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A Sixty-Five Pounder Opening Fire, by James McBey, WW1" Zero". A Sixty-Five Pounder Opening Fire, drypoint print by James McBey, First World War. Referring to a bombardment in Palestine in the early morning of 19 September 1918. 1920
King Oscar II of Sweden, by Anders L ZornKing Oscar II of Sweden, etching by Anders L Zorn Date: 1913
La Butte, MontmartreA drypoint etching of a man walking with his dog under the light given from a tall street lantern, along a pavement in Montmartre, Paris. Date: circa 1923
From A Paris WindowA drypoint etching which displays a view looking out from a window of a house in Paris, France, a lady can be seen opposite, brushing her very long hair, over a decorative wrought iron barrier
A Berkshire StreamA drypoint etching which shows a large, decrepit old riverside building, by which a boy is sitting on the bank, another figure can be seen in one of a cluster of boats, situated in Berkshire
The Calvary ConcarneauA drypoint etching of a large, standing crucifix at the bay of Concarneau, in Finistere, France. Date: 1920
The Day's Work DoneA drypoint etching of some docked boats outside some tall costal buildings. Date: circa 1921
Troops RestingA drypoint depicting a large number of military soldiers, resting from exhaustion, beside a brick path. Date: 1916
The Sunlit HomesteadA drypoint etching of a distant Australian homestead on a bright day, surrounded by very tall, thin tree clusters. Date: circa 1925
Nature's Tracery, AutumnA drypoint etching of some trees, naturally forming a pointed arch, which frames a large building in the background. Date: circa 1925
Turkish Bath With Two FiguresA drypoint etching of a male and female figure at a Turkish bath, with curtain separating. Used as a promotion for Herbert S. Gilkes, print dealer based in Sydney. Date: circa 1865
The Water's EdgeA drypoint etching of a large, gnarled and twisted tree by the water's edge, beside a fallen, bending one. Date: circa 1923
Cool WaterA drypoint showing a creek, sheltered by numerous crooked, twisting trees. Date: circa 1922
The White GumA drypoint showing a Eucalyptus viminalis, more commonly known as a white gum tree, sat in an Australian countryside. Date: circa 1922
Wellington, N. Z. From The HillsAn etching showing an expansive view of Wellington, or Te Whanganui-a-Tara in the native Maori tongue, the capital of New Zealand since 1865. Date: circa 1921
EveningA landscape drypoint etching of some trees along a fence line in an Australian countryside setting. Date: circa 1921
The Slip-railA landscape drypoint etching showing an old, crude slip-rail fence, running along some Australian grasslands. Date: circa 1921
The Street MusiciansA drypoint showing the scene of some musicians, happily playing their music in a street, with instruments including a large harp, violin and flute. Date: circa 1921
A Dutch StoryThis drypoint shows a group of Men wearing traditional Dutch clothing, having a conversation. Date: circa 1918
The MonarchDrypoint of large tree by the Kalgan River, stretching 140 kilometres, in Western Australia. Date: circa 1918
Windmill, Der HaagDrypoint of a Dutch windmill, located in the Hague, Netherlands, looming over a small village. Date: circa 1918
Folio of 97 etchings and drypoints of the Western Front, WW1Page from a German folio of 97 drypoint etchings of the Western Front, 1914-1918, by W Schimmelpflug, 16th Dragoon Regiment. A dead soldier. Date: 1914-1918
Three Child Faces - From sketches by Paul Helleu (1859-1927). A French oil painter, pastel artist, drypoint etcher, and designer
Piano LessonEllen et sa Grandmere. From a drypoint by Paul Helleu (1859-1927). A French oil painter, pastel artist, drypoint etcher, and designer
On the River, two women in a punt
Ypres after First Bombardment, by CRW Nevinson, WW1Ypres after First Bombardment, drypoint print by Christopher Richard Wynn Nevinson, First World War. 1915-1916
Ecce Homo, 1655, by Rembrandt (1606-1669)Rembrandt Harmenszoon van Rijn (1606-1669). Dutch painter. Ecce Homo, 1655. Rijksmuseum. Amsterdam. Holland
Self-portrait etching at a window, 1648, by Rembrandt (1606Rembrandt Harmenszoon van Rijn (1606-1669). Dutch painter. Self-portrait etching at a window, 1648. Rijksmuseum. Amsterdam. Holland
Folio of 97 etchings and drypoints of the Western Front, WW1Page from a German folio of 97 drypoint etchings of the Western Front, 1914-1918, by W Schimmelpflug, 16th Dragoon Regiment. Two German soldiers walking along a country road. Date: 1916
GOYA Y LUCIENTES, Francisco de (1746-1828). Caprices" GOYA Y LUCIENTES, Francisco de (1746-1828). Caprices. This Is Certainly Reading. 1797-1799. Plate 29 of " Los Caprichos", etching, burnished aquatint and drypoint. Romanticism
Abducting horse. Plate 10 of ProverbsGOYA Y LUCIENTES, Francisco de (1746-1828). Abducting horse. Plate 10 of Proverbs, etching, aquatint and drypoint. Engraving
Happy fantasy. Plate 12 of ProverbsGOYA Y LUCIENTES, Francisco de (1746-1828). Happy fantasy. Plate 12 of Proverbs, etching, aquatint and drypoint. Engraving
There they go, plucked. Plate 20 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). There they go, plucked. Plate 20 of Los Caprichos, etching, burnished and drypoint
Blow. Plate 69 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). Blow. Plate 69 of Los Caprichos, etching, aquatint, drypoint and burin
Riddle of fear. Plate 2 of ProverbsGOYA Y LUCIENTES, Francisco de (1746-1828). Riddle of fear. Plate 2 of Proverbs, etching, aquatint and drypoint. Engraving
Volaverunt. Plate 61 of Los CaprichosGOYA Y LUCIENTES, Francisco de (1746-1828). Volaverunt. Plate 61 of Los Caprichos, etching, aquatint and drypoint. Engraving;
