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Shakespeare: Measure for MeasureAct III, Scene I the despondent Claudio with his virtous sister, Isabella C: "Ay, but to die, & go we know not where" Date: 1880
Statue of the Roman Emperor Hadrian in clerical robes. Found in Monte Celio near the L acquedotto Claudio. Copperplate engraving by Giacomo Bossi after an illustration by D. A
MUCH ADO ABOUT NOTHINGAct IV, Scene I Hero faints at the altar after being accused by Claudio of infidelity. Date: 19th century
Museum of Contemporary Art (MOCAK). KrakowPoland. Krakow. Museum of Contemporary Art (MOCAK). Built by Claudio Nardi and Leonard Maria Proli, 2001, on the old factory of Oskar Schlinder. Exterior
Araucanos (Araucanians), people of Valpara, Chile. Illustration of Atlas de la historia f ca y polit ca de Chile by Claudio Gay, 1854. Engraving
Much Ado About Nothing - title page - the wedding between Hero and Claudio is interrupted. 1862
Claudio Lopez Bru, second Marquis of Comillas (1853-1925). EClaudio Lopez Bru, second Marquis of Comillas (1853-1925). Spanish businessman and philanthropist. Engraving by J. Dieguez. The Illustration. Spanish-American Magazine, 1890. Colored
Claudio Lorenzale (1816-1889). Spanish painter. Nazarene movement of Barcelona. Medieval romantic movement. Engraving. Colored
COELLO, Claudio. Triumph of St. AugustineCOELLO, Claudio (1642-1693). The Triumph of Saint Augistine. 1664. Baroque art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum
COELLO, Claudio (1642-1693). King Charles II. Bust. Baroque art. Oil on canvas
Carreo de Miranda, Disciple of (end 16th century). King Charles II. Attributed to a disciple of Carreo, maybe Claudio
COELLO, Claudio (1642-1693). The Adoration of the Sacred Form. 1685-1690. SPAIN. San Lorenzo de El Escorial. Royal Monastery of San Lorenzo de El Escorial. Baroque art. Oil on canvas
Appian Way / RomeThe Appian Way stretching away from Rome and the Aqueduct of Claudius in the background. Date: circa 1890