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Attributed Collection

Background imageAttributed Collection: King William III

King William III 1650-1702. Wyck, Jan c. 1640-1702 (attributed to)

Background imageAttributed Collection: Borthwick Castle, Midlothian

Borthwick Castle, Midlothian. Williams, Hugh William Grecian 1773 - 1829 (attributed to)

Background imageAttributed Collection: Emerald Tablet, Smaragdine Table or Tabula Smaragdina

Emerald Tablet, Smaragdine Table or Tabula Smaragdina. Work attributed to the legendary alchemist Hermes Trismegistus who summarizes the process Magnum Opus or Great work for the creation of

Background imageAttributed Collection: ITALY. Siena. Cathedral. Hermes Trismegistus

ITALY. Siena. Cathedral. Hermes Trismegistus delivers a book to two personages who represent the Orient and the Western. Work attributed to Giovanni di Maestro Stefano (1488). Renaissance art

Background imageAttributed Collection: Peninsular War, with riflemen of 95th Reg

Peninsular War, with riflemen of 95th Reg
An action during the Peninsular War, with riflemen of 95th (Rifle) Regiment acting as snipers, 1810 (c).Watercolour attributed to Denis Dighton

Background imageAttributed Collection: Elegant stone bridge on the river Minnick, Galloway, Scotland, attributed to oman engineers

Elegant stone bridge on the river Minnick, Galloway, Scotland, attributed to oman engineers. Date: in 1908

Background imageAttributed Collection: Dancing Hours

Dancing Hours
Black and white. Image shows a bas relief of six ladies, each holding the hand of the ones next to her, and apparently dancing. This is a Wedgwood bas relief originally attributed to John Flaxman Jr

Background imageAttributed Collection: Stewart Banks

Stewart Banks 1725 - 1802 (c.1760-65). Lowry, Strickland 1737-c.1785 (attributed to). Date: 1760-1765 (circa)

Background imageAttributed Collection: First Calendar

First Calendar
THE FIRST CALENDAR attributed to Numa, king of Rome

Background imageAttributed Collection: Tres Sainte Trinosophie

Tres Sainte Trinosophie
Title-page of LA TRES SAINTE TRINOSOPHIE, a Cabbalistic manuscript attributed to the Comte de Saint-Germain

Background imageAttributed Collection: Mass of Saint Gregory. 15th c. Attributed to Juan

Mass of Saint Gregory. 15th c. Attributed to Juan de Nalda. Castilian Spanish-Flemish School. It comes from the Convent of Santa Clara (Palencia). Gothic art. Painting. SPAIN

Background imageAttributed Collection: New Worshiping of the Beast. Apocalypse of Angers

New Worshiping of the Beast. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). New Worshiping of the Beast. 1372 - 1382. Second Scene of the tapestry number 4 of the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageAttributed Collection: BATAILLE, Nicolas. Apocalypse of Angers

BATAILLE, Nicolas. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). he Beast out of the Earth Making Fire Come Down from Heaven. 1375 - 1382. Third Scene of the tapestry number 4 of the series Apocalypse of Angers commissioned by Louis I

Background imageAttributed Collection: A Visit to the Irish Pig! With reflections Physical & Moral

A Visit to the Irish Pig! With reflections Physical & Moral
George III, accompanied by the Lord Chamberlain Salisbury, inspects a gigantic pig. Salisbury announces That Pig is the Tallest Fittest Properest Pig to stand before the K[ing]

Background imageAttributed Collection: Sicily - Palermo Monte Pellegrino Saint Rosalies Chapel

Sicily - Palermo Monte Pellegrino Saint Rosalies Chapel
Black and white Victorian lantern slide of the Chapel of Saint Rosalie. Saint Rosalie lived a hermit life in the caves of Mount Pallegrino

Background imageAttributed Collection: Wartime Vimaltol Advertisement

Wartime Vimaltol Advertisement
A wartime advertisement promoting Vimaltol, a delicious vitamin food for children. The photographs portray a young child in various positions around his cot, with comical quotes attributed

Background imageAttributed Collection: Embellishment of Platerias Street, Charles III enters Madrid

Embellishment of Platerias Street, Charles III enters Madrid
Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Platerias Street (Main Street) on the occasion of the entry of Charles III in Madrid, circa 1760. Detail

Background imageAttributed Collection: Triumphal Arch of Santa Maria (Saint Mary) in Calle Mayor

Triumphal Arch of Santa Maria (Saint Mary) in Calle Mayor
Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Triumphal Arch of Santa Maria (Saint Mary) in Calle Mayor (Main Street), circa 1760. History Museum. Madrid. Spain

Background imageAttributed Collection: Embellishment of Plaza Mayor, Charles III enters Madrid

Embellishment of Plaza Mayor, Charles III enters Madrid
Embellishment of the Puerta del Sol on the occasion of the entry into Madrid of Charles III, circa 1760. Attributed to Lorenzo de Quiros (1717-1789). History Museum. Madrid. Spain

Background imageAttributed Collection: Arthur Wellesley (1769-1852), circa 1820-1825

Arthur Wellesley (1769-1852), circa 1820-1825
Arthur Wellesley (1769-1852). 1st Duke of Wellington. British military and Prime Minister. Portrait attributed to John Jackson (1778-1831), circa 1820-1825. Lazaro Galdiano Museum. Madrid. Spain

Background imageAttributed Collection: Felix Lope de Vega y Carpio (1562-1635)

Felix Lope de Vega y Carpio (1562-1635). Spanish writer. Portrait attributed to Eugenio Cajes (1574-1634). First third of 17th century. Lazaro Galdiano Museum. Madrid. Spain

Background imageAttributed Collection: A La Suite d'un Article Signe: Boulimy

A La Suite d'un Article Signe: Boulimy
This sketch shows a group of four gentlemen interacting, visually representing the following caption, translated in English. Mr

Background imageAttributed Collection: Tink

Tink
A portrait oil painting of a standing girl, wearing a white dress with a pink sash, fastened at the back with a bow, her name is Miss Joan Claudia Johnson

Background imageAttributed Collection: Willingham House, Market Rasen

Willingham House, Market Rasen
An oil painting of Willingham House, a country house near Market Rasen in Lincolnshire. It was built circa 1790 for Ayscoghe Boucherett, member of parliament for Grimsby between 1796-1803

Background imageAttributed Collection: St. Francis

St. Francis
A painting of Saint Francis of Assisi, an Italian catholic friar, deacon and mystic. He is one of the most venerated figures in Christianity who founded the men's Order of Friars Minor

Background imageAttributed Collection: Advert, Pyotts Marie Biscuits

Advert, Pyotts Marie Biscuits that Children Love! Date: 1937

Background imageAttributed Collection: Categoriae Decem (Fragment)

Categoriae Decem (Fragment)
Single quarto sized leaf, parchment, with text from the Categoriae Decem, a summary of the categories of Aristotle, originally attributed to St Augustine. Text in a minuscule script in dark brown

Background imageAttributed Collection: Apostles Andrew and Peter attributed to Master of Ventosilla

Apostles Andrew and Peter attributed to Master of Ventosilla
Apostles Andrew and Peter. Attributed to Master of Ventosilla. Early 16th century. Oil on board. Museum of Pilgrimage and Santiago. Santiago de Compostela, La Coruna province, Galicia, Spain

Background imageAttributed Collection: Apostles James and John. Attributed to Master of Ventosilla

Apostles James and John. Attributed to Master of Ventosilla. Early 16th century. Oil on board. Museum of Pilgrimage and Santiago. Santiago de Compostela, Galicia, Spain. Date: 2019

Background imageAttributed Collection: Military parade in front of the Congress of the Deputies

Military parade in front of the Congress of the Deputies
Painting attributed to Joaquin Siguenza Chavarrieta (1825-1902). Spanish painter. Military parade in front of the Congress of the Deputies on the occassion of the victory of the Glorious Revolution

Background imageAttributed Collection: Ferdinand VII. Attributed to Francisco Lacoma y Fontanet

Ferdinand VII. Attributed to Francisco Lacoma y Fontanet
Ferdinand VII (1784-1833). King of Spain (1808-1833). Portrait attributed to Francisco Lacoma y Fontanet (1784-1849). Museum of Romanticism. Madrid. Spain. Date: 2019

Background imageAttributed Collection: Elizabeth at the Age of Seventeen

Elizabeth at the Age of Seventeen
A portrait miniature painting of Elizabeth I, at the age of seventeen, when she was a Princess, part of the Royal collection at Windsor Castle

Background imageAttributed Collection: John Churchill, 1st Duke of Marlborough (1650-1722)

John Churchill, 1st Duke of Marlborough (1650-1722), Captain-General of the English forces and Master-General of the Ordnance, 1702 (c)

Background imageAttributed Collection: BATAILLE, Nicolas. Apocalypse of Angers

BATAILLE, Nicolas. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). Rejoicing of Men before the dead Witnesses. 1375 - 1382. Fifth Scene of the tapestry number 3 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageAttributed Collection: JAPANESE FIREBALL

JAPANESE FIREBALL
A fire-ball is seen from time to time on Lake Biwa, at Zeze, and is attributed to the spirit of a dead daimio (prince) Date: 1908

Background imageAttributed Collection: WINDMILL AT CHESTERTON

WINDMILL AT CHESTERTON
The windmill at Chesterton, Warwickshire, built in 1632 to a design attributed to Inigo Jones Date: 19th century

Background imageAttributed Collection: Wrecked Scottish Express at Creamlington - General Strike

Wrecked Scottish Express at Creamlington - General Strike
Wrecked Scottish Express at Creamlington, Northumberland - Deliberate derailment attributed to strikers during the General Strike. Date: 1926

Background imageAttributed Collection: Plaza Mayor of Mexico City. ca. 1766. The viceroys s

Plaza Mayor of Mexico City. ca. 1766. The viceroys s
Plaza Mayor of Mexico City. ca. 1766. The viceroyss cortege crossing the aquare in a market day. Painting attributed to Juan Antonio Prado. Central detail. Colonial baroque. Oil on canvas. MEXICO

Background imageAttributed Collection: A View of Blackfriars, attributed to Francis Smith

A View of Blackfriars, attributed to Francis Smith
A View of Blackfriars and Saint Pauls from Somerset Gardens, attributed to Francis Smith

Background imageAttributed Collection: Landscape, Formerly attributed to Nicolas Poussin

Landscape, Formerly attributed to Nicolas Poussin
Landscape by LEMAIRE, Jean (1597-1659). Formerly attributed to Nicolas Poussin. Classicism. Oil on canvas

Background imageAttributed Collection: Lieutenant-Colonel Robert Watson

Lieutenant-Colonel Robert Watson. One of a set of six unsigned oil paintings on canvas attributed to Giuseppe Chiesa (d 1789), 1769-1771 (c)

Background imageAttributed Collection: Ursins, Marie-Anne de la Tremoille, princesse des

Ursins, Marie-Anne de la Tremoille, princesse des (1642-1722). Lady of the Spanish court, was the daughter of the duc de Noirmoutier and his wife Ren饠 Julie Aubri

Background imageAttributed Collection: Gaius Julius Hyginus (64 BC - 17). Latin author

Gaius Julius Hyginus (64 BC - 17). Latin author. Poeticon Astronomicum. The constellation of Gemini. Work attributed to Hyginus. Incunable, 15th c. Renaissance art. Engraving

Background imageAttributed Collection: Woman Clothed with the Sun. Apocalypse of Angers

Woman Clothed with the Sun. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Woman Clothed with the Sun. 1375 - 1382. Eighth Scene of the tapestry number 3 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageAttributed Collection: The New Jerusalem. Apocalypse of Angers

The New Jerusalem. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The new Jerusalem. 1375 - 1382. Depiction of the Heavenly Jerusalem. 11th scene of the tapestry number 6 from the series Apocalypse of Angers commissioned by Louis I

Background imageAttributed Collection: The Beast of the Sea. Apocalypse of Angers

The Beast of the Sea. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Beast of the Sea. 1375 - 1382. The Dragon Royal transmits his power (Royal Scepter) to the Panther

Background imageAttributed Collection: St. John and the Angel. Apocalypse of Angers

St. John and the Angel. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). St John anf the Angel. 1375 - 1382. The angel dictates the true word of God. 15th scene of the tapestry number 5 from the series Apocalypse of Angers commissioned by

Background imageAttributed Collection: St John Eating the Book. Apocalypse of Angers

St John Eating the Book. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). St. John Eating the Book. 1375 - 1382. Scene of the tapestry number 2 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageAttributed Collection: The 7 churches. Apocalypse of Angers

The 7 churches. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Seven Churches of Asia. 1375 - 1382. St. John announces the revelation to believers of the Roman province of Asia

Background imageAttributed Collection: First cup poured out. Apocalypse of Angers

First cup poured out. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The First Cup poured out upon the Earth. 1375 - 1382. Golden vial (bowl) filled with the Wrath of God

Background imageAttributed Collection: Fall of Babylon. Apocalypse of Angers

Fall of Babylon. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The fall of Babylon invaded by demons. 1375 - 1382. 11th scene of the tapestry number 5 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageAttributed Collection: First Seal: White Horse. Apocalypse of Angers

First Seal: White Horse. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). First Seal. The Conqueror on the White Horse. 1375 - 1382. First Horseman of the Apocalypse. Scene of the tapestry number 1 from the series Apocalypse of Angers

Background imageAttributed Collection: Christ with the sword. Apocalypse of Angers

Christ with the sword. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). Christ with the Sword in his mouth. 1375 - 1382. Jesus Christ reveals to st John the mystery of the seven candlesticks (seven churches)

Background imageAttributed Collection: 7 Last Plagues. Apocalypse of Angers

7 Last Plagues. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The seven last plagues and the harps of God. 1375 - 1382. The upper Angels with the golden vials (bowls) filled with the Wrath of God

Background imageAttributed Collection: 2nd cup poured out. Apocalypse of Angers

2nd cup poured out. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Second Vial poured out upon the Sea. 1375 - 1382. Golden vial (bowl) filled with the Wrath of God

Background imageAttributed Collection: Suffragette Votes for Women Arrested Policemen

Suffragette Votes for Women Arrested Policemen. A woman walking with policeman either side, holding her wrists, is arrested in a street

Background imageAttributed Collection: Annie Laurie

Annie Laurie
ANNIE LAURIE of Maxwelton, beloved by William Douglas of Fingland, to whom the ballad is attributed, but who married Alexander Fergusson of Craig- darroch, promises forgotten... Date: 1680S - 1760S

Background imageAttributed Collection: Col. Henry OHara d

Col. Henry OHara d
Col. Henry O Hara d.1745 (c.1725-35). Bindon, Francis c. 1690-1765 (attributed to). Date: 1725-35 (circa)

Background imageAttributed Collection: FONTAINEBLEAU, School of (1530-1570). Gioconda

FONTAINEBLEAU, School of (1530-1570). Gioconda or naked Mona Lisa (Mona Vanna Nuda). Painting attributed to Joos van Cleve (1485-1541). Mannerism art. Painting. CZECH Rep.. Prague

Background imageAttributed Collection: RIBERA, Jos頨1588-1652). Ecce homo. Painting

RIBERA, Jos頨1588-1652). Ecce homo. Painting
RIBERA, Jos頨 1588-1652). Ecce homo. Painting on copper. Attributed. Baroque art. Oil. SPAIN. Cᤩ z. Museo de Cᤩ z

Background imageAttributed Collection: Nijo Castle. JAPAN. Kyoto. Nijo Castle. Mural

Nijo Castle. JAPAN. Kyoto. Nijo Castle. Mural paintings attributed to Kano Tanyu. Japanese art. Tokugawa shogunate period. Architecture

Background imageAttributed Collection: Lady Louisa Lennox with her husband?s Regiment

Lady Louisa Lennox with her husband?s Regiment, 25th Regiment of Footwith Lord George Lennox beside her, and Fort St Philip, Port Mahon, in the background, 1771 (c)

Background imageAttributed Collection: Pair of Flower Pyramids, c. 1710-1720, by Lambertus van Eenh

Pair of Flower Pyramids, c. 1710-1720, by Lambertus van Eenh
Lambertus van Eenhoorn (1651-1721). Dutch artist. Pair of Flower Pyramids, Attributed to De Metaale Pot. Delft, c. 1710-1720. Rijksmuseum. Amsterdam. Holland

Background imageAttributed Collection: John Henry Foley - 2

John Henry Foley - 2
JOHN HENRY FOLEY - Irish sculptor, accompanied by the tools of his trade and by his autograph, without which none of his works attributed to him can be considered authentic. Date: 1818 - 1874

Background imageAttributed Collection: ITALY. Trento. Castle Buonconsiglio. Eagles Tower

ITALY. Trento. Castle Buonconsiglio. Eagles Tower. City works. Detail. Work commissioned by Giorgio di Liechstein and attributed to Wenceslao de Bohemia

Background imageAttributed Collection: Exchange of Princesses Anne of Austria and Isabella

Exchange of Princesses Anne of Austria and Isabella of Bourbon in the Isle of Pheasants on the river Bidasoa the November 9, 1615. Work c. 1615 attributed to Pieter van der Meulen

Background imageAttributed Collection: Poporo. Lime container used to carry the lime to

Poporo. Lime container used to carry the lime to the mouth while chewing coca leaves. Poporos are also attributed with mystical powers and social status

Background imageAttributed Collection: Poeticon Astronomicum. The constellation of Bo�

Poeticon Astronomicum. The constellation of Bo�;. Work attributed to Hyginus. Incunable, 15th c. Renaissance art. Engraving

Background imageAttributed Collection: Worshiping of the Dragon. Apocalypse of Angers

Worshiping of the Dragon. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Worshiping of the Dragon. 1375 - 1382. Scene 14 of the tapestry number 3 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageAttributed Collection: Worshiping of the Beast. Apocalypse of Angers

Worshiping of the Beast. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Worshiping of the Beast. 1375 - 1382. Scene 15 of the tapestry number 3 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageAttributed Collection: The Woman gets Wings. Apocalypse of Angers

The Woman gets Wings. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Woman gets Wings. 1375 - 1382. The Woman Is given wings of the Great Eagle to flee the Dragon

Background imageAttributed Collection: The Sleep of the Just. Apocalypse of Angers

The Sleep of the Just. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Sleep of the Just. 1375 - 1382. Scene 11 of the tapestry number 4 of the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageAttributed Collection: The Number of the Beast. Apocalypse of Angers

The Number of the Beast. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Number of the Beast. 1375 - 1382. Fifth scene of the tapestry number 4 of the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageAttributed Collection: The Tears of st John. Apocalypse of Angers

The Tears of st John. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Tears of St. John. 1375 - 1382. St John weeping for the Sealed Book. Sixth Scene of the tapestry number 1 from the series Apocalypse of Angers commissioned by Louis

Background imageAttributed Collection: The harvest of the Chosen. Apocalypse of Angers

The harvest of the Chosen. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The harvest of the Chosen. 1375 - 1382. Eschatological mowing of the Earth. Scene 12 of the tapestry number 4 from the series Apocalypse of Angers commissioned by Louis

Background imageAttributed Collection: The Judges. Apocalypse of Angers

The Judges. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Judges. 1375 - 1382. Seventh scene of the tapestry number 6 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageAttributed Collection: The Chosen. Apocalypse of Angers

The Chosen. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The crowd of chosen. 1375 - 1382. Camp of the Saints. Scene of the tapestry number 2 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageAttributed Collection: The angels of the Euphrates. Apocalypse of Angers

The angels of the Euphrates. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). Sixth trumpet: The Angels of the Euphrates. 1375 - 1382. Scene of the tapestry number 2 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageAttributed Collection: The Angel with the Censer. Apocalypse of Angers

The Angel with the Censer. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Angel with the Censer before the Throne. 1375 - 1382. Scene of the tapestry number 2 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageAttributed Collection: The 7 trumpets. Apocalypse of Angers

The 7 trumpets. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). Seventh seal: The Seven Trumpets. 1375 - 1382. Scene of the tapestry number 2 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageAttributed Collection: The vintage of the damned. Apocalypse of Angers

The vintage of the damned. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The harvest of the damned. 1375 - 1382. Scene 14 of the tapestry number 4 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageAttributed Collection: The Verbe of God. Apocalypse of Angers

The Verbe of God. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Word of God charge against the Beasts. 1375 - 1382. Fourth scene of the tapestry number 6 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou

Background imageAttributed Collection: The vat overflows. Apocalypse of Angers

The vat overflows. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The vat overflows. 1375 - 1382. Blood coming out of the Wine-press of God. Scene 13 of the tapestry number 4 from the series Apocalypse of Angers commissioned by Louis I

Background imageAttributed Collection: The Two Witnesses. Apocalypse of Angers

The Two Witnesses. Apocalypse of Angers
BATAILLE, Nicolas (14th c.). The Two Witnesses. 1375 - 1382. Third Scene of the tapestry number 3 from the series Apocalypse of Angers commissioned by Louis I, Duke of Anjou



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