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Bust in glass domeGlass dome with metal base
Elizabeth Wray, Baroness Norris, reversePortrait of Elizabeth Wray, Baroness Norris, holding a funerary wreath, oil on canvas by John Hayl, c.1638 and overpainted c.1645, in a gilded frame with moulded decoration. Date: c.1638-1645
Frame for Elizabeth Wray, Baroness NorrisPortrait of Elizabeth Wray, Baroness Norris, holding a funerary wreath, oil on canvas by John Hayl, c.1638 and overpainted c.1645, in a gilded frame with moulded decoration. Date: c.1638-1645
Elizabeth Wray, Baroness Norris, detailPortrait of Elizabeth Wray, Baroness Norris, holding a funerary wreath, oil on canvas by John Hayl, c.1638 and overpainted c.1645, in a gilded frame with moulded decoration. Date: c.1638-1645
Title page from Illustrated Catalogue of Machine-Made and CIllustrated Catalogue of Machine-Made and Cast Cabinet & Builders Brassfoundry, published by White & Pike Ltd. of Birmingham and London on 1 January 1897. Date: 1 January 1897
Front cover of Illustrated Catalogue of Machine-Made and CaIllustrated Catalogue of Machine-Made and Cast Cabinet & Builders Brassfoundry, published by White & Pike Ltd. of Birmingham and London on 1 January 1897. Date: 1 January 1897
Page from Illustrated Catalogue of Machine-Made and Cast CaIllustrated Catalogue of Machine-Made and Cast Cabinet & Builders Brassfoundry, published by White & Pike Ltd. of Birmingham and London on 1 January 1897. Date: 1 January 1897
Christmas crackers in boxCracker box printed in red and white, with a cut-out window revealing twelve unused Christmas crackers, manufactured in England c.1960-1970. Date: c.1960-1970
Flower bowlTin-glazed earthenware flower or pot-pourri holder and lid, with blue and manganese painted decoration of stylised floral sprays set within quatrefoils
Price list, back coverPrice list for flint glass ware manufactured by Apsley Pellatt, including illustrations printed in blue, published in London c.1850. Date: c.1850
Maiolica plate, undersideTin-glazed earthenware (maiolica) plate, hand-painted with a linear geometric interlacing pattern of squares, flower heads and curved lines, made in Montelupo, Italy, c.1575-1625. Date: 1575-1625
Maiolica plateTin-glazed earthenware (maiolica) plate, hand-painted with a linear geometric interlacing pattern of squares, flower heads and curved lines, made in Montelupo, Italy, c.1575-1625. Date: 1575-1625
Scene in a domestic interior with children watching as a womDomestic interior with a family group surrounding a seated woman receiving electricity treatment for a headache, oil on canvas by David Henry Friston, c.1865-1870. Date: c.1865-1870
Lametta boxLametta for Decorating Christmas Trees, a cardboard box containing strips of silver lametta, manufactured in England, c.1930-1940. Date: c.1930-1940
Portrait of a woman in an interiorPortrait of a woman seated in a domestic interior, oil on canvas, by Arthur Devis, c.1742, in a gilded neo-classical style frame with carved and moulded decoration. Date: c.1742
Sweetmeat glass with a plain bowl and everted rim on an eight-sided pedestal stem with a teared cushion knop, and a domed foot, made in England c.1750. Date: c.1750
JugEarthenware jug with green glaze decoration, a handle and a pouring lip, with restorations to the rim, Surrey/Hampshire border ware, made in England c.1630-1670. Date: 1630-1670
Pages from a price listPrice list for flint glass ware manufactured by Apsley Pellatt, including illustrations printed in blue, published in London c.1850. Date: c.1850
Changing HomesPainting, oil on canvas, Changing Homes, by George Elgar Hicks, signed and dated 1862, in a gilded picture frame. Date: 1862
Group portrait of an unidentified family in a domestic interGroup portrait of a family in a domestic interior, oil on canvas, by an unknown artist, c.1815-1820, in reproduction frame produced in Britain, c.1990-2005. Date: 1815-1820
Portrait of an unknown woman, oil on panel, thought to be by Cornelius Johnson, c.1620, in a carved and gilded frame. Date: c.1620
ChairOne of four tall-back chairs with ebonised and gilded wood frames, possibly made from oak and beech, with later red silk brocade upholstery, made in England or continental Europe c.1700. Date: c.1700
Oak armchair and stoolOak armchair with parquetry banding, inlaid decoration and carved details, made in the west of England c.1600-1640. Date: c.1600-1640
Drinking glassCordial glass with a plain round funnel bowl, a pale tall stem with a tear, and a domed foot, made in England c.1740-1750. Date: c.1740-1750
Four wine glassesWine glass with a double series opaque twist stem and tulip-shaped bowl engraved with swags of husk decoration, one of a set of four made in England c.1790. Date: c.1790
The Appointment, a domestic scene with a woman reading a letter, oil on canvas, monogrammed by the artist Rebecca Solomon, 1861, in a gilded composition frame. Date: 1861
Guilbaud Writing Cabinet, Trade LabelWalnut-veneered writing cabinet bearing the trade label of John Guilbaud, retailed in London, c.1695-1700. Date: 1693-1712
Guilbaud Writing Cabinet, detailWalnut-veneered writing cabinet bearing the trade label of John Guilbaud, retailed in London, c.1695-1700. Date: 1693-1712
Record shotWilliam Tarn and Co.s Illustrated Catalogue, containing 202 pages including the front and back covers, with black and white and colour illustrations including designs for ceilings and dados
Ewer made from porcelain, painted in gold and blue on a white ground with a coloured central reserve depicting a shepherdess holding a bird cage
Urn made from porcelain with a white ground, painted in gold and blue with a coloured central compartment of Maria, a lady seated at a tree with a dog by her side
Jelly glassShort jelly or dessert glass cut with round-topped flutes on short stem and plain foot made in England in c.1830-40. Date: c.1830-1840
Part of a garniture de cheminEwer made from porcelain, painted in gold and blue on a white ground with a coloured central reserve depicting a shepherdess holding a bird cage
VasePorcelain vase and cover with Imari-style underglaze blue and red floral and foliate decoration and overglaze gilding, the cover with a finial in the shape of a Chinese figure
Table, detailDraw-leaf table made from oak with carved friezes, made in England c.1600-1650. Date: c.1600-1650
Draw-leaf table made from oak with carved friezes, made in England c.1600-1650. Date: c.1600-1650
Windsor armchair and ladder-back armchairWindsor armchair with a high-back double-bow and fleur-de-lys motif in the pierced central splat, made from beech, cherry and willow, with an elm seat
A pair of decantersDecanter of tapered form made from blown and bevelled blue glass, with a later pear-shaped stopper, one of a pair made in England c.1790. Date: c.1790
Clock, detailBrass and metal lantern clock on four ball feet, made by Robert Robinson in Lothbury, City of London, c.1660-1670. Date: 1660-1670
ClockBrass and metal lantern clock on four ball feet, made by Robert Robinson in Lothbury, City of London, c.1660-1670. Date: 1660-1670
SheetA broadside, single page printed on one side, with an engraving at the top of the page of a kissing couple, illustrating the poem, The Mistletoe A Christmas Tale beneath
Decanter of tapered form made from blown and bevelled blue glass, with a later pear-shaped stopper, one of a pair made in England c.1790. Date: c.1790
Mirror, reverseGilt carved wood and gesso pier glass surmounted by a vase, made in England, c.1790. Date: c.1790
Sugar tongs, detailA pair of silver sugar tongs, made in London by Joseph Drake, c.1730-1739. Date: 1730-1739
Side chairOne of a set of three chairs in imitation rosewood, with carved rope twist top rails, scrolled crossbars and woven rush seats, c.1815-1820. Date: c.1815-1820
MirrorGilt carved wood and gesso pier glass surmounted by a vase, made in England, c.1790. Date: c.1790
The Drawing Room at Bryn GlⳬNewport Mon[mouthshire]The Drawing Room at Bryn Glⳬ Newport Mon[mouthshire], watercolour on paper, by Julia Mackworth, dated 1871, in a birds eye maple picture frame with a gilt slip. Date: 1871
The Disaster, a domestic interior with a cat attacking a pet canary, oil on canvas by Francis Wheatley, initialled and dated F.W. 1788. Date: 1788