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Mus Collection

Background imageMus Collection: HENRY VII of England (1457-1509). King of England

HENRY VII of England (1457-1509). King of England (1485-1509), first king from the House of Tudor. Painting. FRANCE. Avignon. Mus饠 Calvet (Calvet Museum)

Background imageMus Collection: Venus of Laussel. 25 mil. -18 mil. BC. Venus

Venus of Laussel. 25 mil. -18 mil. BC. Venus holding a horn. Upper Paleolithic. Solutrean. Relief on rock. FRANCE. Bordeaux. Mus饠 d Aquitaine (Aquitaine Museum). Proc: FRANCE. LOT-ET-GARONNE

Background imageMus Collection: ANNE BOLEYN (1505-1536). Queen of England (1533-1536)

ANNE BOLEYN (1505-1536). Queen of England (1533-1536)

Background imageMus Collection: Mary Queen of Scotland (1542-1567)

Mary Queen of Scotland (1542-1567)
Mary (1542-1587). Queen of Scotland (1542-1567). CLOUET, Francois (1505-1573). Renaissance art. Cinquecento. Oil on canvas. FRANCE. OE-DE-FRANCE. Paris. Musue Carnavalet (Carnavalet Museum)

Background imageMus Collection: French Revolution (1789). The Storming of the

French Revolution (1789). The Storming of the Bastille (July 14). Oil on canvas. FRANCE. Paris. Mus饠 Carnavalet (Carnavalet Museum)

Background imageMus Collection: Shahnameh. The Book of Kings. 16th c. Sohrab

Shahnameh. The Book of Kings. 16th c. Sohrab facing the tent of the Persian army leaders. 16th c. Persian art. Safavid period. Miniature Painting. FRANCE. Chantilly

Background imageMus Collection: SISLEY, Alfred (1839-1899). The Canal Saint-Martin

SISLEY, Alfred (1839-1899). The Canal Saint-Martin

Background imageMus Collection: Mary (1457-1482). Duchess of Burgundy between

Mary (1457-1482). Duchess of Burgundy between 1477 and 1482. Anonymous work (15th c.). Oil on wood. FRANCE. Chantilly. Mus饠 Cond頨 Cond頍 useum)

Background imageMus Collection: Reception of Jacques de Molay. 1840s; Reception

Reception of Jacques de Molay. 1840s; Reception of Jacques de Molay. 1840s. Work by GRANET, Fran篩s Marius (1775-1849); GRANET, Fran篩s Marius (1775-1849). Oil on canvas. FRANCE. Avignon

Background imageMus Collection: Shahnameh. The Book of Kings. 16th c. Sohrab

Shahnameh. The Book of Kings. 16th c. Sohrab looks carefully at some of the tents in the camp. 16th c. Persian art. Safavid period. Miniature Painting. FRANCE. Chantilly

Background imageMus Collection: Gallo-Roman low-relief. Ferrying wine barrels

Gallo-Roman low-relief. Ferrying wine barrels and amphorae. Roman art. Early Empire. Relief on rock. FRANCE. PROVENCE ALPES CԔ E D AZUR. VAUCLUSE. Avignon. Mus饠 Calvet (Calvet Museum)

Background imageMus Collection: Freemason seal of the 19th century with different

Freemason seal of the 19th century with different symbols as the Seal of Solomon or Star of David. Metals. FRANCE. Ό E-DE-FRANCE. Paris

Background imageMus Collection: Shahnameh. The Book of Kings. 16th c. First Meeting

Shahnameh. The Book of Kings. 16th c. First Meeting of Rostam and his Grandfather, Sam. Gouache on paper. F05v. Persian art. Safavid period. Miniature Painting. FRANCE. Chantilly

Background imageMus Collection: Shahnameh. The Book of Kings. 16th c. Kay Kavus

Shahnameh. The Book of Kings. 16th c. Kay Kavus orders his soldiers to capture Rostam. Gouache on paper. 16th c. Persian art. Safavid period. Miniature Painting. FRANCE. Chantilly

Background imageMus Collection: Initiation ceremony of a Freemason (19th c. )

Initiation ceremony of a Freemason (19th c. )
Initiation ceremony of a Freemason (19th c.). Central detail. Watercolour. FRANCE. Paris. Mus饠 du Grand Orient de France et de la Franc-Ma篮 nerie Europ饮 ne

Background imageMus Collection: Shahnameh. The Book of Kings. 16th c. Zal meets

Shahnameh. The Book of Kings. 16th c. Zal meets

Background imageMus Collection: Badminton match. Illustration by Pierre Martinet

Badminton match. Illustration by Pierre Martinet
" Badminton match. Illustration by Pierre Martinet of the series " Le go� Paris". Etching. FRANCE. Paris. Mus饠 Carnavalet (Carnavalet Museum)."

Background imageMus Collection: Consegration of a bishop. Valencian School. 15 century

Consegration of a bishop. Valencian School. 15 century. Gothic art. Painting. FRANCE. AQUITAINE. PYRɎ Ʌ S-ATLANTIQUES. Bayonne. Mus饠 Bonnat (Bonnat Museum)

Background imageMus Collection: EDELFELT, Albert Gustaf (1854-1905). Louis Pasteur

EDELFELT, Albert Gustaf (1854-1905). Louis Pasteur. 1885. Pasteur searching in his laboratory. Realism. Oil on canvas. FRANCE. Paris. Mus饠 d Orsay (Orsay Museum)

Background imageMus Collection: Edward of Woodstocks English army defeating

Edward of Woodstocks English army defeating
" Edward of Woodstocks English army defeating Jean IIs French army. Poitiers battle, 1356. Illustration from " Grandes Chroniques de France" (14th century). Gothic art

Background imageMus Collection: ULFT, Jacob van der (1627-1689). Damm Square

ULFT, Jacob van der (1627-1689). Damm Square in Amsterdam. 1659. Oil on canvas. FRANCE. Chantilly. Mus饠 Cond頨 Cond頍 useum)

Background imageMus Collection: Fieldmouse (Bewick)

Fieldmouse (Bewick)
mus sylvaticus - the LONG- TAILED FIELD-MOUSE : this is the Country Mouse of Aesops fable, who prefers to risk reapers and predator birds to adopting an urban lifestyle

Background imageMus Collection: Senufo mask (Burkina Fasso). It combines features

Senufo mask (Burkina Fasso). It combines features of animals and humans. Senufo masks have the power to help communication between the living and their dead ancestors. African art. Decorative Arts

Background imageMus Collection: Okuyi Mask (mask of ancestors). Punu Art (Bapunu)

Okuyi Mask (mask of ancestors). Punu Art (Bapunu) from Gabon. They embody the spirits of the deceased, in the mourning ceremonies

Background imageMus Collection: Short-tailed chinchilla (critically endangered)

Short-tailed chinchilla (critically endangered)
Short-tailed chinchilla, Chinchilla chinchilla (critically endangered), and Cairo spiny mouse, Acomys cahirinus. Handcoloured copperplate engraving from Rene Primevere Lessons Complements de Buffon

Background imageMus Collection: Harvest mouse, Micromys minutus (Mus messorius), with worm

Harvest mouse, Micromys minutus (Mus messorius), with worm. Handcoloured steel engraving by Lizars after an illustration by James Stewart from William Jardines Naturalists Library, Edinburgh, 1836

Background imageMus Collection: Wood mouse, Apodemus sylvaticus

Wood mouse, Apodemus sylvaticus (Field mouse, Mus sylvaticus). Handcoloured steel engraving by Lizars after an illustration by James Stewart from William Jardines Naturalists Library, Edinburgh, 1836

Background imageMus Collection: Domestic mouse, Mus musculus

Domestic mouse, Mus musculus. Handcoloured steel engraving by Lizars after an illustration by James Stewart from William Jardines Naturalists Library, Edinburgh, 1836

Background imageMus Collection: Brown rat, Rattus norvegicus

Brown rat, Rattus norvegicus (Mus decumanus). Handcoloured steel engraving by Lizars after an illustration by James Stewart from William Jardines Naturalists Library, Edinburgh, 1836

Background imageMus Collection: Black rat, Rattus rattus

Black rat, Rattus rattus (Mus rattus), caught in a mousetrap. Handcoloured steel engraving by Lizars after an illustration by James Stewart from William Jardines Naturalists Library, Edinburgh, 1836

Background imageMus Collection: Plains pocket gopher, Geomys bursarius

Plains pocket gopher, Geomys bursarius (Canada hamster, Mus bursarius). Handcoloured copperplate engraving by Griffith, Harriet or Edward

Background imageMus Collection: Common dormouse, Muscardinus avellanarius

Common dormouse, Muscardinus avellanarius (Muscardin dormouse, Mus avellanarius). Handcoloured copperplate engraving by Griffith, Harriet or Edward

Background imageMus Collection: Cape mole-rat, Georychus capensis

Cape mole-rat, Georychus capensis (Long toothed marmot, Mus capensis) of South Africa. From the collection of Mr. Lee. Handcoloured copperplate engraving by Peter Brown from his New Illustrations of

Background imageMus Collection: Portrait of artist Jean Berne-Bellecour in French uniform

Portrait of artist Jean Berne-Bellecour in French uniform
Portrait of the artist, Jean Berne-Bellecour in French army uniform, by Lucien Jonas. Lucien Hector Jonas (1880-1947). In February Of 1915

Background imageMus Collection: French and German soldiers in hand to hand fighting

French and German soldiers in hand to hand fighting. Lucien Hector Jonas (1880-1947). In February Of 1915, Jonas Was Offically Accredited As Military Painter To The MusÚÑáDe L ArmÚѺ In Paris

Background imageMus Collection: Lieutenant General Robert L Bullard - AEF

Lieutenant General Robert L Bullard - AEF
Lieutenant General Robert L. Bullard, American Expeditionary Force, dated 9th July 1918. Lucien Hector Jonas (1880-1947). In February Of 1915

Background imageMus Collection: Lieutenant General Hunter Liggett

Lieutenant General Hunter Liggett, dated 11th October 1918. Lucien Hector Jonas (1880-1947). In February Of 1915, Jonas Was Offically Accredited As Military Painter To The MusÚÑáDe L ArmÚѺ In Paris

Background imageMus Collection: General Tasker H Bliss, American Expeditionary Force

General Tasker H Bliss, American Expeditionary Force
General Tasker H. Bliss, American Expeditionary Force, dated 18th April 1918. Lucien Hector Jonas (1880-1947). In February Of 1915

Background imageMus Collection: General The Honourable Julian Byng

General The Honourable Julian Byng, dated 18th May 1917. Lucien Hector Jonas (1880-1947). In February Of 1915, Jonas Was Offically Accredited As Military Painter To The MusÚÑáDe L ArmÚѺ In Paris

Background imageMus Collection: Lieutenant General Sir Arthur Currie, dated 1917

Lieutenant General Sir Arthur Currie, dated 1917. Lucien Hector Jonas (1880-1947). In February Of 1915, Jonas Was Offically Accredited As Military Painter To The MusÚÑáDe L ArmÚѺ In Paris

Background imageMus Collection: Lieutenant General Sir William Pulteney

Lieutenant General Sir William Pulteney, dated 23rd May 1917. Lucien Hector Jonas (1880-1947). In February Of 1915, Jonas Was Offically Accredited As Military Painter To The MusÚÑáDe L ArmÚѺ In

Background imageMus Collection: General Sir Edmund Allenby, dated 20th May 1917

General Sir Edmund Allenby, dated 20th May 1917. Lucien Hector Jonas (1880-1947). In February Of 1915, Jonas Was Offically Accredited As Military Painter To The MusÚÑáDe L ArmÚѺ In Paris

Background imageMus Collection: Field Marshal French, dated June 8th 1915

Field Marshal French, dated June 8th 1915. Lucien Hector Jonas (1880-1947). In February Of 1915, Jonas Was Offically Accredited As Military Painter To The MusÚÑáDe L ArmÚѺ In Paris

Background imageMus Collection: General Guillaumat, dated Sepember 1917

General Guillaumat, dated Sepember 1917. Lucien Hector Jonas (1880-1947). In February Of 1915, Jonas Was Offically Accredited As Military Painter To The MusÚÑáDe L ArmÚѺ In Paris

Background imageMus Collection: General Anthoine, dated 9th May 1917

General Anthoine, dated 9th May 1917. Lucien Hector Jonas (1880-1947). In February Of 1915, Jonas Was Offically Accredited As Military Painter To The MusÚÑáDe L ArmÚѺ In Paris

Background imageMus Collection: General Berthelot, dated October 1915

General Berthelot, dated October 1915. Lucien Hector Jonas (1880-1947). In February Of 1915, Jonas Was Offically Accredited As Military Painter To The MusÚÑáDe L ArmÚѺ In Paris

Background imageMus Collection: General Umbert

General Umbert. Lucien Hector Jonas (1880-1947). In February Of 1915, Jonas Was Offically Accredited As Military Painter To The MusÚÑáDe L ArmÚѺ In Paris

Background imageMus Collection: General Roques, dated May 1915

General Roques, dated May 1915. Lucien Hector Jonas (1880-1947). In February Of 1915, Jonas Was Offically Accredited As Military Painter To The MusÚÑáDe L ArmÚѺ In Paris



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