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Full-length portrait of an Aboriginal boy named NanberryDrawing 63 from the Watling Collection titled Nan.bar.ree painted for a dance by Port Jackson Painter, 1789-1797
Fishing scene framed in tondo, surrounded by musical instrumDrawing 70 from the Watling Collection titled Fishing scene with musical instruments by Port Jackson Painter, 1788-1797
Portrait of an Aboriginal man named ColebeeDrawing 28 from the Watling Collection titled Portrait of Colebee by Thomas Watling, 1792-1797
Portrait of an Aboriginal woman, named Da-ring-ha, and a chiDrawing 31 from the Watling Collection titled Da-ring-ha, Colebees Wife by Thomas Watling, 1792-1797
An encounter between British colonists and Australian AborigDrawing 25 from the Watling Collection titled Mr. White, Harris and Laing with a party of Soldiers visiting Botany Bay Colebee at that place, when wounded by a Port Jackson Painter c. 1790
An Aboriginal family paddling a canoeDrawing 27 from the Watling Collection titled A Canoe of New South Wales by a Port Jackson Painter, 1788-1797
Group of Aborigines in a landscape
Portrait of an Aboriginal womanDrawing 32 from the Watling Collection titled The sitting attitude of the women of New South Wales by Thomas Watling, 1792-1797
A native spearing a kangarooDrawing 74 from the Watling Collection titled A Native spearing a Kangaroo by a Port Jackson Painter, 1788-1797
Moon-lit fishing sceneDrawing 49 from the Watling Collection titled A New South Wales Native stricking fish by moonlight by Port Jackson Painter, 1788-1797
Portrait of an Aboriginal woman named Dirr-a-goaDrawing 35 from the Watling Collection titled Dirr-a-goa by Thomas Watling, 1792-1797
A Norfolk Island Hand AdgesDrawing 79 from the Watling Collection titled A Norfolk Island Hand Adges by Port Jackson Painter, 1788-1797
Wounded aboriginal man in a classical poseDrawing 52 from the Watling Collection titled A Native wounded while asleep by Port Jackson Painter, 1788-1797
Portrait of an Aboriginal man decorated for a funeralDrawing 69 from the Watling Collection titled A Moo.bee Ornamented after a Burial by Port Jackson Painter, 1788-1797
New Zealand NativesA photograph taken during the voyage of H.M.S. Challenger (1872-1876) funded by the British Government for scientific purposes
Admiralty Islander
New Guinea natives in canoe, Humboldt Bay, Admiralty Islands
Group of Moro Indians, Zamboanga, Mindanao, PhilippinesA photograph taken during the voyage of H.M.S. Challenger (1872-1876) funded by the British Government for scientific purposes
Fiji Chief, Kata Sauanabra of LevukaA photograph taken during the voyage of H.M.S. Challenger (1872-1876) funded by the British Government for scientific purposes
Zamboangan native huts. Zamboanga, PhilippinesA photograph taken during the voyage of H.M.S. Challenger (1872-1876) funded by the British Government for scientific purposes
Mic-Mac Indians, Halifax 1873A photograph taken during the voyage of H.M.S. Challenger (1872-1876), funded by the British Government for scientific purposes
Rotomah MenA photograph taken during the voyage of H.M.S. Challenger (1872-1876) funded by the British Government for scientific purposes
Mic-Mac Indian hut, Halifax (1873)The voyage of H.M.S. Challenger (1872-1876) was funded by the British Government for scientific purposes and seems to have been the first expedition to carry an official photographer as well as an
Camp of Aboriginals, Cape YorkA photograph taken during the voyage of H.M.S. Challenger (1872-1876) funded by the British Government for scientific purposes
Crossing the Umnyati-MatabiliReturning from a marauding expedition among the Mashona October 1869. Sketch 28 from a collection of original sketches by Thomas Baines, (1859-1871)
Watling Collection 69-74: Portrait, tools and landscape
Mashonas huntingHunting game with stake nets at Magoondas hills. September 1870. Sketch 49 from a collection of original sketches by Thomas Baines, (1859-1871)
Amakoondas Mashona villageSeptember 1869. Sketch 20 from a collection of original sketches by Thomas Baines, (1859-1871)
Drawings 54-57 from the Watling Collection54. Native of NSW with a Foygig and throwing stick. 55. Native going to dance, 56. Natives ornamenting themselves. 57. Natives of NSW ornamenting themselves
Young Matabili with head dress
Lo Bengulu King of MatabelelandIn the process of reviewing his army. 1870. Sketch 61 from a collection of original sketches by Thomas Baines, (1859-1871)
Drawings 32-36 from the Watling Collection32. The sitting attitude of women from New South Wales. 33. Untitled. 34. Nanbree. 35. Dirr-a-Goa. 36. Wearring, known as Mr Long, and Karra da
Matabili girls, Um Gnoma River Nov. 1869
Umtigaan at the head of his regiment
Australian Aborigine toolsIllustrations by Thomas Watling. Drawings 78 to 79 from the Watling Collection
Sawing up - the first log, Lees farm Mangwe River. February 1879. Sketch 35 from a collection of original sketches by Thomas Baines (1859-1871)
Dressing the IssiyokoThe Issiyoko is the Warriors headring, at Slambo Boloi, November 1869 Sketch 69 from a collection of original sketches by Thomas Baines, (1859-1871)
Matabili, Imbusini River November 1869Sketch 71 from a collection of original sketches by Thomas Baines, (1859-1871)
Warriors dancingSketch 63 from a collection of original sketches by Thomas Baines, (1859-1871)
Kapaes, The Court Jester & flatterer aIn ordinary to the King No Bengulu. April 1870. Sketch 81 from a collection of original sketches by Thomas Baines, (1859-1871)
Watling Collection 58-61: Natives of New South Wales, Austra58. Balloderree, 59. View in Port Jackson, 60. Gna.na.gan.na, 61. Native of New South Wales, Australia. Drawings 58-61 from the Watling Collection
Matabili at Nobengulus Village Nov. 1869Sketch 75 from a collection of original sketches by Thomas Baines, (1859-1871)
Sacred stone worshipped by the MashonasLocated about two miles East of Ganyana River, September 1870. Sketch 51 from a collection of original sketches by Thomas Baines, (1859-1871)
Old Mashona Diggins at ZhelingomeOctober 1870. Sketch 54 from a collection of original sketches by Thomas Baines, (1859-1871)
The Installation of No BenguluInto the supreme chieftainship of Matabili land, February 1870. Sketch 36 from a collection of original sketches by Thomas Baines, (1859-1871)
Australian Aborigine portraitsA collection of illustration by Thomas Watling. Drawings 61 to 68 from the Watling Collection held at the Natural History Museum, London
Umtigesi maintaining orderAt the Umtigesis village on the Kootooroo River, branch of the Um Saabie June 1870. Sketch 40 from a collection of original sketches by Thomas Baines, (1859-1871)
Young Matabili warrior 1870-1871Sketch 77 from a collection of original sketches by Thomas Baines, (1859-1871)