Angelo Collection

The Shield of Achilles, used in his battle with Hector. Scenes include the earth, sky and sea, the sun, the moon and the constellations, two beautiful cities full of people, a field being ploughed

View of the ancient city of Babylon
View of the city of Babylon, showing the ancient city with the Tower of Babel and the Hanging Gardens. Citta di Babilonia. Handcoloured copperplate engraving by B

Lorenzo Ricci
LORENZO RICCI - Italian general of the Jesuits when it was being widely attacked, despite his personal qualities imprisoned by the Pope in the Castels Angelo where he died. Date: 1703 - 1775

Gentlemen fencers in Tierce guard and thrust position
Gentlemen fencers in position for the outside-guard called Tierce, and the thrust in Tierce. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Capello St. Angelo and view of Bellagio, Lake Como, Italy. Date between ca. 1890 and ca. 1900

Pope Pius VI
POPE PIUS VI (Giovanni Angelo Braschi)

Pope Pius VI (Dupin)
POPE PIUS VI (Giovanni Angelo Braschi) captured and deported to Valence by the French

Michael Angelo Buonaroti

Alain Bridge And Castle of St Angelo, Rome

David statue by Michael Angelo, Italy

Italy David Michael Angelo pre-1900

Piazza Delle Erbe, Verona
A painting of the Piazza Delle Erbe, a market square in Verona, northern Italy, filled with figures walking in all directions, one is carrying a crying baby

Preface to Martial's Epigrammata by Merula
Two attached folios, paper, probably the endpaper and first leaf of a volume. Folio 1, which would have been the endpaper

DONATI, ngelo (16th century). Comfortable life may slow Death but it can not escape'. Illustration of the manuscript The Courtship of Death (Il Corteggio della Morte) by Abbot Angelo Donati

Fort St Angelo and the Grand Harbour Valletta Malta
Vintage 19th century photograph: Fort St Angelo and the Grand Harbour Valletta Malta

Courtyard and columns of Heliopolis, Temple of Baalbek
Plan of the courtyard of Heliopolis, or the Temple of Baalbek, and columns in the temple and the Hexagonal court, Beqaa Valley, Lebanon

The Green Dome in the Mosque of the Prophet, Medina
The Green Dome, or al-Qubah al-Khadra, in the Mosque of the Prophet, Al-Masjid al-Nabawi in Medina, Saudi Arabia. The tomb of Mahomet at Medina. Sepoloro di Maometto a Medina

Battle over the corpse of Patroclus outside Troy
Greeks and Trojans battle over the naked corpse of Patroclus outside Troy. Menelaus and Ajax protected the body until Achilles could retrieve it. Combattimento pel Cadavere di Patroclo

View of Palace of the Caesars, Rome. It was built on the Palatine Hill by Emperor Augustus and is also known as the House of Augustus, Domus Augusti

David Teniers the Younger or David Teniers II, Flemish painter, 1610 -1690. Lithograph after a drawing by HVH from Portraits of the most celebrated painters of all the schools, Ackermann, London, 1827

View of the Mausoleum of Hadrian in Parco
View of the Mausoleum of Hadrian or the Castle of St. Angelo in Parco Adriano, Rome. Copperplate engraving by Henry Moses from A Collection of Antique Vases, Altars, etc. London, 1814

Ancient figures of Orlando and Oliver, crowns and weapons of Charlemagne. Handcoloured copperplate engraving by Verico after Giuseppe Bramati from Giulio Ferrarios Ancient

Gentlemen fencers in thrust and guard positions
Gentlemen fencers in position of the inside Carte and the thrust given on the outside flank called Flanconade. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencers in thrust and guard positions
Gentlemen fencers in position for the outside-guard called Tierce and the thrust from the outside under the wrist called Second

Gentlemen fencers in Tierce outside guard
Gentlemen fencers in position for the Tierce outside guard and the thrust on the same side with the wrist reversed in carte called Carte over the Arm

Defensive guard of the small sword (B) against an attack by the broad sword (A). Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in guard of sword and lantern
Gentleman fencer in the guard of the sword and lantern run through by a thrust from an opponent using sword and cloak. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in the guard of the sword and cloak opposed by the sword and lantern. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

The Spanish Guard defeated after an attempt of the Cut on the Head. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentleman fencer in the French Guard attack against an opponent in the Spanish Guard position (A). Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer making the return thrust in Tierce after having parried with the poignard. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in the Italian Guard position fighting with sword and dagger. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in guard and thrust positions
Gentlemen fencers in position for the inside-guard called Carte and the inside-thrust called Thrust in Carte. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the second position of the Disarm on the Carte or Second Thrust, after the Prime Parade parry. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer disarming his opponent on the Carte Thrust
Gentleman fencer disarming his opponent on the Carte or Second Thrust, after parrying with the Prime Parade. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer taking his opponents sword, second position of the Disarm after parrying his Carte Thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer disarming his opponent after parrying his Carte Thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the whole turn called Volte
Gentleman fencer making the whole turn called Volte, on the Pass in Tierce, or in Carte over the Arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the Demi-Volte turn
Gentleman fencer in the half-round or bounding turn of the Body called the Demi-Volte. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer running through an opponent
Gentleman fencer stabbing his opponent after an Evasion, by moving his left leg back when his opponent makes a pass on the outside of the sword

Gentleman fencer making the Pass on the sword in Carte over the arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentlemen fencers making the plain Cut over the Point from Carte in Tierce. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer in the return from the Prime parade to the Seconde and Low Carte thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer making the return on the Flanconade thrust by reversing the edge to an opponent who has not opposed with the left hand

Gentlemen fencers making a return thrust in Quinte after the thrust in Seconde. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentleman fencer making the Seconde return thrust after parrying Carte over the Arm. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr

Gentlemen fencers in the Tierce return after the Tierce thrust. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

Gentlemen fencers in the Carte return after the Carte parry. Copperplate engraving by after an illustration by Thomas Rowlandson from Mr. Domenico Angelos The School of Fencing, London, 1787

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