Organdie Collection

Tatler fashions for July 1930
A fashion design by Gordon Conway, taken from a series of monthly supplements drawn by the artist. A summer dress in printed cotton voile, trimmed in cream coloured organdie

Ascot hat from Debenham and Freebody, 1934
A stunning hat of organdie in an elusive shade of brown ; the brim reinforced in an open lattice insertion in which golden threads mingle with the organdie. Perfect for Ladies Day at Royal Ascot

Camilla Horn, German actress and dancer (1903-1996), fashion studio portrait. With description, Miss Camilla Horn, who has recently completed a film in England and is now rehearsing another

Fashion model
Debenham & Freebody. Pink organdie entirely covered with pink flowers. Crisp epaulettes, detachable ruffly cape and huge bouffant skirt. 1930s style. Artist: Anon. Date: 1931

Flounced Evening Dress
An elegant woman wearing a spotted organdie evening dress with deep flounces around the hem & butterfly sleeves; a garland of flowers is worn around the bodice Date: 1930s

Lady Anne Bridgeman by Madame Yevonde
Lady Anne Pamela Bridgeman (1913-2009) by Madame Yevonde. She was the daughter of the 5th Earl of Bradford. Seen here modelling a dress of black cire satin

Belinda Belville wedding dress, 1965
A Camelot-style wedding dress and veil of nun-like simplicity in translucent white organdie with a wide border of guipure lace and the cuffs and hem, also trimming the veil and train

Rose Descat hat drawn by Paul Valentin
A Rose Descat hat in white and pastel coloured plaited organdie drawn by Paul Valentin. Date: 1933

Tatler front cover - fashion for brides 1965
Front cover of The Tatler featuring a bride wearing a headdress of big white organdie flowers with a long tulle veil from Reed Crawford. Her lipstick is Cuban Rose by Yardley. 1965

Miss Bunting Stephenson by Madame Yevonde. Seen here (left) modelling a Mainbocher evening gown of white linen, checked in coral and green stripes, from Kay Norton

Three society models by Madame Yevonde, wearing pique organdie and crepe. They are Countess Bosdari (right) in a Molyneux model, Countess de la Falaise (far left) in a Chanel creation

1960s fashion, cocktails in a Mattli dress
A couple enjoy cocktails while he shows his girlfriend a three card trick, though they appear more intent on flirting with each other

Paris Race Dresses, 1926
Three stylish dresses, designed for wearing at the races, 1926. On left: A suit of rose alpaca, embellished with a white motif, worn with a white blouse and a neat black tie

Gown with Frills / Rochas
Backless, black velvet, halter neck evening gown by Rochas with a bustle effect created by a cascade of organdie frills descending from beneath a large bow at the back

Flounced Evening Dress
An elegant woman wearing a spotted organdie evening dress with deep flounces around the hem & butterfly sleeves; a garland of flowers is worn around the bodice

Stiebel / Ballgown
A flounced debutante dance frock in shadowy white organdie embroidered with navy blue. Roses held at waist by belt. Billowing skirt falls in tiers over hooped petticoat

Ascot Frock 1933
Ascot frock by Raphael, Lewis & Silver in a bold azalia floral print with 3 beige organdie flounces at the hem & a matching cross-over front jacket with puffed sleeves

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