Naturalistic Collection

House In The New Forest, Entrance Front
An architectural photo lithograph of the entrance front of a house in the New Forest, reproduced from a design by the architect, T

A Country Man
An oil painting in the plein air tradition, showing a country man wearing a red scarf, smoking, while sat on a grass bank

Frits Thaulow (1847-1906). Frits Thaulow was a Norwegian Impressionist painter, best known for his naturalistic depictions of landscape

Greek art. Greece. Terracotta neck amphora. 7th century BC. Proto-Attic Period. It represents Herakles grabbing the hair of the centaur Nessus. Behind Herakles, a four-horse chariot and a driver

Phalic dance of type stylized-naturalistic. Mesolithic art. Cave. SPAIN. Barcelona. Archaeology Museum of Catalonia. Proc: SPAIN. El Cogul. Cova dels Moros

Ludwig And. Feuerbach
LUDWIG ANDREAS FEUERBACH German philosopher, pupil of Hegel but turned to naturalistic materialism, opposing organised religion

Spain. Montblanc. Abrigo Mas d en Gran
SPAIN. Montblanc. Mas d en Gran Shleter. Zoomorphic figure n. 1 in Levantine naturalistic style. Neolithic art. Cave

SPAIN. Ulldecona. Ermites Shelter Shelter I
SPAIN. Ulldecona. Ermites Shelter.. Shelter I of Ermites. Deer hunting. Naturalistic Levantine painting. Mesolithic art. Cave

Deers and cows in naturalistic-stylized style

Phallic dance in naturalistic-stylized style. Mesolithic art. Cave. SPAIN. Barcelona. Archaeology Museum of Catalonia. Proc: SPAIN. El Cogul. Cova dels Moros

Bull in Levantine naturalistic style from Abrigo Mas d en Ramon d en Bess󮠍 esolithic art. Cave. SPAIN. Montblanc. Conca de Barberࠒ egional Museum. Proc: SPAIN. Montblanc

SPAIN. Montblanc. Mas d en Ramon d en Bess󠓨elter
SPAIN. Montblanc. Mas d en Ramon d en Bess󠓨 elter. Zoomorphic figures in Levantine naturalistic style. Mesolithic art. Cave

SPAIN. Ulldecona. Ermites Shelter Ermites Shelter
SPAIN. Ulldecona. Ermites Shelter.. Ermites Shelter VIII. Archer. Naturalistic levantine painting. Mesolithic art. Cave

ROSSINI, SET FOR TELL
A strikingly naturalistic set for the second act, at La Scala, Milano

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