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COLLINS, William Wilkie (1824-1889). British writer. Collins signature in an edition of My Miscellanies (london, 1875). Litography
JIMENEZ, Juan RamnJoaquin Sorolla (1863-1923); JIMENEZ, Juan Ramn (1881-1958). Spanis poet. Nobel Prize in 1956
SOROLLA, JOAQUЎ(1863-1923);JIMENEZRODRIGUEZ, Jos (-1792); SALVADOR CARMONA, Juan Antonio (1740-1805). Bartolom Leonardo de Argensola. Engraving
VERESAEV, Vikenti Vikentievich (1867-1945); ANDREIEV, Leonid Nikol ievich (1871-1919). Russian writer. Portrait
BAUDELAIRE, Charles (1821-1867); POE, Edgar Allan (1809-1849). French poet and critic.; American writer. The Fall of the
ALBERTI, Rafael (1902-1999)
SOLOMON ( -931 BC); PRIETO, Felix (ca.1772-1802); LEON, Fray Luis de (1528-1591). King of the Jews from 970 to 931 BC.; Draughtsman
ANNE BOLEYN (1505-1536). Queen of England (1533-1536), second wife of Henry VIII. Illustration from the series Portadas
ANDREIEV, Leonid Nikol ievich (1871-1919). Russian writer. Portrait of Andreyev at his office. Photography
TOLSTOY, Lev Nikolayevich, Leo (1828-1910). Portrait of Leo Tolstoy and his wife Sophia at their house in Yasnaya Poliana
MORENO TEJADA, Juan (1739-1805). Cervantes at the printer s. Representation of Cervantes in the printer s, from a
Virgil and the Muses. Roman art. Mosaic. Proc: TUNISIA. Sousse. Hadrumetum
CHESTERTON, Gilbert Keith (1874-1936). British novelist. Les Crimes d Anglaterre, French edition published in Parг (1916)
QUEVEDO y VILLEGAS, Francisco de (1580-1645). Spanish Golden Age writer. Portrait (17th c.). Oil on canvas
Camacho, Marcelino (1918); AlbertiAZORIN, Jos MartЮ ez Ruiz, also called (1873-1967). Spanish writer, member of the Generation of 98. Top hat, gloves
ANDERSEN, Hans Christian (1805-1875). Danish poet and novelist, author of famous fairy tales. Photography
CERVANTES SaVEDRA, Miguel de (1547-1616). Spanish writer. Don Quixotes Inn (Venta). Photography. SPAIN. CASTILE-LA MANCHA
Saloms dance with the head of Saint John the Baptist. Decoration of the apses. SWITZERLAND. Mustair. Convent
SERRA, Pere (1343-1406). Madonna with Angels. Gothic art. Tempera on wood. Proc: SPAIN. Tortosa
Embroidered altar frontal with the Adoration of the Kings. Gothic art. Tapestry. Proc: SPAIN. Sant Joan de les
Pedret, Master of (12ThSt. Marks Basilica. ITALY. Venice. St. Marks Basilica. Middle Byzantine art. Architecture
Virgin from Ger. Woodcarving with polychromy in tempera. Romanesque art. Sculpture on wood. Proc: SPAIN. Ger. Church of Santa
PEDRET, Master of (12th century). Apse from Santa Maria d Aneu. 11th c. On the semicircular wall elements of
(Martincho, probably Antonio Ebassum) throws a bull in the rGOYA Y LUCIENTES, Francisco de (1746-1828). The same man (Martincho, probably Antonio Ebassum) throws a bull in the ring
The rabble hamstring the bull with lances, sickles, banderil
The daring of Martincho in the ring at SaragossaGOYA Y LUCIENTES, Francisco de (1746-1828). The daring of Martincho (probably Antonio Ebassum) in the ring at Saragossa. Plate
The very skilful student of Falces wrapped in his cape, trGOYA Y LUCIENTES, Francisco de (1746-1828). The very skilful student of Falces wrapped in his cape, tricks the bull
The agility and audacity of Juanito Apinani in the ring at MGOYA Y LUCIENTES, Francisco de (1746-1828). The agility and audacity of Juanito Apinani in the ring at Madrid. Plate 20
Perhaps they are of another breed. Plate 61 of The DisastersGOYA Y LUCIENTES, Francisco de (1746-1828). Perhaps they are of another breed. Plate 61 of The Disasters of War
The healthy and the sick. Plate 57 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). The healthy and the sick. Plate 57 of The Disasters of War. Etching
They do not arrive in time. Plate 52 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). They do not arrive in time. Plate 52 of The Disasters of War. Etching
I saw it. Plate 44 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). I saw it. Plate 44 of The Disasters of War. Etching
Aguarda que vengaGOYA Y LUCIENTES, Francisco de (1746-1828). Aguarda que venga. Drawing
Everything is topsy-turvy Plate 42 of The Disasters of WarGOYA Y LUCIENTES, Francisco de (1746-1828). Everything is topsy-turvy. Plate 42 of The Disasters of War. Etching
drawing for plate 42 of Los Caprichos, red wash and sanguineGOYA Y LUCIENTES, Francisco de (1746-1828). Los Caprichos. Preparatory drawing for plate 42 of Los Caprichos, red wash and sanguine
The women give courageGOYA Y LUCIENTES, Francisco de (1746-1828). The women give courage. Plate 4 of The Disasters of War. Etching
Bury them and keep quietGOYA Y LUCIENTES, Francisco de (1746-1828). Bury them and keep quiet. Plate 18 of The Disasters of War. Etching
Sad forebodings of what is to comeGOYA Y LUCIENTES, Francisco de (1746-1828). Sad forebodings of what is to come. Plate 1 of The Disasters of War
You will not find it
Spain. War of Independence. Siege in Zaragoza (June-August 1808). Etching
Do not open the eyesGOYA Y LUCIENTES, Francisco de (1746-1828). Do not open the eyes. Drawing
The Grape HarvestGOYA Y LUCIENTES, Francisco de (1746-1828). The Grape Harvest. Oil on canvas
Lux ex TenebrisGOYA Y LUCIENTES, Francisco de (1746-1828). Lux ex Tenebris. Drawing
Goya Y Lucientes, Francisco
Leccin de esgrima (s. XVIII). Golpe de segunda debajo del brazo. Xylography
DEBUCOURT, Philibert Louis (1755-1832). The Palais Royal Garden Walk. Litography
Briseis Given back to Achilles by RUBENS, Peter Paul (1577-1640). Central detail. Cardboard for an Achilles History tapestry. Briseis
Triumphal Entrance of Henri IV into Paris by RUBENS, Peter Paul (1577-1640). Left central detail. Baroque art.; Flemish art
