Film Collection (page 19)

Florence Rice in Paradise For Three (1938) wearing a Dolly Tree gown and with Frank Morgan (left) and Robert Young (right) Date: 1938

A lam, form-fitting dinner gown designed by Dolly Tree for Florence Rice in Navy Blue & Gold (1937) Date: 1937

A costume created by Dolly Tree for Florence Rice during the production of Stand up and Fight (1939). This afternoon ensemble for the cocktail hour was fashioned in gold lam combined with deep brown

Ann Rutherford in a Dolly Tree formal gown from The Ghost Comes Home (1940). Season in and season out white was always seen as the perfect colour for formal finery

Ann Rutherford in Dolly Tree suit from The Ghost Comes Home
Ann Rutherford in a Dolly Tree suit from The Ghost Comes Home (1940). It was stressed that no wardrobe was complete for the career girl if it did not contain a good tweed, well-tailored suit

Rita Johnson in The Girl Downstairs (1939) wearing a two piece military style suit. Date: 1939

An evening dress for Rita Johnson in Manproof (1938)
Rows and rows of black chiffon made the skirt of this evening gowm for Rita Johnson in Manproof (1938) designed by Dolly Tree

Dolly Tree two-piece suit for The Golden Fleecing (1940)
Virginia Grey wore this sleekly tailored Dolly Tree two-piece suit in The Golden Fleecing (1940) made of deep blue wool. Of interest was the white piqu accents of collar

Rita Johnson wearing a smart Dolly Tree suit in 6000 Enemies (1939) with Walter Pidgeon Date: 1939

Rita Johnson - Dolly Tree negligee in Within the Law (1939)
Rita Johnson wore this Dolly Tree negligee in Within the Law (1939) and designed by Dolly Tree Date: 1939

Rita Johnson in elegant Dolly Tree evening gown
Rita Johnson wore this elegant Dolly Tree evening gown in Within the Law (1939). Definitely Eastern in effect, it was sprinkled with rows of silver sequins on the gown and cloak

Rita Johnson and Spencer Tracy in Edison the Man (1940). Johnson is wearing a period gown designed by Dolly Tree Date: 1940

Rita Johnson wearing an evening gown designed by Dolly Tree
Rita Johnson wearing a full and flowing chiffon evening gown designed by Dolly Tree in My Dear Miss Aldrich (1937) but also worn by Florence Rice in Beg Borrow or Steal (1937). Date: 1937

Rosalie (1937) - the women in Dolly Tree gowns
Ilona Massey, Eleanor Powell, Frank Morgan and Edna May Oliver in Rosalie (1937) - the women in Dolly Tree gowns Date: 1937

One of the spectacular dance numbers from Rosalie (1937) dressed by Dolly Tree Date: 1937

Ilona Massey in one of her dance numbers from Rosalie (1937) wearing a Dolly Tree gown Date: 1937

Scenes from Rosalie (1937) dressed by Dolly Tree Date: 1937

Eleanor Powell in one of the dance numbers in Rosalie (1937) wearing a Dolly Tree costume Date: 1937

Ilona Massey in one of her Dolly Tree creations from Rosalie (1937) Date: 1937

A scene from Rosalie (1937) dressed by Dolly Tree Date: 1937

Judy Garland wearing a Dolly Tree dress, probably from Andy Hardy Meets Debutante (1940), Babes in Arms (1940) or Strike Up the Band (1940). Date: 1940

Judy Garland and Mickey Rooney in Strike Up the Band (1940) with Garland in her 1890s Florodora costume designed by Dolly Tree Date: 1940

Judy Garland and Sophie Tucker wearing Dolly Tree creations in Thoroughbreds Don t Cry (1937). Date: 1937

Judy Garland and Mickey Rooney in Andy Hardy Meets Debutante (1940). Date: 1940

A wardrobe test showing a pink net evening gown worn by Judy Garland in Little Nellie Kelly (1940) designed by Dolly Tree. The gown was posed over yards and yards of ruffled underskirting

A scene from Laughing Boy (1934) with Lupe Velez and Ramon Novarro Date: 1934

Helen Twelvetrees (with Virginia Bruce) in an evening gown
Helen Twelvetrees (with Virginia Bruce) in an elegant, yet simple, satin evening gown designed by Dolly Tree in Times Square Lady (1935)

Simple dinner gown designed by Dolly Tree for Virginia Bruce
A simple dinner gown designed by Dolly Tree for Virginia Bruce in Stronger Than Desire (1939) made of chartreuse and black silk crepe

One of Virginia Bruce?s gowns designed by Dolly Tree for Stronger Than Desire (1939). Described as a summery affair, it was made of woody pine chiffon with silver beads outlining an Empire bodice

A coat designed by Dolly Tree for Virginia Bruce
A beige long-coated travelling suit with beaver collar designed by Dolly Tree for Virginia Bruce in Times Square Lady (1935) Date: 1935

A suit designed by Dolly Tree for Virginia Bruce
A smart tiered black suit with fur collar and muff designed by Dolly Tree for Virginia Bruce in Times Square Lady (1935) Date: 1935

The cast of Shadow of Doubt (1935) with the women dressed in Dolly Tree finery - from left to right (female cast) Betty Furness, Constance Collier, Virginia Bruce and Isabel Jewell Date: 1935

A Dolly Tree gown and fur wrap worn by Virginia Bruce
A full draped evening gown designed by Dolly Tree for Virginia Bruce in Shadow of Doubt (1935). It featured a v neckline, diamond clip and full wide waistband, topped with a circular fur wrap

A Dolly Tree negligee worn by Virginia Bruce
The very last word in negligees is worn by Virginia Bruce in Shadow of Doubt (1935). Made of peach blossom pink chiffon over a slip of heavy crepe of the same shade

Gown by Dolly Tree - Virginia Bruce in Stronger Than Desire
A gown by Dolly Tree for Virginia Bruce in Stronger Than Desire (1939) Date: 1939

Virginia Bruce in a Dolly Tree gown for Stronger Than Desire (1939) made of chiffon with full sleeves and a wide embroidered waistband and matching cuffs. Date: 1939

A hostess gown of black velvet, designed by Dolly Tree for Virginia Bruce in Stronger Than Desire (1939), is unrelieved except for neckline and front panel hand embroidery of white paillettes

Virginia Bruce in Arsene Lupin Returns (1938) wearing her while dinner gown with jewelled clasp on shoulder Date: 1938

Virginia Bruce in The First Hundred Years (1938), wearing her novel suede outfit designed by Dolly Tree. This smart street and sport two-piece ensemble in turquoise

A dinner dress designed by Dolly Tree for Virginia Bruce
Handpainted in blue and gold was the organdie skirt of this dinner gown designed by Dolly Tree for Virginia Bruce in Woman Against Woman (1938)

Two-piece bolero suit by Dolly Tree for Virginia Bruce
A two-piece bolero suit designed by Dolly Tree for Virginia Bruce in Woman Against Woman (1938) exemplified the continued popularity of the bolero at the time

Virginia Bruce in black evening gown designed by Dolly Tree
Virginia Bruce in a black evening gown designed by Dolly Tree for Society Lawyer (1939) for the cabaret sequence. The gown was backless but edged with ruffles and banded at the waist. Date: 1939

Madge Evans in Piccadilly Jim (1936) wearing Dolly Tree Gown
Madge Evans in Piccadilly Jim (1936) wore this evening gown designed by Dolly Tree made of white piqu. There was a clip at the back for variety

An attractive dress designed by Dolly Tree for Madge Evans
An attractive evening gown designed by Dolly Tree for Madge Evans in Piccadilly Jim (1936) made of white nubby crepe. A note of formality was added by its simplicity in design

Suit and cape designed by Dolly Tree for Madge Evans
A suit and cape designed by Dolly Tree for Madge Evans in Piccadilly Jim (1936) fashioned from pearl grey crepe romaine for afternoon and street-wear

Suit designed by Dolly Tree for Madge Evans - Piccadilly Jim
A suit designed by Dolly Tree for Madge Evans in Piccadilly Jim (1936) Date: 1936

Madge Evans in Moonlight Murder (1936)
White crepe and fringe fashioned this smart formal gown designed by Dolly Tree for Madge Evans in Moonlight Murder (1936). Date: 1936

Madge Evans in David Copperfield (1935) in a Dolly Tree creation Date: 1935

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