by Carocci after Giulio Ferrario in his Costumes Ancient

Tomb in the Valley of Jehoshaphat, 1800s. Tomba della valle di Giosafatt. Handcoloured copperplate engraving by Carocci after Giulio Ferrario in his Costumes Ancient

Bridge over the River Kidron, 1800s
Bridge over the River Kidron, Old City of Jerusalem. John 10:1. Ponte sul torrente Cedron. Handcoloured copperplate engraving by Carocci after Giulio Ferrario in his Costumes Ancient

Pool of Siloam outside the walls of Jerusalem
Spring and Pool of Siloam outside the walls of the CIty of David, Jerusalem. Fontana e Piscina di Siloe. Handcoloured copperplate engraving by Corsi after Giulio Ferrario in his Costumes Ancient

Pillar where Jesus Christs death sentence was posted
Pillar where Jesus Christs death sentence was affixed, Jerusalem 1800s. Colonna su cui fu appesa la Sentenza di morte di Gesu Cristo

Bruzio Visconti meeting the Virtues
Bruzio Visconti or Brizio Visconti, poet and politician, son of Luchino Visconti. Lord of Lodi, d. 1356. Brutius Vicecomes (Bruzio) rides the middle horse between two knights Vigor (Bernabo Visconti)

Native American wigwam, Canadian house
Structures of the Native Americans and Canadians. A Canadian loghouse at right and hut or Vig-Wam (wigwam) at left. Man smoking a pipe watching a pot on a fire, with fish and birds hanging above

Tomb of Joseph of Arimathea, 1800s. Tomba di Giuseppe d Arimatea. Handcoloured copperplate engraving by Corsi after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World

The Grotto of the Nativity, Bethlehem, 1800s
The Grotto of the Nativity, Church of the Nativity, Bethlehem, 1800s. Grotta della Nativita. Handcoloured copperplate engraving by Corsi after Giulio Ferrario in his Costumes Ancient

Subterranean church in Bethlehem, 1800s
Subterranean church in Bethlehem, Church of the Nativity, 1800s. Pilgrims praying before an altar. Chiesa sotterranea di Betlemme

Main street in Bethlehem, 1800s. Strada principale di Betlemme. Handcoloured copperplate engraving by Corsi after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World

Ruins of Rachels Tomb, near Bethlehem, 1800s
Ruins of Rachels Tomb or Bilal bin Rabah mosque, near Bethlehem, 1800s. Sepolcro di Rachele. Handcoloured copperplate engraving by Corsi after Giulio Ferrario in his Costumes Ancient

View of Bethlehem and the convent, 1800s. Veduta di Betlemme col convento. Handcoloured copperplate engraving by Carocci after Giulio Ferrario in his Costumes Ancient

View of Jerusalem with the Church of the Holy Sepulchre, 1800s. Parte di Gerusalmme colla Chiesa del S. Sepolero. Handcoloured copperplate engraving by Maina after Giulio Ferrario in his Costumes

View of Jerusalem as seen from the Mount of Olives, Israel, 1800s. Veduta di Gerusalemme presa dal Monte degli Ulivi. Handcoloured copperplate engraving by Maina after Giulio Ferrario in his Costumes

Ruins on the road between Ramla and Jerusalem, Isreal, 1800s. Rovine fra Rama e Gerusalemme. Handcoloured copperplate engraving by Maina after Giulio Ferrario in his Costumes Ancient

Court of the Lions in Alhambra Palace, 18th century
Court of the Lions (Patio de los Leones) in Alhambra Palace, Granada, Spain. Corte de Leoni nell Alhambra. Handcoloured copperplate engraving by Giarre after Giulio Ferrario in his Costumes Ancient

Order of Alcantara and Military Order of Christ
Knights of the Spanish Order of Alcantara, Knights of St. Julian, and the Portuguese Military Order of Christ. In ceremonial robes with emblems. Ordini Cavallereschi di Alcantara, di Cristo, etc

Gate to the seraglio, Topkapi Palace, Istanbul, 18th century
Gate to the seraglio, Topkapi Palace, Istanbul. Porta del serraglio. Handcoloured copperplate engraving by Giarre after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World

Temple dedicated to Asclepius, Greek god of medicine, in Split, Croatia. Tempio gia sacro a Esculapio. Asclepeion. Handcoloured copperplate engraving by L

Diocletians Palace, now part of the old town of Split, Croatia. Parte del Palazzo di Diocleziano. Handcoloured copperplate engraving by Nasi from Giulio Ferrarios Costumes Ancient

Greek women dancing in Istanbul. Band of musicians with lute, violin, horn and drun. La romeca. Danse des femmes greques. Il ballo la Romeca

Two female dancers and two male dancers or Tschenky
Two female Ottoman dancers with castanets, and two male dancers or Tschenky. Tschenky ou danseur publique, danseuse publique. Due Ballerine e Due Ballerini

Muslim women entertaining themelves in their private quarters. Woman smoking hookah pipes, spinning yarn, embroidering, etc. Appartement d une dame Mahometane avec le tandour

Final scene of a Dervish dance, Rifai order. Penitents in ecstasy grasp red-hot scimitars and have their wounds treated by the sheikh. Followers of Shaikh Ahmed er-Rifai

Private quarters of an Ottoman official. Officials in robes sit on a divan in a large carpeted room. Appartement d un ministre de la Porte

Dance of the dervishes, Kadri order. Ballo dei Dervisch Cadry. Handcoloured copperplate engraving by Verico from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World

Tomb of Abu Ayyub al-Ansari, Eyup Sultan Mosque
Turbe or tomb of Abu Ayyub al-Ansari in the Eyup Sultan Mosque, Istanbul. The tomb is open day and night and lit with two large torches and a flagpole wrapped in green cloth

Dance of the whirling Dervishes of Mawlawi Tawagozi. Sufi Dervishes in tall hats dance in a circle to accompaniment by musicians on drums, psaltery and sistrum. Ballo dei Dervisch Mewlewi

Two Sufi Dervish devotees at prayer
Two Dervish penitents performing prayer rituals in a Dervish lodge. One with his hair tied to the ceiling with a cord, and another with band around hands and knees holding prayer beads

Interior of the shrine to Osman I, Bursa, Turkey
Interior of the shrine to Osman I or Osman Gazi, Sultan of the Ottoman Empire, with tomb or Turbe, Bursa, Turkey. Cappella sepolcrale di Osman I

Exterior of the shrine to Sultan Mustafa III, Istanbul
Exterior of the shrine or Turbe to Sultan Mustafa III, Istanbul. Externo della cappella sepolcrale di Moustapha III. Sultan III Mustafa Turbesi

Library of Grand Vizier Koca Raga?p Pasha
Library of Grand Vizier Koca Mehmet Raga?p Pasha, Ottoman statesman (1698 ??1763). Scholars in turbans reading books at low tables on carpets. Biblioteca del Gran Visir Raghib Pascha

Public library of Sultan Abdul Hamid I, 1787
Public library of Abdul Hamid I, Sultan of the Ottoman Empire, 1773-1789. Scholars in turbans reading books and scrolls in a carpeted libary surrounded by bookcases. Biblioteca di Abdul-Hamid

View of the Laleli Mosque or Tulip Mosque, Istanbul. Built by Sultan Mustafa III in the 18th century with large dome and two minarets. Moschea Lalely

Muslim chapel in a seraglio. Two gentlemen of the chamber stay in the chapel for two entire days twice a week to honor the birth of Muhammed

Sultan Ahmed Mosque or the Blue Mosque, Istanbul
View of the Sultan Ahmed Mosque or the Blue Mosque, Istanbul. Built in the 17th century with five domes, six minarets and eight secondary domes. Moschea Sultan-Ahmed

Mourners in a Muslim cemetery
Rites of passage in the Muslim cemetery of Eyup, Istanbul. Mourners in turban and robes praying before gravestones. Cimitero

Tomb of the Grand Vizier, Koca Mehmet Raga?p Pasha, Ottoman statesman, 1698-1763. Tomba. Handcoloured copperplate engraving by Verico after Giulio Ferrario in his Costumes Ancient

Muezzin performing the call to prayer or adhan
Muezzin in turban and robes performing the call to prayer or adhan. Muezzin particolare. Handcoloured copperplate engraving by Nasi after Giulio Ferrario in his Costumes Ancient

Muslim man praying at a roadside prayer site
Open-air raised praying site; such sites existed on all big commercial routes in the Ottoman Empire. Muslim man kneeling on a prayer mat in front of a carved stone indicating Mecca

Muezzin in a minaret performing the call to prayer
Muezzin in a minaret of a mosque performing the call to prayer or adhan. Muezzin pubblico. Handcoloured copperplate engraving by Nasi after Giulio Ferrario in his Costumes Ancient

A Muslim man performing his ablutions before prayer, washing his hands in a bowl of water. A servant pours water and another offers a towel. Musulmano che fa abluzione

Four great imams: Abu Hanifa 1, Al-Shafi ??i 2, Malik ibn Anas 3 and ibn Hanbal 4. I quattro Iman. Handcoloured copperplate engraving by Giarre after Giulio Ferrario in his Costumes Ancient

Islamic adventurer known as Mahdi meditating in a cave from a Persian manuscript. Mehhdy. Mehhedi. Handcoloured copperplate engraving by L

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