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Rabble. Plate 28 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). Rabble. Plate 28 of The Disasters of War. Etching
They can still be of use. Plate 24 of The Disasters of War
Be quick, they are waking up. Plate 78 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). Be quick, they are waking up. Plate 78 of Los Caprichos. Etching
There isn t time now. Plate 19 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). There isn t time now. Plate 19 of The Disasters of War. Etching
Bitter to be present. Plate 13 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). Bitter to be present. Plate 13 of The Disasters of War. Etching
He deserved it. Plate 29 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). He deserved it. Plate 29 of The Disasters of War. Etching
Its no use crying out. Plate 58 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). Its no use crying out. Plate 58 of The Disasters of War. Etching
God forgive her: and it was her mother. Plate 16 of Los CaprGOYA Y LUCIENTES, Francisco de (1746-1828). God forgive her: and it was her mother. Plate 16 of Los Caprichos, etching
he fleeces him. Plate 35 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). She fleeces him. Plate 35 of Los Caprichos, etching and burnished aquatint
It will be the same. Plate 21 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). It will be the same. Plate 21 of The Disasters of War. Etching
Hobgoblins. Plate 49 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). Hobgoblins. Plate 49 of Los Caprichos, etching and aquatint. Etching; Engraving
The worst is to beg. Plate 55 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). The worst is to beg. Plate 55 of The Disasters of War. Etching
Thanks to the millet. Plate 51 of The Disasters of War
And this too. Plate 45 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). And this too. Plate 45 of The Disasters of War. Etching
May the cord break. Plate 77 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). May the cord break. Plate 77 of The Disasters of War. Etching
You will not escape
What use is one cupGOYA Y LUCIENTES, Francisco de (1746-1828). What use is one cup. Etching
When day breaks we will be off, Plate 71 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). When day breaks we will be off. etching, burnished
Carnival Scene, Plate 6 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Plate 6 of Los Caprichos, etching and aquatint. Carnival scene. Etching;
Francisco de Goya y Lucientes, painter. Capricho plate 1GOYA Y LUCIENTES, Francisco de (1746-1828). Francisco de Goya y Lucientes, painter. Capricho plate 1, etching, aquatint
Can t anyone untie us? Plate 75 of Los Caprichos
Tantalus, Plate 9 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). Tantalus. Plate 9 of Los Caprichos, etching and burnished aquatint. Etching;
Se hizo a obscuras (It was made in darkness). Figure of a ba
School drawing, GoyaGOYA Y LUCIENTES, Francisco de (1746-1828). School drawing. Charcoal drawing with clarion touches on grey laid paper. Drawing
Los Caprichos, Preparatory drawing for plate 16 of Los CapriGOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 16 of Los Caprichos, etching, aquatint
They carried her off!. Capricho plate 8GOYA Y LUCIENTES, Francisco de (1746-1828). They carried her off!. Capricho plate 8, etching and aquatint. Etching; Engraving
Volaverunt. Plate 61 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). Volaverunt. Plate 61 of Los Caprichos, etching, aquatint and drypoint. Engraving;
Nothing, Plate 69 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). Nothing. Plate 69 of The Disasters of War. Etching
Dreams of Lies and InconstancyGOYA Y LUCIENTES, Francisco de (1746-1828). Dreams of Lies and Inconstancy
Portrait of the painter Francisco BayeuGOYA Y LUCIENTES, Francisco de (1746-1828). Portrait of the painter Francisco Bayeu. Oil on canvas
Maria Luisa de Parma
Majas taking a walkGOYA Y LUCIENTES, Francisco de (1746-1828). Majas taking a walk. Tinta china a pincel sobre papel verjurado. Drawing
Militar with horseGOYA Y LUCIENTES, Francisco de (1746-1828). Militar with horse. Work attributed to Goya. Oil on canvas
Family of the 6th Count Fern n NolezGOYA Y LUCIENTES, Francisco de (1746-1828). Family of the 6th Count Fern n Nolez. Oil on canvas
Portrait of the Engraver Rafael Esteve VilellaGOYA Y LUCIENTES, Francisco de (1746-1828). Portrait of the Engraver Rafael Esteve Vilella. Oil on canvas
Childrens Game: El Paso
Pantaleon Perez de NeninGOYA Y LUCIENTES, Francisco de (1746-1828). Pantaleon Perez de Nenin. Oil on canvas
The Women Water CarriersGOYA Y LUCIENTES, Francisco de (1746-1828). The Women Water Carriers. Three women water carriers. Painted for the Royal Studio
Woman and ChildGOYA Y LUCIENTES, Francisco de (1746-1828). Woman and Child. Engraving
General Jose de UrrutiaGOYA Y LUCIENTES, Francisco de (1746-1828). General Jose de Urrutia. He holds on his right hand the telescope
Don Manuel SilvelaGOYA Y LUCIENTES, Francisco de (1746-1828). Don Manuel Silvela. Oil on canvas
Portrait of Queen Maria Luisa, wife of King Charles IV of SpGOYA Y LUCIENTES, Francisco de (1746-1828). Portrait of Queen Maria Luisa, wife of King Charles IV of Spain
Francisco BayeuGOYA Y LUCIENTES, Francisco de (1746-1828). Francisco Bayeu. Spanish painter, Goyas brother-in-law. Oil on canvas
The KiteGOYA Y LUCIENTES, Francisco de (1746-1828). The Kite. Cartoon for tapestry. Weaved at the Real F brica
Equestrian Portrait of General PalafoxGOYA Y LUCIENTES, Francisco de (1746-1828). Equestrian Portrait of General Palafox. Oil on canvas
The Hunter and his DogsGOYA Y LUCIENTES, Francisco de (1746-1828). The Hunter and his Dogs. Painted for the Princess bedroom at El Escorial. Oil
The StiltsGOYA Y LUCIENTES, Francisco de (1746-1828). The Stilts, 1791 - 1792. Painted for the Kings Room in El Escorial
The Rendezvous
